Photo: Adam Michaud.

Venetian Snares has a new album and warms up Poland

Summer music season, like summer movie season, can feel, well, repetitive. It’s blockbusters and popcorn fare, both ways. But there are some diversions from that narrative. And one is the award-winning festival Tauron Nowa Muzyka, in Katowice. That town is building on its industrial past, literally – the festival takes place on the site of a coal mine. But it also suggests a new direction both for electronic music and Poland itself. Now in its eleventh edition, Tauron Nowa Muzyka is reaching beyond its normal premises. And this makes a perfect excuse to talk about raw source of fresh energy …

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Kyoka talks about her amazing new raster-noton sounds

raster-noton is already a beloved imprint for those who care about out-there sounds. But if you thought you’d heard every click and oscillation that name could bring, you probably haven’t heard Kyoka – the Japanese-born artist who always manages to wander out into new territory. And even before we had a chance to get the least bit tired of her last outing, she’s fresh from a trip to Stockholm’s EMS with something altogether different. CDM’s Zuzana Friday invites Kyoka over to charm and wow us all over again.

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SX on how they make electronic gospel so good it “Hurts”

SX are the embodiment of just how dynamic DIY music can be. The Belgian duo, now in their second outing, make music that’s unmistakably pop, but with plenty of raw power humming under the hood. And Benjamin and Stefanie are fully invested in their collaboration in every last detail of production, from studio to music video to live. I wanted to talk to them primarily about how that creative process came together.

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Pop, glam, death, and definitely not techno: Pop-Kultur Round-up

The problem with festivals isn’t that we’re lacking for choice. But in the fast food court of summer festivities, the offerings tend to be arrayed in hard-edged silos. Here’s the dance music one, and it’ll be a rave. Here’s the rock one, and it’s just going to be about guitars. Here’s the experimental one, and everything is likely to be a big long drone in some cavernous distorted reverb. This one is only for J.S. Bach. And so on… Pop-Kultur’s name alone implies a different frame around music. It’s experimental, but it’s also pop. It’s death metal, glam rock, pogo. …

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1GB Free Music Mixed by Function Will Take Your Brain to Berghain

Techno right now has a problem. It’s kind of a nice problem to have. There’s some music that’s just terrifically well-produced in the spotlight, so much so that it’s tough to say no to it. It’s a bit like having the number to a Chinese takeout place and knowing every time they deliver it’s going to be delicious. Yeah, tonight you should really cook a nice, heal– oh, come on, though, sesame chicken. What I mean is nicely summed up by the latest mix from Function. This is about as perfect a snapshot you’ll find of a particular mode in …

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These EDM Headlines Are Not Actually April Fools’ Jokes

I had a fantasy today that I’d tune into my favorite time-wasting dance music site, wundergroundmusic, and discover that they were celebrating April Fools’ Day by posting actual news. (wundergroundmusic is to dance music as The Onion is to world events. It is, with all apologies to myself, the best thing on the Internet.) Sadly, that didn’t happen. So, I was curious what it would look like. In the easiest CDM article research I’ve ever done, this is what I’ve turned up from the last days alone. These are … real headlines, not April Fools’ jokes – a stunning number …

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Give Yourself a Night at Panorama Bar for Free, with Ryan Elliott

Mixes, like DJs, are everywhere. But the question of how to stand above the crowd has a simple answer: be better. Be consistent, be intelligent, paint a scene. Give humans a reason to listen to you; make algorithms, like unskilled DJs, weep. And, yes, have a soul. Ryan Elliott’s mix on Ostgut Ton is simply one of the best such mixes I’ve downloaded this year, and earns a place on some hard drive round here, stored permanently in all its lossless WAV glory, an hour and a half and gig and a half. Strip away the Panorama Bar label, and …

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Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo

Morpheme excerpt [Electric Indigo & Thomas Wagensommerer] from Electric Indigo on Vimeo. Journey into “Morpheme,” a half-hour audiovisual odyssey by Electric Indigo (aka Susanne Kirchmayr) and visualist Thomas Wagensommerer. An exercise in granular extremism, it begins as a delicately crackling mist of noise, as if atoms were dancing. Just about five and a half minutes into this excerpt, someone switches on a light, and it buzzes with pounding, angrily-vibrating rhythms. Electric Indigo’s music is a regular feature here because I never cease to be amazed at the breadth of her musical output, ranging from darkly-grooving club-ready material to more idiosyncratic …

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Dystopian Bearded Techno: Watch, Listen to Rødhåd Play and Talk Music [Listening]

The phenomenon of techno’s growth right now can’t even be confined to one corner of Berlin. Rødhåd and Dystopian Records demonstrate not only the uncontainable nature of their own particular brand of shadowy dance creations, but perhaps this folk quality of electronically-produced music generally. And if you happen to like that flavor, we have quite a lot of media for you to gobble up. Dubby, dark, and distant, it’s all as always perfectly constructed, reserved in its trajectory as it builds energy. I suppose it’s predictable that getting Berghain’s stamp of approval brought Rødhåd to an international audience, but it’s …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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