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As PRS battles SoundCloud, what does it mean for your own music?

PRS for Music, a UK performing rights organization, at the end of last month sued SoundCloud for copyright infringement on behalf of its members. The action may prove a decisive moment for the Berlin-based streaming service. It represents a collision between SoundCloud’s approach and the organizations involved in administering copyright, and more broadly, between the conventional models for sharing and monetizing music and those evolving on the Internet. I spoke to representatives from PRS and SoundCloud to try to get greater clarity. Those responses were naturally a bit guarded, as the two are actively engaged in legal action. However, there’s …

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female:pressure seeks crowds to change the place of women in electronic music

Ed.: We’ve seen plenty of headlines about the role of gender equality in arts and technology. But what makes female:pressure unique, as their name implies, is that the organization is working to use the power of crowds to effect real change. CDM looks to its assistant editor and editorial intern Zuzana Friday to tell us more. -PK Founded in 1998 by Electric Indigo, female:pressure is a network of artists, DJs, musicians, journalists, booking agents, and other professionals in electronic music and digital arts. In those years, the organization has served some important roles: Highlighting the inequalities that dominates the electronic …

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Native Instruments CEO, SoundCloud CTO talk music’s future direction

With each creation tool, each means of broadcasting audio via the Web, the force of music technological access accelerates. What was once limited to an elite able to make use of studios and labels spreads to more corners of the globe. But what will that democratization mean? Earlier this summer, I got to speak to two people whose companies have been instrumental in the ways in which people make and share music today. Eric Wahlforss is co-founder and CTO of SoundCloud; Daniel Haver is CEO of Native Instruments. Those jobs keep them pretty busy, so this is the first time …

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Technics turntables return, but for DJs or aging audiophiles?

Panasonic, the company that still owns the Technics name, is engineering what it says is an all-new direct drive turntable. And it certainly looks beautiful. Looks are all we get, as a prototype shown at Berlin’s IFA electronics show is just a futuristic aluminum slab with a platter on it. But as far as aesthetics, the company isn’t messing around: this thing looks like something you’d find in the listening lounge of a flying saucer. Also interesting: just as Pioneer has done with their (excellent, by the way) new turntables, with the Technics model there’s a whole lot of new …

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Watch a 1986 TV story on house music, plus too many documentaries

In our last episode of “watching things on the Internet instead of doing real work,” we were enjoying a full-length 90s electronic music documentary and a bunch of music videos. Well, here we are at yet another weekend. And hopefully we can give you some video watching pleasure yet again, in those moments when you aren’t, well, hopefully, making music. Leading the pack is a 1986 story from Chicago TV news back when house music was in its early days, as spotted by Dancing Astronauts. And it’s an astounding document, featuring Danny “Sweet-D” Wilson, Farley “Jackmaster” Funk, Steve “Silk” Hurley, …

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Returning the festival to a place for the specific and the new, at Atonal

Electronic music, even at its most adventurous, has a bit of a chicken and egg problem at the moment. Festivals feed off of other festivals. Projects are made to be as portable as possible, touring from one place to another. Venues, crowds, and even the festival programs themselves are made to be as interchangeable as possible. None of these things on its own is a bad thing; music touring as an institution has likely been around as long as musicians have owned shoes. But at some point, you need something new to happen. You need someone to do something specific …

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Mix your weekend with these songs that inspire Sofia Kourtesis

Sometimes the narrow apertures of musical genre can be a dead-end for inspiration. You often just can’t find a way to kick-start your creative process by listening only to songs that sound like you want. So, mixes really ought to be mixes. They ought to be personal. And even for producers and DJs, listening ought to be a pleasure. This weekend, we invite back Sofia Kourtesis, the globe-trotting German-Greek-Peruvian producer and DJ, to share some of her sonic touchstones. (She was part of a big mix-up of mixes posted in March, and has also shared her techniques for mining flea …

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Pop, glam, death, and definitely not techno: Pop-Kultur Round-up

The problem with festivals isn’t that we’re lacking for choice. But in the fast food court of summer festivities, the offerings tend to be arrayed in hard-edged silos. Here’s the dance music one, and it’ll be a rave. Here’s the rock one, and it’s just going to be about guitars. Here’s the experimental one, and everything is likely to be a big long drone in some cavernous distorted reverb. This one is only for J.S. Bach. And so on… Pop-Kultur’s name alone implies a different frame around music. It’s experimental, but it’s also pop. It’s death metal, glam rock, pogo. …

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Now You Can Get Your Hands on Stems for DJing; Complete Guide

Since the spring, Native Instruments has been eager to talk about Stems every chance they got. And shops and some celebrity DJs have been quick to endorse the new initiative for releasing music in multi-track, DJ-friendly formats. But today, on the occasion of the official Stems launch, you can actually get your hands on Stems – literally. That’s because as of today, you have both usable content and DJ tools to play with it. There’s a basic but significant catalog of Stems content available, and the Traktor 2.9 software necessary to play them in a DJ set is now ready …

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Join Electric Indigo, Inner8 for an Immersion in Aesthetics

By way of follow up to our chat with Daniele Antezza yesterday, his Inner8 live act with sYn will meet up with another audiovisual collaboration – Susanne Kirchmyer (Electric Indigo), with visualist Thomas Wagensommerer. That takes place at Berlin’s Krake Festival next week, which means we get an extensive conversation with the two artists alongside a canal in the video below. They talk at length about aesthetics, collaboration, and connections to artistic practice: http://krake-festival.de/ Previously, on each of them: Outside dance music, systems of contemplation with Inner8, sYn Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo But …

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