zeldaswords

Sword & Sworcery, Remixed By Japanese Game Music Legends [Preview]

This may sum up how I feel about this project. It almost certainly embodies how composer Jim Guthrie must have felt, as a who’s who of Japanese game music takes on his work. Photo (of the Tokyo Game Show, natch) (CC-BY) kanegen. Sword & Sworcery, the iPad album-as-game, has gotten plenty of love from this site before, and recognition for friend-of-the-site composer Jim Guthrie. (See Jim open up about what happened behind the scenes.) Now, it seems the Canadian songwriter and soundmaker will meet up with some of the biggest game composers from Japan in a unique remix album. In …

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I Dream of Wires Documentary: Carl Craig, Canada, and Modular’s Beauty and Agony [Video]

Like the modulars themselves, an upcoming documentary on these analog synth beasts has been lurking behind closed doors. But that won’t be the case for long. “I Dream of Wires,” the crowd-funded documentary that probes artists’ fascination with making music by connecting patch cords, will see a public showcase at Montreal’s MUTEK Festival. This and an upcoming film release, atop a big get-together in New York, could make this a proper summer of modular. In anticipation of their showcase, MUTEK has released two significant excerpts from the film. One talks to Carl Craig, Detroit techno legend, top. Craig describes how …

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makenoise

Modular Mega-Roundup: Some of the Greatest New Stuff in Analog+Digital Eurorack for Musicians

In action, a Eurorack module by superb builder MakeNoise, with whom we caught up in March in a get-together in Austin, Texas. Photo (CC-BY-SA) Andreas Wetterberg. Modular music making is a throwback to the early days of electronic music, in which a spaghetti of patch cords is the price of open-ended sound creation. Fairly or unfairly, it has often been viewed as the domain of the eccentric wealthy musician. You needed cash, endless patience, and lots of space – well, unless you happened to be lucky enough to pick up a vintage modular as people were getting rid of them. …

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Off-Topic: Deadmau5 Eats a Giant Epic Meal Time Tower of Grilled Cheese

North America: it’ll kill you, m***********. Sure, you know what the United States can do to destroy your taste in Dubstep, and how it likes to roll without health insurance. And you probably think USA when you think fatally-unhealthy cuisine. But meet USA’s neighbor to the north, Canada. The country that takes cheese, fries, and fat to a whole other level has made bad eating into a YouTube meme. I got to see the Epic Meal Time crew at a party in Toronto in June, but … uh … didn’t exactly have a reason to mention it on CDM. (Create …

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mhdmtl-hard_at_work

Face Sequencers, Sonic Databases, Automatic Dub Remixes, More Montreal Music Hackday Hacks

Hard at work at Music Hack Day Montréal. Ed.: Hacking Web databases to search sounds, remixing tools to automatically create dub tunes, cameras to sequence and analyze images in new ways, Montréal hackers have been busy. Trevor Knight writes from the event with full coverage from Canada, latest outpost of this global music coding phenomenon: Music Hack Day made its first appearance in Canada at the end of September, painting the event with a Montréal flavour, complete with bilingualism, Montréal-style bagels, and even an appearance of Stephen Harper in a hack. Over the Saturday-Sunday event, musicians, programmers, and hackers scramble …

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it-lives

Debut of MeeBlip micro Synth, Workshop, Handmade Music: Toronto on Friday

In Toronto this Friday, we’ll be connecting with InterAccess Gallery in a celebration of DIY, adventurous music making, and blipping synthesizers. It’ll also be the first public debut of the new MeeBlip micro, a pocket-sized version of our MeeBlip open source hardware synth. Part of why I’m excited to be hacking away with the fine folks of Toronto is that we’ll be able to document that new design and what you might make with it for everybody else. The MeeBlip micro and revised MeeBlip se will be coming very soon to everyone. What’s the MeeBlip micro? It’s the brains of …

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drasko_install

Jamming Live in 3D, a TEDx Toronto Installation, and Call for Your Work

Something crazy going on here. Install image from Drasko V. Drasko Vucevic, Toronto- and Santa Monica (California)-based sound designer and artist/composer, is apparently not only interested in playing alone. His upcoming interactive installation at Toronto’s Royal Music Conservatory will have an audience jamming along live via Twitter. And the artistry is crowd-sourced, too – with a range of artists already onboard, Drasko is calling on musical and visual artists (read: you) to be involved with sounds and visuals. Drasko has sent along extensive notes, so I’m going to let him speak for himself:

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Creative Commons, CBC, and Music for Commercial Use: Addendum

The Canadian Broadcasting Centre, viewed from above. Photo (CC-BY-SA) Benson Kua. To me, a license is a tool: it’s a means to an end. But that means that the tool ought to be doing the job you chose for it. After news broke that the Canadian public broadcaster CBC was moving away from Creative Commons, we launched on CDM into a somewhat informal (and occasionally heated) discussion of CC licensing and specifically the non-commercial restriction most musicians attach to their music. Here’s a summary of what I can conclude from those conversations. Abuse of non-commercial CC material is rampant. Very …

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CBC Dumps Creative Commons; Non-Commercial Licensing to Blame?

I’m able to use this particular image as CDM is itself under a Share Alike license. Photo (CC-BY-SA) Andy Melton. I have no problem with copyrighting music. So I’ll be blunt: my ongoing impression of Creative Commons licensing is that you should either choose a license that allows for commercial use, or opt for traditional copyright and licensing. The popular “non-commercial” restriction is problematic. It does too little to prevent exploitation, and too much to prevent exactly the kind of use that’s the reason you’d choose CC in the first place. That’s not an effective compromise; it’s more like a …

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monome Me: Community Tour, Tunes to Hear

Pauk (Pau Cabruja) using a Monome 256 attached to a guitar strap, photo by Lara Jaruchik. Courtesy monome Community Tour The monome is coming to your town. Unlike tours organized by commercial product vendors, a grassroots effort by monome users pledges to share the music made with the monome and give back to a larger community. It’s hard to explain the monome. It’s part tool, part lifestyle. And its openness comes in large part from the community of artists who use it, and embrace the controller’s sustainable production and unique design. In fact, it’s hard to explain just what a …

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