gamemusicbundle

A Massive Bundle of Game Music, the Magical Machinarium Score, and the Quiet Indie Music Revolution

As musical old-timers repeatedly sing the sad song of the supposed demise of the full-length album, a funny thing has happened. Lovers of games have taken up a growing passion for game music, and in particular the indie score for indie games. Independent game publishing and independent music composition – from truly unsigned, unknown artists – go hand in hand. Indeed, the download and purchase charts on Bandcamp are often dominated by game scores. Fueled by word-of-mouth, these go viral in enthusiast communities largely ignored by either music or game reportage. Far from the big-budget blockbuster war game, these scores …

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Richard Lainhart, Prolific Composer and Artist, Dies at 58; Links to His Work

Richard plays Handmade Music in 2007; full video at bottom. I’m saddened to learn of the death of Richard Lainhart, the New York-based composer and artist who has been inseparable from the experimental electronic scene for many years. I knew Richard to be a gentle and imaginative soul, an inventive technologist, someone capable of dreaming up endless soundscapes and auditory worlds. He was also a great contributor to the CDM community, including playing one of the early installments of Handmade Music at Etsy Labs in Brooklyn. (Photo above; full video at bottom.) I think it’s fitting to illustrate Richard with …

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Dimensions, iOS App Powered by Pd and Hans Zimmer, is Sound-Augmented Reality Game: Behind the Scenes

Graphics are good. Graphics are shiny. But when it comes to reality-bending, emotionally-immersive, perception-shifting power, look to sound and music. At least that’s the feeling you could get after playing Dimensions. Following their reactive music tools and Inception dream states for iOS, RjDj have turned their mind-altering sonics to gameplay. As with previous releases, these tools are powered by the open source visual development environment Pure Data. Pd engineering wizardry here meetings the compositional and sound design prowess of Hans Zimmer. You can see a bit of how the musical world works in the teaser video above, and the music …

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No-Input Pärt: ‘Fratres,’ Played on a Mixer, is Eerily Beautiful

Arvo Pärt’s music is always spare and gorgeous, inspired by Medieval counterpoint and voicings, and you’d expect it to be such on any instruments. But here, you get something truly unique: a transcription of the composer’s ‘Fratres,’ normally played on string quartet, on a mixer. The no-input performance uses exclusively tuned audio feedback to generate sound, creating an almost vocal quality to ringing timbres generates entirely in the mixer. Details: Camera : Jimmy Hayes Console : Christian Carrière Research residency, Summer 2011 OBORO, Montreal, Canada oboro.net/ Console : Allen&Heath GL2400-40 Thanks to Claus Frostell of Erikson Pro, who lent me …

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Music as Gameplay: Johann Sebastian Joust, Played With Only Sound and Gesture

Think back to playing a simply childhood game like Musical Chairs. The actual gameplay depends only on auditory clues – something you take for granted as a kid, but something apparently lost on game engineers who insist exclusively on advanced 3D rendering engines for visuals. And because you get your body involved, the game becomes dynamic. That musical cue isn’t just off in the background: in the dizzying run around the chairs, the soundtrack can become the singular focus of your brain, an urgent score to the — DIVE, got the chair! As the scene around game experimentation grows richer, …

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Milton Babbitt Passes; Composer Had Place in Origins of Electronic Music, Musical Revolutions

Hindsight normally gives perspective to history, but in the case of the 20th Century, even looking back, it’s hard to fathom the sheer magnitude of change in human thought and technology. Composers faced the twin revolutions of electronic sound — recorded, synthesized, and eventually computerized — and new systems for organizing pitch and rhythm from the early European avant garde to access to every world music culture. One figure at the center of the academic reinvention of American music was Milton Babbitt, the experimental innovator who passed away over the weekend at the age of 94. Obituaries inevitably brought up …

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Interview: Jon Hopkins Talks Live, Studio Process, Habit, Instinct

Jon Hopkins performs live at the ICA. Photo (CC-BY-SA) Matt Biddulph. Classically trained as a pianist, musician and producer Jon Hopkins has one of the richest resumes in electronic music. He’s a frequent collaborator with Brian Eno, wand has worked with artists like Coldplay (who featured his music on their last album), Tunng, David Holmes, and Imogen Heap. He worked with director Peter Jackson, and has a sci-fi score on the way. He also has a rich set of solo releases. And we’ve seen him here recently with remix swaps with Four Tet and contributions to Eno’s upcoming Warp record. …

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Real for Reel: The Amazing Sherlock Holmes Experibass, and More Winter Cinema Sounds

Sometimes, the best sounds come not from synthesis, not even from electrified instruments, but from the purity of a mic and acoustic instrumentation. It remains electronic, or even digital sound, but its source is organic. And so, one of the best reasons to see the new Sherlock Holmes movie in theaters is the wonderful noises that bounce around Hans Zimmer’s score. Behind many great film scores are great soloists as much as great composers, and Sherlock Holmes is no exception. Zimmer worked with Diego Stocco, sound designer, sound artist, inventor, and composer in his own right. To realize the inner …

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Upcoming Final Fantasy Album: Treating the Orchestra Like an Analog Synth

Photos by Hedi Slimane; courtesy Final Fantasy. Can you approach a symphony orchestra as though it’s an analog synth? That’s a question composers have asked since the first time they heard electronic sounds. It’s impossible to hear the 20th-century technology alongside the 19th-century technology without the one reframing your view of the other. Now, it will be tackled by the new album from composer/singer/violinist Owen Pallett, with an interesting cast of characters onboard, plus one imaginary ultra-violent farmer.

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Linux Music Workflow: Switching from Mac OS X to Ubuntu with Kim Cascone

Here’s a switcher story of a different color: from the Mac, to Linux. It’s one thing to talk about operating systems and free software in theory, or to hear from died-in-the-wool advocates of their platform of choice. In this case, we turn to Kim Cascone, an experienced and gifted musician and composer with an impressive resume of releases and a rich sens of sound. This isn’t someone advocating any platform over another: it’s an on-the-ground, in-the-trenches, real-world example of how Kim made this set of tools work in his music, in the studio and on tour. A particular thanks, as …

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