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‘R is for Roland’ is Coffee Table Pr0n For Synth Lovers

Blah, blah, the influence of the Roland drum machines, their musical/cultural significance… I’ve actually written those words before, so I’ll skip doing it this time. In case the YouTube subtitles aren’t working, let me translate the German from the making-of video below: “We decided to make a giant bit of pr0n for you because these old Roland boxes are so beautiful. Try to keep our finely-printed pages from sticking together.” Actually, the still above looks like something out of Blow-Up< – Antonioni for the studio set?

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Get Inspired with Excerpts of Ableton’s Making Music Book

Following our interview with author Dennis DeSantis, we can start your weekend with some sage advice from his book Making Music. While published by Ableton, this isn’t an Ableton book. It lies as the boundary of software and music, at the contact points of creativity in the tool. For a CDM exclusive excerpt, I wanted to highlight two chapters. One deals with the question of how to overcome default settings – this cries out as almost a public service announcement for people making 120 bpm 4/4 tunes because that’s what pops up when you start a new project in Live …

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Non-Oblique Strategies: Author on the Discipline of Making Music

The blank screen. The half-finished project. The project that wants to be done. We talk a lot about machines and plug-ins, dials and patch cords, tools and techniques. But the reality is, the most essential moments of the process go beyond that. They’re the moments when we switch on that central technology of our brain and creativity. And, very often, they crash and require a restart. So it’s about time to start talking about the process of how we make music – even more so when that process is in some sense inseparable from the technology we use, whether the …

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A New Book from Ableton Wants to Help You Make Music

Imagine if the Eno/Schmidt Oblique Strategies, a music theory book, and an Ableton quick-start manual all got caught in a transporter accident with a bunch of different music producers.* That seems to be what you get with Making Music: A Book of Creative Strategies. In one sense, the aim is to be none of these things. It’s not a manual. It’s not a template for music making. It doesn’t, apparently, rely much on musical theory in the traditional sense. But, then, if you know the man behind it – Dennis DeSantis, a classical percussion virtuoso and composer turned documentation czar …

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Learn Max for Live and Control Ableton: Exclusive Book Excerpt Download and Discount

Max for Live represented an important milestone in music making software. It paired one of the most popular music production tools, and easily the most popular real-time workflow, with one of the most popular tools for users wanting to realizing their own musical software ideas. Max for Live, as a result, can become a window into making Ableton Live your own. Of course, figuring out how to begin doing that can be a daunting task. For many Live users, it ends somewhere around downloading some neat patches someone else has made. What do you do when you want to attack …

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How to Make a Music App for iOS, Free, with libpd: Exclusive Book Excerpt

What will you do with this blank slate? Photo (CC-BY) Yutaka Tsutano. Apple yesterday described their iPad as “this magical pane of glass that can become anything you want it to be.” So – how about making mobile devices into what you want it to be? With the help of author Peter Brinkmann and publisher O’Reilly, we’d like to give you a taste of Peter’s new book, Making Musical Apps: Real-time audio synthesis on Android and iOS. Imagining that a lot of you are especially curious about iOS, we’ll include the chapter on how to get started with development. It …

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Pd, Everywhere: Free libpd Gets a New Site, New Book on Making Mobile Music Apps

Pure Data (Pd) is already a free, convenient tool for making synths, effects, and sequencers and other musical generators. But imagine stripping away all the things that tie it to a platform – UI, specific hardware support – so it will run just about anywhere, on anything, in any context. That’s what libpd, a free, embeddable, open source (BSD) tool for making interactive music, does. Coders can take their favorite language and their favorite platform, and just plug in the power of Pd. They don’t even have to know almost anything about Pd – they can let an intrepid Pd …

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A Reader in Electronic Dance Music’s History and Creation, Now Available

I had the pleasure this year of working on a book that draws from over 30 years of coverage of Electronic Dance Music’s evolution. Collecting pages primarily from Keyboard, with additional content from Remix, we retrace the relationship of machines and music, technology and movement, in producing the sounds to which people dance. It’s impossible to be encyclopedic in such an endeavor, but part of what I enjoyed about working on the project was getting to see through the eyes of the artists. You hear them talk in astounding detail about how they actual craft what they make. They curse …

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A Handmade Children’s Book, a 7″ Vinyl Record, and Tangible, Handmade Music

In the midst of all this talk of intangible digital intellectual property and arcane licensing and Internet policy, there’s something comforting about thinking of music and art as something you make with your hands and give to someone. It was a discussion of that – even in the context of technology – that first led me to the discussion of “Handmade Music.” (Tip of the hat to my friend, Etsy’s Matt Stinchcomb, with whom this discussion has crossed the Atlantic from Brooklyn to Berlin.) Via Cool Hunting, here’s an old-fashioned way of making a music object. The music is on …

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Loss of a Techno Rebel: Why Dan Sicko Will Be Sorely Missed

Journalist, techno organizer, lecturer, and creative director Dan Sicko has sadly passed away this weekend, the victim of the rare but devastating condition of ocular melanoma. Sicko is best known to electronic music fans as the author of the terrific Techno Rebels: The Renegades of Electronic Funk (Billboard: 1999). A uniquely techno-focused story, that book is a particularly good tome on the underground roots of the techno genre. But Sicko contributed more than just that book, as a music writer (Rolling Stone, Wired, Urb), and a lecturer on Detroit music culture, as well as a fixture on the techno music …

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