spatium

Sound in Space, Visually: Spatium Are Free, Open Source Spatialization Tools

Human perception is capable of astounding feats of sensitivity in localizing sound – it is very likely an evolutionary trait. Yet musicians rarely tread beyond simple stereo, perhaps because it’s tough to be creative in space without something that’s visual and intuitive, something that looks like what you’re hearing. Spatium is an extraordinary set of tools for sound spatialization, built in [graphical patching language] Max/MSP and [creative code environment] Processing. It’s free and open source, a set of modules anyone can use to manipulate sound in space or as the basis of their own tools. Portugese artist and developer Rui …

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Tokyo Blip: A Chip Music Interlude for Blip Festival

How do you prefer to compose? Pen and manuscript paper? Recording ideas from a piano? Firing up your favorite music software? How about … coding in 65c816 Assembly language? The trio behind this video prefers the latter, more intensive approach, to get close to the chip hardware by communicating directly with the Super NES. It’s one heck of a way to make an invitation to an event, but that’s just what they’ve done, in celebration of Blip Festival Tokyo 2012, in a kind of audiovisual spectacular. With code by Batsly Adams, music by Zabutom, and graphics by KeFF, the result …

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Borderlands Granular Available Now, US$3.99, Visualizing Sonic Exploration

Borderlands Tutorial (iPad version) from Christopher Carlson on Vimeo. What makes the tablet software experience unique on the iPad is the sense of immersive software – touching the screen interface directly, and letting everything else fall away. There’s a cost – you don’t get the flexibility of desktop software or the tangible quality of hardware. But sometimes, that experience becomes something unique. Users have been eagerly waiting since earlier this year for the release of Borderlands Granular because it suggests something really special. It has the feeling of a tool that is at its best in this medium: visual, touchable, …

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pedalboard

Guitar Stompbox in Your Browser? Web Audio Adds Line In, iPhone Support, More

Watching a skyscraper go up is always fascinating. For a long time, the thing basically looks like a bit pit in the ground. After some time, you get the beginnings of a skeleton. Suddenly, the structure rises at a near-impossible pace, climbing into the clouds faster than you’d imagine. Then, it’s at a point when it looks finished, but isn’t – there’s this final, agonizing push to make it really inhabitable for everyone. Yep, new standards are often the same way. Web audio had, in comparison to conventional native development, looked largely like that gaping hole in the ground for …

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Dreamy Graphical Granular Greatness: Borderlands is Coming to iPad Soon

Borderlands Granular from Christopher Carlson on Vimeo. If the tablet has a strength, it’s in re-imagining software as something truly immersive – no knobs, no switches, just a futuristic wash of visuals and sound, like touching noise with your fingertip. Borderlands (soon to have a slightly different name) hints at that promise. We took a look inside the idea behind the app and the thought process that led to its design in April: Borderlands, Amazing-Looking Granular Sampler [iPad, Desktop, Free Source], and Beautiful Sound But now the video teaser above is probably enough to really whet your appetite. And there’s …

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The Hive synth. Photo: Q.Smith, Yes Dear Ltd.

Of Bees and Oscillators: Bioni Samp’s EP Full of Eco-Influences, Homebrewed Gear [Listen, Gallery]

If electronic music sometimes seems to contain the secret dance language of insects, mysterious coded rhythms and swarms of sound, an EP released this summer by an English producer makes the connection explicit. Bioni Samp sends us his strange and wonderful sonic journey into the colony. In tunes alternately atmospheric and danceable, at least of the sort to which you might wiggle your thorax in a deep, dark hive, The Island uses every possible sonic resource. Artist Bioni Samp is a producer and video artist from Leeds, Yorkshire now living in London. He points CDM not only to these wonderful …

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timbersynth

Tibersynth Makes Crazy Sounds in Your Browser, Free

Lovers of experimental sound are finding a new canvas in the Web Browser, thanks to evolving work on standard audio tools. Cory O’Brien sends us his creation: “a real-time vector synth.” The result: crazy sounds. You’ll need Chrome, Chromium, or Safari 6 to try it out, but it’s quite a lot of fun. I especially like the percussive sounds I get just clicking spots. And it’s worth some different tries – and hitting the ‘R’ key to randomize – if at first you don’t like what you hear. The deeper significance: you’re going to be seeing more things like this. …

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wavtap-1

WavTap Makes Recording Audio Easy as Taking a Screenshot [Free, Mac]

Press a key or two, take a screenshot. It’s been dead-simple for ages. But not so if you just want to grab some sound – until now. WavTap, from coder and GitHub user Patrick Ellis of Berlin, finally makes grabbing audio on the Mac work the way you’ve imagined it should work. Hit a keyboard shortcut – ctrl-cmd-space, though that default can be customized – and start recording. Hit it again, and stop. WavTap is a fork of the wonderful Soundflower from Cycling ’74, the free menu tool for inter-app audio. That means WavTap shares Soundflower’s sophisticated routing solutions, so …

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Control from your [Livid] Code, without [writing] code. And that's an excuse to show this beautiful custom Livid Code controller, one of a number of devices from Akai, Livid, and Korg supported with this powerful tool.

A Controllerist Dream Come True: Custom Mappings in Ableton Live, Without Code

You’re not other people. You want things your way, right away. You might not want to buy a new controller for each piece of software, or, worse, the latest controller that purports to control said software, and then live with the particular way in which the two integrate. You want things to work the way you want things to work, darnit. Hidden in the depths of Ableton Live, MIDI Remote Scripts have for some time allowed you to map controllers to software functions. Now, you could do fancy things with Max for Live, but that means, first, buying Max for …

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musicbranches

Music in the Browser: A Soundtrack from a Crowd, A Keyboard for a Mouse

Slowly but surely, the web audio API creeps toward being something that’s usable in more than one browser at a time. In the meantime, we get a glimpse of how generative music could be a part of what’s to come. It’s a long way from those horrid, looping audio files that plagued the Web in its heady 1990s adolescence. Today on Create Digital Motion, I look at the aesthetics of crowd-sourcing in work by Aaron Koblin and Chris Milk – and how the view of the significance of the crowd has changed over time. Substitute “music” for “motion,” and you’ll …

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