Euphonix EuControl Software Patched, Fixes 10.5.7 Support and More

That was quick! The folks at Euphonix are already out with a patch that resolves an issue with the just-released update Mac OS X 10.5.7. From the description:

Software update for both MC Control and MC Mix that fixes compatibility issues with Mac OS 10.5.7. Includes recent MC Control touch-screen response optimization, as well as improved Digital Performer integration and more.

http://euphonix.com/artist/support/downloads.php

Mac Users: Might Want to Hold Off on 10.5.7; Breaks Euphonix EuCon Control Surface

Kaindl-Hönig Fotostudio+Werbeteam GmbH Salzburg www.kaindl-hoenig.com

It appears that network changes in Mac OS 10.5.7 could adversely impact some hardware, specifically the Euphonix EuCon line of controllers. Here is information sent to customers today – thanks to reader Oliver Lucas for spotting this.

Please note that the new Mac OS update released yesterday, Version 10.5.7, breaks support for the feature in EuControl that automatically detects what control surfaces are attached to your network.

Euphonix is working on a fix – please DO NOT update your Mac OS until we release a software update that addresses the issue, as your MC Mix/MC Control will not be seen by your Mac.

For those users who have already updated to Version 10.5.7, you can roll back your Mac OS to the previous version if you are using Time Machine.

Update: this is now fixed.

There are no other apparent audio issues with 10.5.7 that I can see. (Visualists may be pleased about some NVIDIA driver improvements.)

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Host Windows VSTs on Mac? (Yes, But Not as Easily as on Linux)

Now that Macs run Intel processors, what was once unimaginable is suddenly possible. There’s certainly no shortage of plug-ins available on Mac OS, but users may still have Windows plug-ins they miss. Released as beta today from SM Pro Audio, VFX is an app that lets you host your PC plug-ins on your Mac:

VFX Mac Beta

The requirements are modest — a lowly Mac mini should work just fine, and you don’t even need 10.5. But some of the specifics get a little weird. You have to run VFX as its own host. And you actually can’t use Mac plug-ins on the VFX, which means there’s not much advantage here versus just running on a cheap PC. (Especially given that you can build a pretty decent PC for under $300 these days.) And there are various stability and reliability issues introduced, as well.

We saw the V-Machine from the same creator — a small hardware box running plug-ins on Linux — at the end of last year. But in this case, it appears you can may be able to the software minus the hardware, which would make sense. (Otherwise, the hardware becomes a rather large dongle.)
V-Machine: Dedicated Hardware for VSTs, for US$599?

Basically, what VFX is is a nicely-packaged rendition of a Windows host running inside the open source, multi-platform WINE translation layer. WINE is actually a ground-up “translation” of Win32 — it’s not emulation or a virtual machine; it actually runs Windows apps as if they were native. (Thank Microsoft for keeping its APIs relatively open, even if the OS itself is closed as Mac OS is.) The discussion of whether or not this could work has come up before, as recently in a thread on KVR. VFX is proof that it can work, and I could imagine it’s even good news for some people. You can read the manual addendum at the link above and decide if it’s for you.

Here’s the irony: Mac users arguably don’t have it as good as even Linux users, let alone people just running Windows (and, one might add, on cheaper PCs).

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ExpressCard FireWire that Actually Works for Audio?

ExpressCard slots on new Mac and PC notebooks look tantalizing, but buyer beware: adding FireWire audio can be perilous. Multichannel FireWire interfaces work beautifully with the proper drivers and controller, but get some element of that equation wrong, and you may find your high-end interface is rendered unusable (think glitches and dropouts). The chipset in the controller and in the laptop can have an impact, but having a TI (Texas Instruments) controller in your ExpressCard seems to be a good start.

Speaking of Rain Recording, Rain is about the only vendor I’ve found that offers a 2-port FireWire ExpressCard known to work well with audio interfaces. Now, your mileage may vary depending on the chipset in your laptop, but based on what I’ve been hearing, this looks like a good option. I’ve also seen a cheap (US$30) card floating around some random Internet vendors; it’s so cheap, I’m probably going to buy one just to see if it works. I’ll report back.

2 Port FireWire Express Card (formerly ADS Tech PYRO1394a) [Rain Recording]

I get nothing out of this, for the record; Rain actually hopes you’ll get this card with one of their laptops, but I’m just as curious to hear how it works on other machines. Of course, this would be a nice add-on not only for PCs, but also potentially for MacBook Pro users wanting dedicated FW400 ports and the TI controller – theoretically, at least. Let us know what happens if you take the plunge.

If you’ve had experience with different chipsets and ExpressCard slots on Mac or PC, we’d love to hear it. And I hope to offer my own tests soon.

Updated: The StarTech EC13942 also shares the TI chipset and is available from a number of vendors if that’s a vendor you prefer. It’s the only one endorsed by PreSonus aside from this former ADS Tech card that Rain sells — and may give you better results with other, non-PreSonus hardware, based on reports I’ve read. See PreSonus’ official word on the matter:

Presonus Hardware Compatibility: Approved Chipsets [PDF]

Apogee Confirms Compatibility with MacBook Pro FW800

As I’ve noted, unlike the new MacBook, the MacBook Pro revision retains FireWire, in the form of a FireWire 800 port. This does represent a switch to an NVIDIA chipset, so there may be new performance wrinkles with some interfaces. But it’s not the FW800 port per se you have to worry about. It gives you one less physical connector (previous MBPs had both a FW800 and FW400 port), but even the earlier models had just one bus for FireWire, shared between those two ports. There is a little bit of inconvenience there in that you need an adapter cable and have one less port free, but it’s much less of the deal-breaker the MacBook’s lack of FireWire or expansion is.

MOTU had already published a support note out about supporting FW800 ports — executive summary: don’t worry about it. Now Apogee, makers of the Mac-only Duet, weigh in:

Connection between a “late-2008″ MacBook Pro and Ensemble or Duet is made with a commonly available FW800 to FW400 adaptor or cable. The connection of Ensemble or Duet to a FW800 port is fully supported and in no way alters the performance of the interface.

Ensemble and Duet Compatible with New MacBook Pro [Apogee Digital]

Via MacMusic; thanks to USO Project