Jack_A_Paris

Techno as Science: Nicolas Bougaïeff Explains Max for Live, Meta-Music, Steve Reich [Video, Theory]

Got a doctorate? Got a doctorate in techno? Got a techno track with a 12-tone row? Artist and researcher Nicolas Bougaïeff (also of developer Liine) shares his latest work with CDM. It’s about the track, yes, about the music video, about techno and dancefloors in some sense. But it’s also about process: Nicolas shares some of the way the machinery of his track was built, in its realization in software, in musical composition, and underlying research. And we also get a terrific music video that helps render some of this geometric theoretical thinking, courtesy Berlin-based motion graphics artist Vicetto. (See …

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You’re Doing it Backwards: REV Builds Sound Library Around Reversing Stuff

Soundware remains a massive market. Products fall in the CDM inbox daily. There’s just not so much to talk about – even when the quality is exceptional. There are good products out there, and sampled libraries are especially essential for anyone working on tight deadlines – no matter the joy of recording material, anyone working for markets like TV or film likely needs some assistance satisfying clients in a hurry. It’s just that there’s so much out there, there isn’t always a story. Output is a new sound house out of Los Angeles that found a way to tell a …

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Part Sculpture, Part Sound: New Work by Tristan Perich, Lesley Flanigan [Videos, Listening]

From top: Tristan Perich’s new piano with 1-bit masterpiece, Lesley Flanigan surrounded by her creations. All images courtesy the artists. Sound may be invisible, setting the air around us aquiver with little visible evidence. But the objects that make sound are physical, and no electronic music is virtual. Composer/musician/sound artists Lesley Flanigan and Tristan Perich continue to explore that material substance of sound, calling attention to the stuff of the media in its purest form. Lesley’s work focuses on the basic technique of amplification; Tristan’s on digital electronics in their rawest sense, 1-bit songs of microcontrollers in chorus. The two …

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aleph Soundcomputer: Interview with monome creator Brian Crabtree and Ezra Buchla

aleph is something of a curiosity: it’s a dedicated box uniquely designed for sonic exploration that isn’t a conventional computer. It comes from the creator of the monome, but while dynamic mapping is part of the notion, it is the first monome creation capable of making sound on its own. The monome is a controller that uses a grid for whatever you want; aleph is a self-contained instrument that makes any sound you want. In review: aleph, from monome: Programmable Sound Computer That Does Anything But this isn’t only a story about some specialist, boutique device. It’s a chance to …

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NotateMe_iOSShot

Digital Notation, Like You Imagined It’d Work: Draw Into iPhone, iPad, Android

Through years of struggling with mice, keyboard shortcuts, and the like, stacks of hand-written notation alongside the computer, this was what I imagined – and probably you, too, if you work with handwritten scores. NotateMe promises to take hand-written notation from your fingertip or stylus and recognize music, from simple lead sheets to full orchestral scores. For those working with scores, it’s what you dreamt devices like the iPhone would do from the beginning. NotateMe is now in public beta, and we hope to talk to the creators, but wanted to get your feedback first about what you’d like to …

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Singing Circuits: Who Needs Synths When a No-Input Mixer Sounds This Gorgeous?

Hypnotic and chant-like, this Christian Carrière composition hums and vibrates with what sounds like a chorus of electronic synthesizers. But that’s not what you’re hearing. It’s actually all a “no-input mixer” – a rig that makes use of controlled feedback rather than any other source of sound. It is, as Montreal-based composer Christian describes it, the sound of the circuits inside the mixer singing. And while you may associate feedback with angry distortion, here it’s beautifully tranquil, the rich tones of the circuitry themselves transformed into oscillators. The patterns and layers are all made with a looper. 35-minute mix:

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ANS – Amazing, Eerie Russian Optical Synth – Now on Every OS [Megaguide to ANS Old and New]

Few early instruments from the last century can still sound futuristic today. But the photoelectronic ANS synthesizer is an enormous vintage hardware device that can already stand toe to toe with today’s most bleeding-edge software. It’s a natural for an iOS conversion, and an incredible amount of fun to use in software form – but also makes this a good time to revisit just how forward-thinking the original was. Before electronics grew in wide use in musical instruments, sound designers took a cue from soundtracks for film. That is, before digital, before analog, there was optical. Sound artists, including a …

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UE_6

Simon Pyke’s Melodic Imagination, Dancing and Doodling in a Science Museum [Warp Records]

Move over, Music for Airports. Now there’s Music for Museums. At Media Space at the Science Museum, London, UK-based creative studio Universal Everything recently explored the ability of visitors to make their bodies and hands shape the space. In 1000 Hands, guests take on God-like, Darwinian powers of illustration, inventing new, fanciful life forms by sketching their work, then unleashing these creations in the museum exhibit. It’s the long-missing opportunity to scrawl on the walls of the museum. There’s an iOS and Android app, too, if you can’t make it to England: http://1000hands.universaleverything.com/ In the companion installation, Presence, the studio …

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Humans and Machines: Kompakt’s 20th Birthday Links Techno, Artists, Tech

Techno is no longer new, no longer radical, no longer industrial, no longer trendy, no longer shocking. But it just might be something else: lasting. Famed Köln label Kompakt, as sure a bellweather for techno as anything, turns twenty this year. And in celebrating its birthday, humans and machines meet again. Electronic dance music has long had a conversation with minimalist currents and ostinati in Classical music, with Indonesian gamelan ensembles, and yes, infamously, even with the oom-pah repetition of marching bands. In the video above, we see what happens when the label’s music makes those conversations explicit. And it’s …

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Cristian Vogel, Still Dazzling Ears, Two Decades On [Listen]

There are few artists as thoroughly credentialed across dance music and Classical new music as Cristian Vogel. But what’s astounding about Vogel is, having ventured out on the precipice of those bleeding edges of both worlds, he still stands on tiptoe there now. Chilean-born, UK-raised and academically-trained in the 80s, and now a leading voice in Berlin’s scene for the past 20 years, he’s no less prolific today than in the past. But let’s not just wax poetic – let’s have a listen to the latest. We can love the fact that Jamie Lidell, Vogel’s former mate in Super Collider …

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