meeblip_albino

What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …

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Imhotep_3D

Space Sounds from ESA are Now Free to Use on SoundCloud

What does it sound like when a comet “sings” into a magnetic field? Or when you rotate a 600-ton deep space observation station? What if you could hear the radar echoes from a probe descending onto Saturn’s moon Titan? Oh, yeah, and what’s the sound you hear that tells you the International Space Station is on fire and you should get into that docked Soyuz RFN? Well, the European Space Agency has released those and more, from sonifying the inaudible to letting you hear the voices of the people who are leading some of the human race’s latest exploits into …

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tb8

AIRA Secrets: Here’s How to Take Command of Roland’s TB-3 and TR-8 with MIDI

Part of the appeal of the Roland TR-8 drum machine and TB-3 bassline synth is their hands-on control. But apart from the normal reasons you’d additionally want external MIDI control, you’ll need it for certain kinds of automation recording. The problem is, the AIRAs (at least with their current firmware) lack the ability to record automation internally. You can record patterns on the TR-8 and TB-3, but not changes to sound parameters, effects, or that Scatter thing. So, if you’re making a pattern and find a shifting timbre or glitchy effect you like, there’s no way to save it easily …

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52 Tracks in 52 Weeks: Starting 2014 for Producers

You say you want a resolution? Calendar years may be largely arbitrary deadlines, but arbitrary deadlines can be a boon to creativity. Online community Weekly Beats is again launching a project for producers that invites them to upload new music tracks every week for the year. By the end of 2014, it means each artist may have released as many as 52 tracks, ranging between about one and fifteen minutes. The weekly goal seems a nice one, too: daily goals are fairly punishing, but doing one a week is enough to keep up some consistency. If you want to join …

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Moby Opens Up Project Files for Remixing in Ableton, Pro Tools [Exclusive Details, VIP Code]

What do you do when you’ve been one of the biggest impacts on electronic music, outlasting a succession of trends and fads, remaining one of the best-known names in sound? I mean, you can’t just start giving things away, right? Actually, if you’re Moby, that’s exactly what you do. He wants you to collaborate with him – and he’s made it really easy (even if you want to get something out of the result). It’s safe to say Moby is different from many of his peers. At the young age of 48, Moby has managed to be a presence in …

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midipads1

MidiPads is a Versatile iPad Drum Pad Controller, Controlling Everything from Modulation to Traktor

The iPad as a controller is at its best when it plays to its strengths, letting you use that continuous finger control do something useful. So that makes MidiPads worth a look. It’s a strikingly-versatile drum pad controller with all of the kinds of features you might want, and with a major version 1.5 release this week, looks even more useful as a control addition to your studio. First off, it’s got all of the I/O you could want: USB MIDI (so, use the Camera Connection Kit and a class-compliant interface, or dedicated interfaces like iRig MIDI and MIDI Mobilizer …

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CBC Dumps Creative Commons; Non-Commercial Licensing to Blame?

I’m able to use this particular image as CDM is itself under a Share Alike license. Photo (CC-BY-SA) Andy Melton. I have no problem with copyrighting music. So I’ll be blunt: my ongoing impression of Creative Commons licensing is that you should either choose a license that allows for commercial use, or opt for traditional copyright and licensing. The popular “non-commercial” restriction is problematic. It does too little to prevent exploitation, and too much to prevent exactly the kind of use that’s the reason you’d choose CC in the first place. That’s not an effective compromise; it’s more like a …

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Free, Creative Commons-Licensed Album of IDM: Subvaritrax Compilation

To kick off your weekend listening with a full album of delicious IDM, our friend Quantazelle / Liz McLean Knight offers up a compilation from her label subVariant. While big-name artists have gotten lots of publicity for doing free or pay-what-you-will albums, oddly a smaller group of them have chosen a Creative Commons license. subVariant does do that with a noncommercial / no derivative license – a bit restrictive, in that it doesn’t allow remixes, but perhaps a decent start. And licensing aside, this is a lovely, clever compilation of tracks. Interestingly, the physical object did sell out on eBay. …

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