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Listen to 21 minutes of new Brian Eno ambient music, free

Call it music for Internets. Brian Eno has a new album coming, and you can listen to 21 minutes of gently undulating sonic seas, a weary plodding deep melody bobbing atop it, in the stream of “The Ship.”

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Windows startup sounds transformed into amazing ambient music

Microsoft celebrated the 20th anniversary of the release of Windows 95. But the best part of all of this may be this oddly eerie, beautiful set of ambient tunes, slowing down the best-known Windows branding by 4000%. This is what Brian Eno sounds like when you Brian Eno-ify Brian Eno. While we’re at it, it’s worth revisiting some of the startup sounds over the years.

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Brian Eno Back to Ambient Roots, in iPad App with Peter Chilvers, Upcoming Album

Brian Eno’s influence on music, particularly music termed “ambient,” is such that it might itself blend into the background. But make no mistake, work like Music for Films and Music for Airports has left an indelible impression on the sound of a lot of music, and moreover in how we think about sound and structure. A newly-announced album on Warp promises to return to the long-form, expansive compositional ideas of those works, in a 75-minute opus called LUX. (More on that at bottom, though we can’t hear it yet.) But perhaps it’s even more appropriate to look at Eno’s work …

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Making Digital One-of-a-Kind: Inside Icarus’ Generative Album in 1000 Variations

Even the artwork changes. This is my personal copy – #148. Digital: disposable, identical, infinitely reproducible. Recordings: static, unchanging. Or … are they? Icarus’ Fake Fish Distribution (FFD), a self-described “album in 1000 variations,” generates a one-of-a-kind download for each purchaser. Generative, parametric software takes the composition, by London-based musicians-slash-software engineers Ollie Bown and Sam Britton, and tailors the output so that each file is distinct. If you’re the 437th purchaser of the limited-run of 1000, in other words, you get a composition that is different from 436 before you and 438 after you. The process breaks two commonly-understood notions …

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Words and Music: New Brian Eno Coming on Warp, with Rick Holland Poetry; Listen Now to ‘Glitch’

Artwork by Brian Eno. Courtesy Warp. Used by permission. (Click for full-sized version. I like to get my eyeballs up against this one.) Packed tightly with interlaced rhythms, set against crisp cool intoned lyrics, the first cut of Brian Eno’s forthcoming “Drums Between the Bells” from Warp can give us all reason to look forward to the summer. Mr. Eno has been on something of a roll lately. We’ve certainly gone through periods when he wasn’s necessarily in command of electronic headlines in music, even as he contributed in other ways – the 90s brought pioneering work in generative music …

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Sonically-Rich Compilation for Japan Could be One of the Best You Hear All Year, via Microscopics, More

Artist Mat Jarvis in the studio. Yes, his gear collection is enviable – but more importantly, so, too, is his sound. Courtesy the artist. Musical tastes are fickle and diverse – it’s actually the disagreement that makes musical freedom such fun. So I can only ever speak for myself. But ever pick up a compilation, hear a couple of previews, and think to yourself – yup, this one’s going to be on heavy rotation for the coming months. In an outpouring of love for one of our neighbors, everyone seems to have some sort of benefit for Japan. But Mat …

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Profound Brian Eno Video Interview

There’s really nothing about this video that isn’t brilliant. Be sure to keep watching for the final line; it’s what I think is a transformative quote about the nature of music production. From Pork Magazine‘s Dick Flash – that outlet is of course better known in the UK than here Stateside. I could say more, but — really, just watch. Thanks, Paul Davis, and Wired Magazine. There’s something about that Flash gentleman, too; he really is able to get inside Eno’s head.

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Listen to Small Craft on a Milk Sea, New Album from Brian Eno and Friends

Brian Eno’s Small Craft on a Milk Sea comes ashore in the US today on Warp Records, produced with collaborators Jon Hopkins (whom I recently interviewed and covered live) and Leo Abrahams (a wonderful and dexterous composer and musician himself). You can hear the full album on Grooveshark. Update: The Grooveshark available was apparently premature, pending an exclusive release deal. It should become available again, but in the meantime, Warp has put several tracks up on Soundcloud: [soundcloud url=”http://api.soundcloud.com/tracks/5984658″] [soundcloud url=”http://api.soundcloud.com/tracks/5984659″] [soundcloud url=”http://api.soundcloud.com/tracks/5667089″] A name like Eno’s tends to precede itself, but I quite honestly think, his fame aside, it’s …

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Interview: Jon Hopkins Talks Live, Studio Process, Habit, Instinct

Jon Hopkins performs live at the ICA. Photo (CC-BY-SA) Matt Biddulph. Classically trained as a pianist, musician and producer Jon Hopkins has one of the richest resumes in electronic music. He’s a frequent collaborator with Brian Eno, wand has worked with artists like Coldplay (who featured his music on their last album), Tunng, David Holmes, and Imogen Heap. He worked with director Peter Jackson, and has a sci-fi score on the way. He also has a rich set of solo releases. And we’ve seen him here recently with remix swaps with Four Tet and contributions to Eno’s upcoming Warp record. …

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Brian Eno “Small Craft On a Milk Sea” Confirmed on Warp, Preorder Wed.

After a fuss over a leak and then an official confirmation from Warp, Brian Eno has unveiled his next album, “Small Craft On a Milk Sea.” The launch page reveals far more about the packaging than the actual music (though I must say, the packaging is very pretty). But the album does focus on collaboration, working with returning artists Jon Hopkins and Leo Abrahams. Hopkins and Eno have worked together regularly, and that trio produced some wonderful sounds, recording with Peter Chilvers, for the soundtrack for “The Lovely Bones.” Abrahams’ original mention on his Web diary also described some of …

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