Photo: Andrew Kalat.

Watch breaking music gear news from CDM on Periscope

Now hear this. CDM is now on Periscope, the live video service. We’ll be bringing you some quick, breaking videos around Anaheim and LA to start, including impromptu chats and demos from the NAMM show with the latest music gear. Check us out at: https://periscope.tv/cdmblogs And for more: CDM on Facebook CDM on Instagram (gear pr0n, coming right up!) CDM on Twitter Photo (CC-BY-ND) Andrew Kalat.

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RYAT's production setup.

In LA, looking to what new tech means for music makers

This week, the eyes of the music world will look at what’s new in toys. But how about looking further, to how technology is used? Going deeper to what’s happening in live music and music making is the essence of our new series Practice Space. CDM is excited to host a living-room style gathering of musicians and performance artists in the heart of downtown LA, and we hope you’ll join us – in person and online.

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thesky

Call for participants: a Hacklab to change perspectives, in Belgium

In the past weeks, I’ve had the good fortune to talk to astronauts and aeronautical engineers, to artists in residence in space centers (with ESA) and aboard “vomet comet” airplane microgravity experiments (in Russia). A common theme has emerged. Just as images from space once transformed our perception, the next frontier is sound. From spatial sound to works responding to spaceflight, drones, and aeronautics, there’s a chance to change the way we hear and imagine. And so, after we start February at Berlin’s CTM Festival imagining future rituals, we’ll move later in the month to Leuven, Belgium to explore the heard place. You’re …

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infinity

Welcome to a new CDM.

CDM quietly turned eleven years old this year (after humble beginnings). But it’s not where we’ve been I want to share – it’s where we’re going. And that begins with a new site design and server infrastructure. You’ve been absolutely extraordinary in your support as readers and, more than that, a community, as we’ve grown over the years. But that means building a new platform so we can explore new places.

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high-fidelity-main-review

What’s the electronic music that’s not on the top 2015 lists?

It makes some people cringe each December as much as the appearance of WHAM! and Paul McCartney (oh, “Wonderful Christmastime”). It’s the end of year lists in electronic music. I have no particular problem with them, except that they’re limited in what they tell us. We get surveys that allow people to learn what the most popular music is by determining which music they … already think is the most popular. It’s like the musical equivalent of the Myers-Briggs test, or reading a horoscope. Sure, it’s entertaining, but the secret is, you’re basically just looking in a mirror and confirming …

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hacklab2015_2

Building instruments, making future rituals in Berlin (open call)

Culture can be a different construction in our inter-connected age. We can draw on traditions from a distant past – or imagine a distant future. We can more easily connect with the people around us, or the people on the other corner of the world. So, as I host CDM’s fourth Hacklab with CTM Festival in Berlin, we’re pairing our participants with radical instrument builders to invent new musical rituals. Ewa Justka (born Poland, based in London) co-hosts and guest artists like Indonesian avant-garde Wukir Suryadi are along for another installment of this open, collaborative lab – and there’s still …

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pattenlive

We got to talk to anonymous project patten about the future

patten has gone from CD-R releases to Warp, remaining anonymous all the while. But these secretive artists told us about where they find inspiration.

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triplesungear

Dark, unexpected sounds of Triple Sun, Jonáš Gruska (Berlin Wednesday)

Triple Sun – Sprint from Martin Blažíček on Vimeo. From Bratislava, the duo Triple Sun are making spontaneous, ethereal music with a combination of modular and computational tools. Against a flickering black-and-white film, this video last year is one of my favorites. We’re inviting Triple Sun this week to Berlin along with Jonáš Gruska as part of a live program, so I want to take a second chance to explore what they’re doing.

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anode_25

MeeBlip at five: better, and at a new lower price

Five years ago this month, CDM unveiled the MeeBlip project. It was a chance to put our love of synthesizers into a physical form we could share. And we had no idea where it would take us. Five years later, we’ve sold thousands of the musical instruments, all engineered by their creator James Grahame in Calgary, and all fully open source. In that time, we’ve also worked hard to make the MeeBlip constantly better, and easier for more people to get their hands on and use. Today, we celebrate five years, and what we think is our best MeeBlip yet. …

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meeblip_albino

What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …

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