Photo (CC-BY) Gastón Gaiduk.

Behringer Just Bought TC, TC Helicon, Tannoy

The music and sound industry is increasingly about big-league consolidation. InMusic – the company behind Akai and M-Audio – is growing. Long-standing Japanese titan Yamaha has snapped up Line6. Gibson now includes everything from Tascam to the website Harmony Central to consumer gear branded Philips. (And yes, throw out whatever you think you know about Gibson from the 90s – this has nothing to do with that.) Now, count the giant MUSIC Group – the parent of Behringer, with Uli Behringer as its chief – among the big sharks on the acquisition market. MUSIC Group announced today it has acquired …

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Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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KORG’s ARP Odyssey Remake to be Revealed in January

KORG has now made it public: we’ll get to see their ARP Odyssey, a remake of the classic 1970s synth involving one of the original creators, in January. Some sort of working unit at the NAMM trade show seems a likely thing to hope for. And we can also see from the image they’ve posted that they’ve opted to recreate the third-generation ARP aesthetics, faithfully reproducing the black-and-orange labels. (Click for a full-size version, without the text.) The Odyssey is a reasonable enough synth to reissue. Moog Music has already corned the Minimoog and KORG themselves the legendary MS-20; the …

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Behringer Clones KORG Remaking ARP Odyssey – Say What?

Low-cost electronic music gear king Behringer has begun asking a peculiar series of what-if questions on Facebook. First, they asked, hey, what if we entered synth market? (And, specifically, how many keys it should have and whether it should even be software or hardware.) Now, here’s a Christmas bombshell: they’re suggesting they might just go and make an ARP Odyssey for $500 with USB/MIDI and multiple filter models. There’s even a mock-up image, above. This will really come as a surprise at … KORG. It was only February when KORG announced it would re-release the ARP Odyssey, working with none …

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Watch as a Live LHC Remix Makes Scientists Start Raving [Tim Exile at TEDx]

Watch the power of science meet the power of improvisation. You know how TED talks – or even DJing – normally goes. Some omnipotent person stands on stage and everyone watches. Well, this one went a bit differently. At at a TEDx event mounted by CERN (TEDx are independent of TED, though borrowing the format), Tim Exile took the stage with a live remix. But keep watching: the beats make the crowd go wild and start dancing, first raving around the floor, then storming the stage. It’s like the nerdiest Boiler Room ever. Tim Exile has been using this Reaktor …

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What if those encoders had a new life? Photo (CC-BY-SA) 
Shunichi kouroki.

The Zaquencer Turns Behringer’s Encoders Into a Killer Step Sequencer

Dear Gods of step sequencing, we beseech thee. Give unto us first a lot of knobs. We pray for a bounty of encoders, ideally built into hardware everyone kind of forgotten about. And shine upon us with lights round those encoders. Next, let us breaketh our warranty together, so that we may onto thine encoders map parameters. And set my people free from the chains that bind them to their computers, so that they may roam free across the land and sequenceth hardware free from the tyranny of the folding metal fruit books and boxy Compy. Amen. Yes, your prayers …

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Behringer Has a Corporate Anthem; It’s Kind of Beyond Description

Way behind the times on this one, because it seems not to have gone viral – yet. But it’s a song about audio equipment manufacturer Behringer – the official corporate song. It’s not a joke. It has a big modulation and “doot doots.” Maybe someone can transcribe the lyrics. That’s — all I can say about this at the moment. In other Behringer news, a fake Twitter account parodying Uli Behringer has started complaining to me and accusing me of abusing the labor of my social media minions – I think. (What? CDM interns need bathroom breaks? Bah, hambug – …

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Tracktion, Elegant, Modern $60 DAW, Now Does Linux, Too

Properly configured, a Linux system can breathe life into old hardware or finely-tune performance on new gear. The problem has often been not the OS, but having a comfortable tool for production when you load it. And so that means Linux fans – or would-be fans – will likely be pleased to see the image above. It’s Tracktion, the lovely but oft-overlooked, bargain-priced DAW, running on Linux. (I highly recommend the just-released Ubuntu Studio. The update includes loads of fixes that solve the kinds of audio configuration problems that have kept many people from Linux, and the compatibility of that …

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Turntable Meets Cello, Sax, Laptop: How Archie Pelago Uses The Bridge and Ableton Live

With laidback, exotic grooves and richly-coordinated interlaced cello, saxophone, turntable, and electronics, Archie Pelago’s music relies on some serious technological savvy. To be sure, all you really need to play instruments and computers and turntables together is to get into a room and start jamming. But to realize their specific musical vision, the trio of Hirshi, Cosmo D and Kroba have turned to an advanced Ableton Live rig, centered around The Bridge to couple Serato and Live. Here’s a look at their music – and all the gory details that combine to make their setup tick. Grab the free EP …

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How to Use MIDI to Make an iPad More Musically Connected, Productive: Video, Resources

Practical iPad Music Making: Connecting Hardware What’s this MIDI thing about? Creatively, music is about assembling a new whole out of lots of pieces. So it makes sense that in a music workspace, making connections is important. Like traditional computers before it, part of what makes the shiny, new iPad musically useful is its ability to work with other gear. Enter MIDI. For the uninitiated, MIDI (Musical Instrument Digital Interface) is the de facto industry standard means for communicating musical events between different hardware and software. It doesn’t transmit sound, but it does transmit information like pitch, note events, knob …

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