From Song to 3D Model to Augmented App: Visualizing Oneohtrix Point Never

One reason to use code, and the constellation of open source creative coding libraries, is the ability to express ideas across media. HoloDecks is a beautiful experiment in doing just that. The work translates invisible sound to three-dimensional form, and combines visualization in the physical and virtual domains. HoloDecks goes through multiple phases of expression, built entirely in the multi-platform, free and open source OpenFrameworks. Analysis of the song. First, there is a spectral analysis of the selected tune – in this example, it’s “Zebra,” by Oneohtrix Point Never. Virtual three-dimensional visualization. Next, the spectral data is plotted in a …

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Lunchbeat is a 1-bit Groovebox You Can Make Yourself

Friends bragging lately about the quality of the sound of their drum machines? Tell them you can make sounds lower fidelity than they can. LUNCHBEAT is a 1-bit groovebox, making impossibly-dirty digital sounds, with a built-in step sequencer. While we await a proper DIY kit, it’s an ideal learning project: it’s nice and simple, has a low part count, everything you need as far as specs is available free to create your own, and it’s a good way to work out the basics of digital sound and sequencing. And, really, if you need more than one bit to make music, …

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Microsoft Embraces Open, Creative Coding: New Kinect openFrameworks, Cinder Integration

It’s not overstatement: the Kinect has changed vision on computers. It’s made a range of techniques more accessible and affordable, it’s spread what were once laboratory ideas into millions of homes, and it has gathered a swath of artists and inventors to using vision who never had before. But in the process, that open source world has changed Kinect – and Microsoft. No more do we need a bounty to hack Kinect. Now, Microsoft and the open source community can work together. Microsoft Open Tech is now embracing openFrameworks and Cinder, two fully open-source frameworks for creative coders and artists:

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TouchDesigner 088 Adds Crazy-Awesome Savvy in Mapping, Scripting, Sound and Music, More

Eye Vapor EEG Sonification 1 from Derivative on Vimeo. Smart. Even smart enough to visualize and sonify EEGs. TouchDesigner is not well-known in general circles, even after long-running availability. It’s Windows-only software for specialists. But there’s only one thing you need to know about it: it is consistently used in some of the best work artists are doing right now in multimedia. And in one go, the deceptively-named “088” is adding some massively-important stuff. Little wonder we’re hearing from a number of readers who are already excited. And there’s now a non-commercial license, too, fellow impoverished and overworked but lovable …

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A Stompbox That Can Become Whatever You Like, in Crowd-funded OWL

There are stompboxes. They are — for lack of a better word — foot worthy. You can step on them, in a way that is less possible with a computer. (Well, sure, somewhere amidst an endless spinning color pinwheel you may have wanted to step on your MacBook Air, but then thought better of it – financial investment and whatnot.) Then, there are computers. They can do everything. That stompbox is one particular distortion effect. And it is always just that one distortion. But what if you could have both? As embedded technology continues its march toward greater user friendliness, …

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Responsive Kinect Dancing Goes Hip-Hop [Video, Tips]

Body mapping and dance/visual fusions are still explored only in fits and starts, compared to the extent of live music and visual performance in other media. So, it’s encouraging to see this latest experiment from dancer Christian Mio Loclair. Working with Microsoft’s Kinect, the slowly-undulating tendrils of visuals behind him create visual counterpoint for headstands and hip-hop dance techniques. Far from running up against latency, here there’s a sense of visuals that answer the moves with a slow sigh, creating a kind of living architectural space behind him. The tools: ofxOpenNI and ofxCV work with OpenFrameworks to analyze imagery from …

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Duration, A Timeline for Creative Coding: Hands-on Creators’ Perspective

Performance, and performative arts, are about time. Yet time itself is oddly absent in any useful way from many creative coding environments. Most of the tools for dealing with time and scheduling cover only the basics, and most of the examples tend to adopt an everything-at-once sort of attitude, stymying the efforts of people working with them live. Duration, then, is a breath of fresh air. Momo the Monster (seen last week running shows for deadmau5) returns to CDMotion for an in-depth look at what it does – and some practical, hands-on experience on what it’s meant to him personally …

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Duration, A Timeline for Creative Coding: Hands-on Creators' Perspective

Performance, and performative arts, are about time. Yet time itself is oddly absent in any useful way from many creative coding environments. Most of the tools for dealing with time and scheduling cover only the basics, and most of the examples tend to adopt an everything-at-once sort of attitude, stymying the efforts of people working with them live. Duration, then, is a breath of fresh air. Momo the Monster (seen last week running shows for deadmau5) returns to CDMotion for an in-depth look at what it does – and some practical, hands-on experience on what it’s meant to him personally …

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Morphing Abstractions to New Thom Yorke Superband, Tarik Barri’s Poetry of Flatness

When Thom Yorke starts a new superband – and adds the Chili Peppers’ Flea, Radiohead producer and multi-instrumentalist Nigel Godrich, and percussion from both Joey Waronker (Beck, R.E.M.) and Brazillian virtuoso Mauro Refosco (Chili Peppers, David Byrne) – you can bet people will pay attention to the music. Spoiler alert: the first single has the musical fingerprints of Yorke and Godrich all over it, of course. The album debuts February 25. But there’s also reason to pay attention to the visuals. Dutch-born, Berlin-based audiovisual programmer Tarik Barri got Thom’s call to add visuals to the catchy-but-chilly “Judge Jury and Executioner.” …

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Morphing Abstractions to New Thom Yorke Superband, Tarik Barri's Poetry of Flatness

When Thom Yorke starts a new superband – and adds the Chili Peppers’ Flea, Radiohead producer and multi-instrumentalist Nigel Godrich, and percussion from both Joey Waronker (Beck, R.E.M.) and Brazillian virtuoso Mauro Refosco (Chili Peppers, David Byrne) – you can bet people will pay attention to the music. Spoiler alert: the first single has the musical fingerprints of Yorke and Godrich all over it, of course. The album debuts February 25. But there’s also reason to pay attention to the visuals. Dutch-born, Berlin-based audiovisual programmer Tarik Barri got Thom’s call to add visuals to the catchy-but-chilly “Judge Jury and Executioner.” …

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