The Terrible, Horrible, No Good, Very Bad Google Music Contract?

Google isn’t just being a little bad in their contract negotiations with indie labels. In a leak to Digital Music News, it proves to be the worst contract I or anyone I’ve talked to has ever seen, for anything music-related. It puts the “boiler” in boilerplate. F*&K It: Here’s the Entire YouTube Contract for Indies… If this leaked contract is what Google still stands by, and current analysis in the music press is correct, the deal is deeply unsettling. It blurs the lines between free and premium services by placing them all under a single contract. YouTube and its Spotify …

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Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …

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In the Age of Beats and Spotify, Winners – and Opportunities

There is an accelerating transformation of music listening; that much is clear. And if you change the way people listen, you will change the way people produce. So who and what wins in this brave new world? Let’s consider. The month of May brought still more signs of tectonic shifts, with Apple buying Beats and Spotify showing no signs of slowing. The Apple acquisition of Beats can’t really be measured in dollars, because Apple has so much cash on-hand. (US$150 billion – and expect that dry powder to start getting loaded into cannons.) At least unlike Facebook or Google, Apple …

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automix

Streaming DJ, Now a Thing: djay for iPad Adds Spotify, Automix, Could Turn Music Upside Down

Remember downloads? Remember CDs? Remember vinyl? Add to that – streams. Because Algoriddim adding Spotify to djay is earth-shaking. Sure, Pacemaker did this in February. But that app was thin on some critical features DJs need, and the Spotify integration was lackluster. This is different. djay is a mature, full-featured DJ app – maybe not a known name like Traktor or Serato, but widely popular and brimming with features, plus a UI that casual DJs find easy to use. It’s also one of two mobile apps (Traktor for iPad being the other) that people seem to actually DJ with. So …

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Deep in Debt, Big Retailer Guitar Center May Be Acquired

While the biggest US name in pro audio made headlines last week with uncertain financial news, so, too, did the biggest US name in music retail. Yes, we were so caught up watching Avid, makers of Pro Tools, Sibelius, and Media Composer, as they were dropped from NASDAQ and delayed earnings reports once again, we missed the latest on Guitar Center. The big box music giant may not be able to keep up with its debt. The Wall Street Journal [paywall] reports that the retailer’s largest creditor is in “advanced talks” with owner Bain Capital to take over the company. …

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Avid Delays Financial Reporting, But Promises Brighter Future, Including Pro Tools and Sibelius

Avid, makers of Pro Tools, Media Composer, Sibelius, and other products was on Tuesday suspended from being traded on the NASDAQ stock exchange because of a failure to issue timely financial statements. And the company by the admission of its own chief executive faces a changing industry. However, our earlier report included inaccurate information from financial analysis site The Street. Their report included outdated financial data. Our reporting was not correct; we have since spoken to Avid. The Street reporting (and thus ours, in building a report on it) was inaccurate and misleading in that financial data for Avid actually …

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Avid, Maker of Pro Tools, Now Delisted from NASDAQ

We have an updated, more complete and accurate story on the issue, including commentary from Avid. Read the full feature In it, we look at the NASDAQ delisting, some ongoing concerns (SEC, DOJ, and a shareholder suit remain issues), but also Avid’s strategy and the response from the company on how they intend to move forward. Restructuring efforts at Avid maker Pro Tools are far from returning faith in the company by the stock market. Financial site The Street reports today on the state of the company’s stock. Most troubling, yesterday Avid received a letter from NASDAQ delisting the company …

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Moog Says Goodbye to Little Phatty with Lush Video, as Company, Synths Grow

What an extraordinary time of transformation it’s been in music instruments – one which has coincided unintentionally with the development of this site. When the Little Phatty first hit the market in 2006, it really was a very different era. While Moog Music had already shipped the Voyager and brought back Bob Moog’s name to their products, the market was dominated by digital instruments and in particular big workstations. Now, a whole lot of keyboards follow the path established by the Little Phatty: provide affordable instruments for musicians, use analog circuitry, embrace the monosynth, adopt one-to-one control of parameters. It’s …

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iTunes Radio, and Apple’s Solution to the Future of Music: Stream, then Buy

While they were busy not killing the Mac and the Mac Pro, it seems Apple also had some ideas about how to not kill music. Amidst hair pulling and gnashing of teeth over how streaming will impact the future of music business models, Apple’s answer is spelled out in their press release: “It’s the music you love most and the music you’re going to love, and you can easily buy it from the iTunes Store with just one click.” Whether iTunes Radio specifically works or not, this seems an obvious model. Music recordings as a business work so long as …

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With Beatguide, Listening Connects to Live Events: New Electronic Music Startup

If it’s music events, what your calendar really needs is a play button. A funny thing happened on the way to the online music world. Roughly a century after the music recording revolution, we’re all newly concerned with getting into venues with other human beings. The problem is – and there’s no nice way to say this – the tools out there just aren’t very good. Facebook’s popularity is unquestionable, to be sure, but it still doesn’t cater to music needs with its event listings. And beyond that, there’s a scattered landscape of different tools, none of which seems to …

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