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Celemony Melodyne can now dive into overtones and spectra

Celemony’s flagship Melodyne audio editor has long been reaching past the limits of what most people imagine as pitch correction. It was clear the mission of the software was no less than seamlessly transforming audio – shaping sound as directly as you can MIDI notes. Well, now it’s gone even further. Now we’re not just talking about moving polyphonic notes around. In Melodyne 4, we’re talking reaching into the spectra of polyphonic sound material itself. It’s like playing God with a recording.

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SONAR X3 Makes Control of Sound More Fluid with Deep Celemony Integration, More

SONAR, Cakewalk’s flagship Windows DAW, receives a significant update this month as SONAR X3. There are a number of improvements, but what may be the most significant is a deep integration of Celemony’s toolset for manipulating pitch and time. DAW tastes will be forever personal, so you can be forgiven if you simply don’t like or have never used SONAR. But it’s worth noting that some things the software has accomplished have led the way for other tools. Cakewalk was the first, for instance, to embrace 64-bit audio processing and computation, and continues to (fairly) boast of its 64-bit “double …

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Melodyne Isn’t AutoTune: New Video Shows Drum Loop Dynamic Manipulation [Tutorial]

Apple, Steinberg, Cakewalk, and others have begun adding audio manipulation tools to their DAW, and some of those tools are decent enough in a pinch. But there still isn’t any one application – as a plug-in or built into a DAW – that offers the amount of audio tweaking powers as Celemony’s Melodyne products. The folks who have pushed their “Direct Note Access” really have achieved an unprecedented amount of note-by-note control over sound. These edits are commonly associated with pitch correction, and indeed, it’s clear a big part of the market for this software is being able to tune …

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Cubase 7 Brings Mixing, Harmonic Chord-by-Chord Features to Steinberg’s DAW [Preview]

It must be the season of the DAW. After a bit of a quiet spell, we have DP8 (and moving in on Windows turf), SONAR X2 (announced at about the same time), and Live 9 all coming into relief. And now, it’s Steinberg’s Cubase 7. The surprise: these audio tools that seem to do everything keep finding more things to do. Generally speaking, you have to twist yourself into a pretzel to describe all those “it does this new stuff” features. That’s okay – developers and users alike built a list of stuff they want, and getting it, under-the-Christmas-style in …

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Time and Tune, More Fluid: Melodyne Editor 2.0 Brings New Tools, ReWire

The Melodyne editor, which promises to make working with audio as fluid as working with MIDI, has long had some impressive technology under the hood. But it’s as the tool gradually matures in terms of workflow and usability that I think it could win some additional converts. Melodyne 2.0 is a major update to the editor all around, with additional timing and tuning options and better usability, and the addition of ReWire (atop plug-in compatibility) is a big plus for some. It’s easiest to just see the videos, but the overview of what’s new in this release: Attack Speed tool …

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Celemony Unveils New Plug-in Tech That Goes Beyond Audio Signal and Control

Integrated Melodyne pitch correction in PreSonus’ Studio One is made more interesting by the technology behind it. Celemony this week describes a new technology they call ARA, or “Audio Random Access.” The notion is this: rather than just receiving or generating audio signal, the plug-in gets access to audio data. That means you can actually write a plug-in that rewrites the audio content in a recorded DAW track, as Melodyne does in Studio One. As developer Celemony describes it, “ARA opens an additional channel of communication through which the DAW and plug-in can exchange information about the audio file, tempo, …

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Melodyne Automagic Pitch-Changing Direct Note Access is Here, in Beta

The wait is over – and rumors that Melodyne’s bleeding-edge technologies to allow direct access to notes in polyphonic audio had failed to come to fruition turn out to be false. (I was skeptical about those rumors in April.) Melodyne DNA did take longer than expected to ship, but then, that isn’t exactly news in the software business. And now you can try this “note access” concept for yourself and see what you think (well, provided you’re an existing customer). Coupled with time-based manipulation of audio in the form of updated tools in Ableton Live 8, Cakewalk SONAR 8.5, Propellerhead …

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VisualVox Polyphonic Tone Manipulation: The Indie, EUR25 Celemony?

Sonic scientist Peter Neubäcker of Melodyne has been wowing Internet audiences for some time with the automagical powers of the company’s Direct Note Access (DNA). The vision: manipulate individual pitches as easily as MIDI notes, even in polyphonic passages of a single instrument. At NAMM last month, the company showed the first product, Melodyne editor, due to ship in the spring for US/EUR 349. There’s just one little catch: a solo developer has beaten them to the punch, at least prior to them shipping their DNA flagship editor tool. And if you want it right now, it’s yours for 25 …

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Change Audio Notes Like MIDI: New Melodyne 2 Direct Note Access

Celemony’s Melodyne plug-in could already perform incredible feats of pitch manipulation with audio. But monophonic audio is one thing. Polyphonic audio has long been sound manipulation’s final frontier. With Melodyne 2, it seems Celemony’s audio wizards have finally cracked the problem. Celemony is showing their new technology at Musikmesse, and they’ve got demos online you can check out: Direct Note Access Grab a note inside a chord, and you can manipulate that note directly. Retune it, change timing, adjust formants, change amplitude — timbre, time, and pitch are all accessible. Celemony is largely pushing this as a corrective tool, as …

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