Freerange Dancetracks Pezzner Remix, And How and How Not to Do Remix Contests

Pezzner plays the Savoy Room at MUTEK. Photo (CC) basic_sounds.

Remix contests are all the rage lately, but quality is another thing altogether. I’m happy CDM is involved in a new contest with Dancetracks, however, because the ingredients of a contest that’s worth your time all all there.

First off, Seattle-based [Dave] Pezzner on freefrange is an artist worth noting. He’s a talented producer, has a great sense of sound, as has moved from commercial and television sound and music into being a breakout dance artist – something to which many CDM readers may aspire. He’s assembled just the kind of smart track we like:

Valldemossa was inspired initially by a tape recording I found of a boys choir recorded circa 1982, which was piped through an analog tape delay. The ending result of this tape recording was outstanding and left me with a gold mine of sounds to pick from. I built this song using a handful of my favorite tools, FL Studio, Ableton Live, Native Instruments Battery, Reaktor, D16 Phocyon, some sounds from the Mellotron M400 tape banks, Klanglabs Stompbud collection and Mixed in Key (as well as some keen direction from master and chief, Jimpster). Feel free to let loose and let your inner artist speak loudly. We’re excited to hear what you do!

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Toronto Patching Grudge Match: Pd and Max to End Niceties and Fight to the Death

Preparing for battle: it’s all in the mind. Photo: Aaron Landry.

Two modular patching software packages for programming multimedia software visually, Pure Data (Pd) and Max/MSP/Jitter have long had a friendly relationship. The tools share code, are reasonably compatible in patches and external objects (sometimes with some adjustment), and are basically open source (Pd) and commercial (Max) cousins of one another. The user bases are likewise friendly with one another. But a certain rivalry hid behind the surface – until now.

Now, it’s personal.

Enough of the diplomacy. A group of dedicated patchers in Toronto have decided to dispense with this “we’re all winners” nonsense and decide which tool is superior. I’ll let them the organizers describe it in their own colorful way:

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