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Metasonix Have Made an Immoral Drum Machine from Vacuum Tubes

Drum machines. They’re predictable. So much so that the biggest controversy about Roland’s high-profile entry into the market with AIRA was whether they should remake the 808/909 or remake the 808/909 as analog. Enter Metasonix. They would like to make the differentiation point of drum machines whether you still have your ass or not once you’ve heard them. And so, we see the D-2000, the long-awaited (long-dreaded?) successor to the D-1000, but, say Metasonix, more extreme. (“Tweaked,” “maximized,” and “pushed.”) How would you describe the sound? Absolutely terrible. (You know, nicely horrible. I mean, probably not in a way most …

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envelopimage

Envelop Wants to Make an Ambisonic 3D Venue and Tools

3D, spatialized sound is some part of the future of listening – both privately and in public performances. But the question is, how? Right now, there are various competing formats, most of them proprietary in some way. There are cinema formats (hello, Dolby), meant mainly for theaters. There are research installations, such as those in Germany (TU Berlin, Frauenhofer) and Switzerland (ZHDK), to name a few. And then there are specific environments like the 4DSOUND installation I performed on and on which CDM hosted an intensive weekend hacklab – beautiful, but only in one place in the world, and served …

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noah

Sophisticated Rhythms: 2 Mixes, 2 Approaches, For Your Listening Pleasure

Mixes have become another essential reflex of this age of overabundance, a way of navigating in material form the rhythms that come our way. I turn this weekend to mixes by two close friends. Matt Earp, aka Kid Kameleon (top), has been a CDM contributor in the past; his background spans music and technology and a wide breadth and depth of knowledge in those areas. Noah Pred is simply one of the finest DJs and producers I know, the ever-tasteful mind behind the massively underrated but prescient label Thoughtless Music. Each mix is singular in purpose, full of the sort …

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dreams

Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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DIY Tool Max 7 Arrives; Here Are The Best New Features

Being “software about nothing” isn’t easy. Max has for years been a favored choice of musicians and artists wanting to make their own tools for their work. But it’s been on a journey over more recent years to make that environment ever more accessible to a wider audience of people. The aim: for beginners and advanced users alike, work faster, producing tools that work better. Okay, those are easy goals to set – a bit like all of us declaring we’re going to “get in better shape” in a few weeks from now on New Year’s Eve. But Max 7 …

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herndonhome

Watch Holly Herndon Talk About Giving Laptops a Voice

American artist Holly Herndon has built an extraordinary musical performance idiom in her live sets and records. She blends deep rhythms with ethereal vocals, interweaving electronic and processed and human sounds with unusual fluidity. Her vocal chords are beautifully present, as are her own custom-made Max patch sound designs. But she can also draw the computer’s electrical vocal chords, harnessing, Nikola Tesla-style, the unseen electro-static and mechanical life of her computer itself. This is not laptop music meant to make the computer invisible. This is laptop music that recognizes that our strange metal devices have become new instruments, machines that …

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Don’t Miss Five of the Most Futuristic Music and Audio Hacks: Pictures from SF

Put some of the best brains in music and sound together in a room. Give them a deadline. Tell them to invent the future as quickly as they can. What results is crazy, from better ways of teaching music production to composing inside Minecraft to strapping displays on your wrist to simulate the Apple Watch before anyone’s even able to get one. So, we sent one of the smartest brains we know to find the best stuff – that’ll be Gina Collecchia, engineer, technologist, and data scientist as well as writer/musician, the kind of person who studies acoustics in Peru …

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The Dream Modular Rig, Making Amazing Sounds: Cyrus Rex

cyrusrex + Baseck – #DBC611G-1D from Muff Wiggler on Vimeo. Pulsing, rattling, buzzing, quivering, the music of LA-based artist Cyrus Rex is a sumptuous feast of sound. Here’s a musician who connects massive arrays of gear, like some post-apocalyptic robot dream, and then makes it sound like it – rapid-fire machine reveries set in motion amidst nests of cables. Little wonder this video at top, with Cyrusrex and Baseck, comes from MuffWiggler. It is full of gear: Cyrusrex + Baseck – Modular Synth, DSI Tempest, DevilFish TB303, Strymon BigSky, casio #DBC611G-1D But don’t stop there. Cyrus Rex’s music is an …

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Dave Smith Goes Modular, with a $179 Curtis Filter Module

Eurorack fever continues to spread. The ease of making musical electronics fit the standard, pioneered by Germany’s Dieter Doepfer, and the growing appetite from a small but passionate audience, seems to make producing new modules irresistible. The entire design equation is different: a single task or handful of tasks can become a product. Dave Smith Instruments is the latest entry. And the product is the perfect choice for DSI. It’s a module built around on the Curtis filter, the signature filter found on everything from the 1980s Prophets (back when Dave’s company was Sequential Circuits) to the latest Mopho and …

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submerged

Submerged Turntables, Art Phonographs Underwater, and Life After Records

Submerged Turntable from Brian Lilla on Vimeo. Once upon a time, Romantics dreamt of ruined architecture, rubble and stones on hillsides and whatnot. Today, we imagine ruined technology as our artifacts of culture lost. We don’t need a burning library of Alexandria. We can wait until our machines go out of warranty and go kaput. That subconscious seems to flow in the literally-murky pool of “Submerged Turntables,” an art installation by Evan Holm. But the results are oddly beautiful, making the physical quality of the record enduring. And here’s the upbeat bit: in those dark waters, the record still plays. …

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