MakingMusic6

Non-Oblique Strategies: Author on the Discipline of Making Music

The blank screen. The half-finished project. The project that wants to be done. We talk a lot about machines and plug-ins, dials and patch cords, tools and techniques. But the reality is, the most essential moments of the process go beyond that. They’re the moments when we switch on that central technology of our brain and creativity. And, very often, they crash and require a restart. So it’s about time to start talking about the process of how we make music – even more so when that process is in some sense inseparable from the technology we use, whether the …

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Bartok, awesome, angular music, awesome, angular nose. Photo (CC-BY) cuttlefish.

Bartók String Quartet on Electric Guitar, Magic of Bluetooth iPad Page Turning

Here’s digital music of a different variety: the stunningly-modern music of Hungarian composer Bela Bartók, transcribed for four electric guitars. Where’s the computer? Glad you asked: think computer music software (Notion, which looks lovely here), and an iPad and Bluetooth page turner. There’s no way you’re playing this string quartet and turning pages, unless you have three hands. Guitarist Joe Gore – playing with guitarists Joe Gore, Joe Gore, and Joe Gore – tackles this epic score, and demonstrates just how great it sounds on electric guitar. It’s worth reading his whole story, which deservedly waxes poetic about the beauty …

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A Concerto for iPad and Orchestra, as a Composer Takes on Tablet as Instrument

For all the ubiquity of electronic instruments and computers in the past half century, it’s still comparatively rare for composers to add these sounds to the largely-unchanging makeup of an orchestra. Therefore, as composer Ned McGowan writes a concerto that claims to be the first for iPad, he’s forced to admit the addition of a computer remains somewhat novel. A composer himself, Frank Oteri has compiled a list of works for orchestra and technology. The scores typically call, however, for the integrated instrument of a “synthesizer”; computers are often relegated to making appearances on tape even in relatively recent works. …

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Kinect-Controlled, 4-Story Pipe Organ, a Phantom of the Organist

When we last caught up with the touch-less, gestural music-making of composer Chris Vik, the Australian musician was sharing his own Kinectar software and playing both dubstep and ambient scores for modern dance. Now, Vik is back playing a very substantial physical instrument: Melbourne’s four story-tall, MIDI-retrofitted Town Hall Organ. Here, the Max-powered software takes on some very big sound from some very big pipes. He writes: I’ve created my own software Kinectar, which allows the use of the Kinect to control MIDI devices, ie. playing notes through simple gestures and motion. The Melbourne Town Hall Organ got a referb …

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Music from the Road: Tristan Perich, Lesley Flanigan on Speakers, 1-bit, Harspichord

Strings of tour dates and electronic music often mean crowd-friendly dance music, but there’s a growing, impassioned audience for more contemplative concert sounds, too. Composer-musicians Lesley Flanigan and Tristan Perich are pulling into the last stop on an extended tour of their work, here in New York Friday at Galapagos Art Space. For many, electronic music, in particular that made with computers, becomes about abstraction. For this duo, electronics become a chance to grow even closer to the tangible, acoustic sound – techniques they share in workshops as well as performances. And would you believe… antique harpsichord? Tristan Perich at …

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