Who says technology doesn’t last? The Apple II platform will be 35 years old in April, yet it’s still going strong. It even gets a brand-new drum machine software, launched this month, complete with eight wavetable-based drum sounds, and a clever sequencer. The surprise: the whole combination, delivered on a 5 1/4″ floppy disk, can be stunningly usable, as in something you’d actually want to make music with. Not bad for a computer you can typically pick up for a few bills at a flea market. (Emulators can also run the software, so you don’t even need hardware. Of course, that’s not nearly as much fun.)

Creators MJ Mahon and 8-bit Weapon released the software last week, but I wanted to wait for a full video demo and tutorial so you could see it in action. See also screen shots.

And even if you don’t want to shell up the cash, there’s a demo version.

We’ve got a sound sample of what the results sound like, via the artists:
DMS Drummer Demo by cdm

Full details:

Apple II DMS Drummer Software
by MJ Mahon & 8 Bit Weapon

Introducing the amazing DMS Drummer for Apple II personal computers! The DMS Drummer is the only wavetable based Drum Sequencer for the Apple //e, IIc, IIc+, and IIGS computers. It comes complete with 8 drum sounds: Bass, Snare, Rim Shot, Hand Clap, Tom, Hat Open, Hat Closed, and Lazer. DMS Drummer also has a massive sequencer built-in for song writing or just some creative noodling. The DMS Drummer monophonic sequencer patterns have 16 spaces. You can create up to 16 unique drum patterns and arrange them into 256 available arrangement slots. Each drum sound can also be re-pitched or “tuned” to the users preference inside the “Tone” section of any pattern. For example, you can take the single tom sound and create a rich sequence of multiple toms in various pitches like in our demo song. Each song sequence can be saved on disk as well for safe keeping.

Features: 8 Drum Sounds (tune-able)
16 Programmable Patterns
256 Arrangement Slots for Patterns Programmable Tempo
Saves your work
3 Demo Sequences by 8 Bit Weapon & ComputeHer

Requirements: Apple //e, IIc, IIc+, or IIgs computer with 80-column capability
5.25″ floppy disk drive
Monitor. [Ed.: remember, you can use a TV...]

The artists:
http://www.8bitweapon.com
http://www.computeher.com

Buy the software:
http://8bitweapon.com/store.htm [not available in the Apple App Store ]

US$14.95 on a floppy, US$9.95 for a .dsk file you can use with an emulator

One (free) emulator option on Windows, for instance, these two recommend:
http://applewin.berlios.de/

This is atop their DMS 8-voice synthesizer, with chippy-sounding Acoustic Piano, Vibraphone, Acoustic Guitar, Electric Bass, Trumpet, Clarinet, square wave, sawtooth wave, sine wave, and banjo

By the way, I have to note: lately, there’s been less value given Steve Wozniak’s original, more “open” design for the Apple II. Because it allowed for massive expansion, the platform had one of the longest life cycles of any computer platform, ever, made from 1977 through 1993 and driving much of Apple Computer’s early success, without which products like the Mac and everything since would never have happened. I only wish we could find a way for modern computers to retain this kind of longevity, both in usability and hardware life, rather than have their toxic, precious guts find their way to landfills.

In some cross between a self-aware, intelligent computer a la HAL and an experimental sound artist, the project Digimancy presents a talking, synth-playing Commodore 64. Get through a few minutes of it spouting theory, and somewhere at about 6 minutes, 30 seconds in this video, that Commodore 64 starts to jam with danceable, glitchy sounds. It’s a bizarre laboratory sonic production – white lab coat included – but eventually, this semi-evil computer makes songs. And it’s just the sort of convergence of analog and digital we love, as the C64 chips drive a nice set of boutique, analog gear. Patch cords and chips – bonus.

Reader Jordan Bartee, the man responsible for this mayhem, sends it our way, which provides entry into, in his words, “the micro-galactic frontier.”

No reason to let him have all the fun, though. He’s shared schematics, source code, and PCB layouts:
https://rapidshare.com/files/1689835312/TLL_Release.zip

Decode that, and find an old C64, and you can go to town.

Ableton has introduced various features to its flagship Live tool over the years, but one of the simplest ideas – combining instruments and effects into accessible Racks – is also one of its most useful. They make those sound controls immediate and functional, and they can be a great way of delivering sounds. Two cases in point: free downloads that incorporate synthesized vocals and retro Nintendo blips.

AfroDJMac keeps his free Live goodies coming with noises constructed on a vintage Nintendo Entertainment System, the 8-bit timbres orchestrated by the sadly impossible-to-get MidiNES MIDI adapter. True to form, you get direct access to the NES’ Pulse and Triangle channels, plus Noise, which can give you either pure 8-bit sounds or game-styled chip retro tunes. Sure, there are plenty of other ways to do this, but you can’t beat the convenience here. Enjoy:
Free Weekly Ableton Live Rack #6- “AfroDJMac Nintendo Rack”

You can keep up with his musical productions and free downloads on http://afrodjmac.com/. In case you missed it, one particularly nice entry recently features his mother’s china dinner plates, layered into thicker pads.

Francis Preve has made a name for himself both as a writer and a sound designer; now he’s focusing on his new record label and artistic career, but connecting those two disciplines. So, when he introduces a classic formant filter used to synthesize vocal sounds, he also walks through the technique of producing it in the software and why it’s a relevant sound on clubland’s floors. (Hint: Pleasurekraft, most recently. But part of why I like classic synth techniques is that they’re become comfortable and familiar, in the way acoustic instruments have been, and thus don’t have to apply to any one genre.)

Picking apart this Rack will give you some good tips on how to build such things – or you can just go ahead and use it to start some new ideas. If you concoct something, I’d love to hear it. (No sound sample, so just go download!)

Ableton Preset: Tuvanism

I think the first time I really understood handheld music making was when I first tried Nanoloop on Game Boy. While the more-popular LSDJ tracker is powerful, Nanoloop’s interface was unlike anything I’d seen before: aggressively minimal, it embodies in its interface design the feeling of a blank sheet of paper. Adding an idea feels like composition, like genuinely exploring open-ended possibilities and discovering what melodies may result. Now, Nanoloop – already on iOS – is available for Android, too.

It remains simple stuff, the sense of what a music maker looks like when designed for your hand rather than translated to mobile from desktop, studio-style workstations. There are six fixed channels, each assignable to a synth (FM, noise, or filtered wave) or a sampler. Then, each channel takes eight patterns. There’s a step sequencer, the ability to resample, and song editor with loops. The sampling capabilities are especially nice on Android, as you can now sample from the mic or load samples right onto the SD card. (The mic you can use on iOS, but not the SD card, of course.) You can export OGG files to your library, turning your Android device into a DJ-set-ready pocket music library, or send and receive projects via email. Via iTunes, you can even exchange files with the iPhone version, in case you have an Android phone and an iPod touch or some similar arrangement.

This isn’t a port of the Game Boy nanoloop, developer Oliver Wittchow is quick to note. It’s not for chip music, or emulating game consoles. It’s for … well, Android music. But make no mistake: while the tool feels fresh and native to the new platform, it also carries the spirit of the Game Boy version. And that spirit is handheld music making, not just the aesthetics of the chip, but the feeling of using a minimal device scaled to your hands, something you can use on the go.

Oliver tells CDM that he has used a lot of native code (via the NDK), as he did non-object-oriented C (not Objective-C) in the iOS version. He says it’s about 1:1 C and Java: “I could use the iOS code almost unmodified and get the sound engine and touch input to work immediately. I had an almost fully working nanoloop within few days – without any graphics though.
Now I ‘just’ had to write Java code for GUI, file access, recording functions and the different menu structure.”

The results, he says, are a little strange if you’re looking at the code (lots of getters and setters, C mixed with Java), but it works well.

Android owners, I’d love to hear how this works on your device. Let us know – just be sure to fill out a bug report. As the Market page notes:

Nanoloop works on a variety of devices, including HTC Desire, Motorola Droid and also midrange phones such as HTC Legend and XPERIA X10 mini. However, this is the first release and of course it has not been tested on all Android devices yet. If you experience crashes or other problems, please report them via e-mail or the anonymous bug report form at www.nanoloop.com. Thank you.

Now if we can just have some luck with Bluetooth MIDI at our hacklab tomorrow, this could be another candidate.

Oh, and most of all, I’d love to hear the music you make.

nanoloop on the Android Market (a stunning EUR1 … that’s a no-brainer. Better than an espresso shot!)

nanoloop.de [iOS, Android]

See our previous Android music round-up

For the historical record, here’s nanoloop for Game Boy on CDM – from 2004. It’s actually come quite a ways since that release, but the spirit is the same.
http://createdigitalmusic.com/2004/11/updated-nanoloop-20-game-boy-instrument/

If you’re in the NYC area, we hope you’ll mark your calendar; if not, we have some free listening for you to explore below.

Hacking and inventing, creative musicians are making and modifying the tools of their performance to express the music they imagine, with stunning variety of results. And so it is that once a month (erm, more or less), we get together in Manhattan to celebrate music makers at a little thing we call Handmade Music.

This month, experimental sound systems and Afrotronic future funk with new electronic instruments inspired by west African tradition join the lineup.

1-6 PM, FREE: OPEN LAB (all ages)
Bring your project to work on, or just hang out and see what others are producing.

• Bluetooth wireless MIDI music-making on hardware and Android phones
• Open show-and-tell, including a couple of presentations of free Pd patching tools for making new instruments
• At 5 PM, Todd Michael Bailey will show off his Where’s the Party At 2 open, DIY sampler, which takes inspiration from grungy digital samplers past.

7PM, FREE – LIVE MUSIC (21+)

Futuristic performances meet reimagined renditions of everything from Game Boys to m’biras this month. The full night is free, and you can remain quenched and fed with Culturefix’s superb beers, wines, and delicious food menu. (Where else in New York can you hear chip music and Afrotronic future funk while munching on The Grilled Cheese of Awesomeness?) The program:

DIGITAL DIASPORA
Afrotronic future funk band! Electronic, handmade remixes of traditional African instruments like the “the Gongo~Tron,” based on the traditional “Gongoma,” a Guinean m’bira (thumb-piano), and “Nano-Shakerator,” based on the traditional “Shekere,” a percussion instrument found throughout western Africa. All in grooving, futuristic new combinations!
http://soundcloud.com/digitaldiaspora

RUCYL MILLS (Saturn Never Sleeps) sci-fi singer

CONCRETE SOUND SYSTEM live sound set (David Primus Luta Dodson). I could try to put into words what David does, but it’s best to see in the video above, from Manhattan’s Harvestworks sound and music research center.

SAPHRYN PHOLLICLE (STEF EYE, Saturn Never Sleeps), multi-instrumentalist, singer, and sound experimentalist plays a left-field live set.

ACTIVE aka CHRIS GILROY live digital monome music played on grids (In/Out Festival)

KRIS KEYSER chip music +
BATSLY ADAMS NES + Genesis-powered vintage game visuals
Kris Keyser is already a favorite of spectacular 8-bit LSDJ music, here accompanied by live-generated visuals on vintage game consoles by this talented digital artist and inventor.

ALEX KIEFER (exilefaker) Forward-thinking chip music from a man also working toward a PhD in philosophy. The chip philosopher? Believe it.

Listen Now, Learn More

Stef Eye/Zaphryn Follicle, pictured above working away (via SNS), has a great profile by Saturn Never Sleeps’ Rucyl Mills on her production setup, here with Ableton Live, a Kaosillator, a kalimba, and an ancient guitar thing:
Living on the Rings | Stef Eye Artist Process Interview

And she has an experimental Zaturn Blend podcast.

Rucyl Mills, pictured above, has her music up on her endlessly-inspiring blog.
http://rucyl.com/tagged/audio/

I can’t embed it, but I absolutely adore the sound of the Yesterday’s Machine preview; I promise to make sure Rucyl keeps us posted on its release. See also Rucyl’s rig, at bottom.

http://saturnneversleeps.com/yesterdays-machine/

Lovely chip music by Kris Kesyer:

From our last edition, Chris Gilroy (on the docket this time, too) joins Philippe “Flippy Lesaux,” as documented in video by Thomas Piper.

And finally, in addition to one more video below, some SoundCloud-hosted tracks from Digital Diaspora, including Mikel Banks on vocals and “freakaphone” (“Looking Back”) and Janice Lowe on vocals (“Sing With Me”).

Looking Back by digital diaspora

Sing With Me by digital diaspora

Where to Go

If you’re not in NY, I hope you’ll get to spend some time with the listening and videos above. But if you are in the area, here are details on our venue for Saturday:

Presented by Culturefix NY
9 Clinton Street
New York, New York 10002

View Larger Map

http://culturefixny.com/

RSVP on Facebook:

Open lab, 1p Saturday 4/2

Live music party, 7p

Handmade Music is back on the Lower East Side of Manhattan with an epic lineup spanning digital synths to monomes to interactive installations to chip music. It’s a bit like stepping into the music tech world described on the Web. (For the vast majority of you outside NYC, hoping to have good documentation of recent events edited and available shortly.)

We’re moving to Saturday night and doing a proper party. Hack, ask, meet, geek, eat, drink, listen, watch, dance…

Full event details for New York, and plenty to watch and hear online for those of you in NYC and everywhere in the world:

OPEN LAB
3p – 6p, FREE

Come early to get a close look at what people are making, and expect some surprises.

• MeeBlip user gathering for new MeeBlip owners (or those curious) in the NYC area. Check out our open source, affordable, hackable synth, or get help and ask questions.
• mlrv2: Meet the latest-and-greatest from the monome world, the free software that turns grids from MPCs to Launchpads to monomes into live performance sampling instruments. Get a look up close and ask questions before the performance later in the evening. (See our coverage of the news.)
• Bring your project! Building a synth? Got a Max for Live / Pd / Csound creation of which you’re proud? Circuit-bent project? Handmade CD case, band t-shirt, percussion made out of shells and wood? Bring them by, show them off, and share ideas with fellow DIY music inventors!

PARTY + LIVE MUSIC
7p – 2a; NO COVER!
Free entry for cash bar and brilliant food menu. Or a $20 ticket buys you two hours of open bar (7-9p) including beers brewed here in New York State and wine selections… and a full night of music either way.

Enjoy a wine and New York-brewed beer list celebrated by Frank Bruni with The New York Times, order from Culturefix’s excellent small plate menu, and stick around for a packed evening of music.

Culturefix Food + Drink menu

• Diptych: Ben Black and Aiwen Wang-Huddleston’s elegant, sail-like sculptural live digital performance instrument.
• Dissonics: Michael Cohen’s array of pylons form an alien, proximity-based performance.
• monome music: Christopher Gilroy + Philippe ‘Flippy’ LeSaux, Galapagoose, and % tap out live grooves on the monome grid.
• Chip music: Note! and Kris Keyser make infectious 8-bit music on Game Boys, some of the best virtuosos of the form.
• Electronic music: Pulsing soundscapes by Ganucheau on laptop and myself on MeeBlip.

Hear and see the artists…

I’ve never been a fan of chip music for the sake of it; I really like to hear stuff that’s well-produced, compositionally interesting, and can stand alongside stuff that isn’t chip music. And I really like Note! (Christophe Richard) and Kris Keyser; there’s some great stuff, and it’s easy to point people who think they don’t like chip music or music made with Game Boys to this. Have a listen to Christophe’s most recent album, the free 12345:

http://note.monoanimal.com/

And Kris’ music:

We also have videos to give you an idea of the installation/interactive performance creations and monome music. First, premiering at NYU’s NIME (new instruments in musical expression) course:

Galapagoose plays live:

Some terrific audio and (with dementoid) visuals) from “owner/operator” (%) — “album” art for these electronic releases below, as I’m really digging it:

mezos by owneroperator

cognitives by owneroperator

Music from actv / Christopher Gilroy (CC-licensed, too):

03 Watching Records Spin by actv

Check his free EP, too:

A collection of four songs of various types, most were performed in the fall/winter of 2010. Made using Ableton, Arduinome 64, NI Maschine, and various synths. Mixed in Harrison Mixbus. Ella made it look pretty.

http://cargocollective.com/active#927812/Failed-Houdini-ep

And here’s the last time Ganucheau and I played together, with the Grant Sisters for Diana Eng’s fashion show.

Open Lab 3-6p
Party 7p-late with 7-9p open bar
Saturday, February 5, 2011

Presented by Culturefix NY
9 Clinton Street
New York, New York 10002

View Larger Map

http://culturefixny.com/

Handmade Music is our party for people who make things that make music. If you create your own musical tools – whether acoustic instruments and soundmakers, hacks, circuit bends, custom Pd and Max patches, electronics, or code – we want to hear from you.

We’re looking for contributors in NYC, Texas, and around the world:

• Live acts and projects in New York
• Street team volunteers in NYC and to help organize and promote events in other parts of the planet
• Live acts and projects for a special South by Southwest Interactive showcase in Austin, Texas with our friends at Etsy.com

1. If you can get to Austin, TX or NYC, tell us about your project or act! And feel free to pass this along to friends, students, and the like. The calls for artists will be ongoing.

NYC + Austin/SxSW call for works 2011 – direct Google Docs form link

2. Be part of Handmade Music anywhere on Earth: Also, while we’ve hinted at this before, 2011 is the year in which I’d like to really help support people trying to organize similar Handmade Music events in other parts of the world, building on regular events in Austin and Toronto and events held in cities like Amsterdam, LA, and Porto, Portugal.

If you’d like to help make Handmade Music grow in your part of the world, you can sign up for that and we’ll send more information (and yes, we welcome volunteers here in the NYC area, too!):

Handmade Music 2011 Global Organizing

Want to know more? Read an explanation of what Handmade Music’s about.

Sunday night in Manhattan, the MeeBlip makes its public debut. If you want to check one out in person, ask any questions, etc., come check it out. (I’ll also have my battery-powered rig: one Vox amp on batteries, one MintyBoost battery pack for MeeBlip, one Rock Band 3 keytar.) And that’s just the beginning – we’ve got a huge lineup of stuff for this week’s Handmade Music.

Sunday, November 14th
FREE
OPEN LABORATORY: 4pm – 7pm
PARTY + MUSIC: 7p – 10pm
Culturefix, LES (Map)

Handmade Music is part party, part science fair. Come meet people who make things that make music.

This month:
A duo of classical guitarists who play video games with their instruments
A project that sequences beats as you play a game of checkers
Chip music on Game Boy
Surf rock meets speed metal on glockenspiel, Casio, drums, bass
PLUS MeeBlip, the hackable digital synth

Come at 4:30 pm for a hands-on Q+A with artists. See game controllers used for music, and meet the MeeBlip synthesizer in its first public appearance. Bring questions; newcomers welcome!
Stay for 7:00 pm as artists perform and demo their work.

Enjoy drinks and the tasty tapas for purchase all night long from Culturefix’s awesome bar – the stuff that has NYC press raving – and shop their electronics boutique.

ARTISTS+PROJECTS: Exile Faker, Josh Silverman, Mano Fico, Modal Kombat, Peter Kirn, and surprises

I’m especially excited to watch classical guitarists playing video games – Modal Kombat had to cancel at the last minute for our August installment, but they’re now really, truly on for this one.

http://handmademusic.noisepages.com | NYC event

Facebook Event

Making music, making blips and bleeps, turning knobs, plugging in keyboards, and having the freedom to modify your gear – these are good things. And that’s why I’m so excited that today is the day the MeeBlip launches.

It’s been several years in development, but now it’s finally here. It’s a hardware box that makes noises – virtual analog synth noises, chip-sounding noises, good noises, bad noises, noises you can make into music. It’s got physical knobs and switches on it, plus a MIDI DIN in port so you can connect that keytar you bought on eBay. It’s also a digital synth you can build, modify, and hack, down to the way every knob is mapped and every sound is blipped.

The MeeBlip is the creation of James Grahame, of Retro Thing and Reflex Audio fame. (He tells the full history of how it came to be.) But we’re serious about the Create Digital Music name going on there, too. We’ll be documenting and helping develop this instrument for some time to come, and we’ve begun building a site and community for the instrument so you have a place to meet other people using it.

The MeeBlip, from code to schematics, is open source hardware. You can hack it, read through the code, make your own and sell it. At the same time, just because it’s “open source” and “hackable” doesn’t mean the MeeBlip is just for hackers. On the contrary – we wanted a synth anyone could play. With the Quick Build Kit, you can assemble the MeeBlip without a soldering iron or, really, much skill, in a matter of minutes. Plug it in, turn some knobs, and you can make some sounds. And if later you decide you want to go deeper or even change the way the instrument works, you can do that, too.

The MeeBlip is available today, shipping worldwide, for US$129. (Kit versions are available for those who know what they’re doing, for $79, as are a la carte parts.)

You can hear what it sounds like with some samples I’ve uploaded to SoundCloud. This is the MeeBlip completely raw – no effects, no sequencing, just me playing live and turning knobs, right into Ardour.

MeeBlip: The hackable digital synth – SOUND DEMO by cdm

We’ve got a massive site for you to go learn about MeeBlip and, if you like, grab one for your own. (The first batch ships within the week, if you get in on the first order.)

http://meeblip.noisepages.com/

Enjoy. I’m personally thrilled that the MeeBlip goes from being silent to making some serious noise.

Handcrafted CD covers for records and mixes, meditative music made in game engines, handheld chip music creations, analog light synths and drone labs, VL-Tone classical music, and more surprises are coming to New York on Sunday, October 10. (Austin, Texas gets its own event, making noisemakers and ring modulators.)

We promise music you can dance to, music you can’t, and tapas (at least in NYC).

And on October 10, a little secret will finally be revealed to Manhattan and the world.

If you’re a citizen of The Internet, we’ve got lots of sounds and creations to explore here on The Web from the comfort of Your Home – scroll on below. There are even great projects you can build anywhere in the world.

For New Yorkers, the lineup on Sunday:

• Immersive music made with game engines, featuring foci + loci (Tamara Yadao + Chris Burke) doing strange and wonderful things with the likes of Halo and Little Bit Planet.
• Drone labs and analog light synths by master electronic sonic maker Peter Edwards, Casperelectronics.
• Classical music on Casio VL-Tone in a cameo by the amazing Annabelle Cazes.
• Chip music by PULSEWAVE, hosted by Peter Swimm. UPDATED – confirmed Rhinostrich +
  exilefaker
• Make + trade handmade CDs (see our separate article, posting tonight). Bring your music or Creative Commons-licensed / public domain mixes.
• A surprise. Or more. At least one.

October 10, completely free
4pm, FREE workshop on handmade music mixes – RSVP | Facebook
7-11pm, party, live music performances, general noisemaking (Facebook)

Presented by CULTUREfix, our new favorite home on the Lower East Side, complete with fantastic tapas, drinks, and drool-worthy electronics

Location

Here’s a first look at the projects, starting with a live performance I’m told gives us a loose sense of foci + loci — hoping to see even more Sunday.

foci + loci – Front Room Gallery June 2010 from glomag on Vimeo.

Drone Lab V2

From Austin – Three Projects You Can Build

That’s right, you’re not from Texas? Texas wants you anyway. Even if you’re nowhere near the Lone Star State, here are three projects you can build/buy — and yes, we’ll need to compile a full guide to all these great projects.

If you are in Austin, Texas, don’t miss the event Sunday, October 10. (We’ll have to Skype from NYC to Austin!)

Handmade Music Austin #12

The projects…

Ring Modulator, Mickey Delp’s great-sounding project, also available as a US$45 kit ($75 assembled)

Ring Modulator
Original prototype with schematics

SimSam, an $8, beginner-friendly noisemaker (complete with specs, the lot).

PicoPaso, a Forrest Mims Atari Punk Synth-inspired stepped tone generator. Schematics + purchase info at Bleep Labs.