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Wave Your Hands or Draw to Make Sounds, with OWOW – Kickstarter Deadline Approaches

“Instead of going to music school, I studied design.” Wiggle, wob, drum, pads, and scan are new gestural instruments that seek to cut the distance between an idea, making a move with your body, and a sound. Think you could draw a doodle that expresses a sound? Wish you could just air-drum in that percussion line? Easier to wave your hand to describe a noise? These modular components let you do just that. OWOW, the startup behind it, is nearing a funding goal on Kickstarter – but it’s not quite there, five days until the deadline. So now is the …

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Inside the 18€ Lunchbox Synthesizer Kit with Unit Unlikely

[vimeo width=”640″ height=”360″]https://vimeo.com/120154304[/vimeo] 18€ buys you this lunchbox-style synthesizer kit – and it’s just the thing to put together on your lunch break. Unit Unlikely is a hardware startup working with simple parts to make accessible, fun instruments. And its founder joins our resident Dutch design expert to talk about what it’s like diving into the synth business for the first time – and where he might go. It all continues our series from Eindhoven, NL. From the edge of the Netherlands’ slick design scene, industrial designer and music technologist Arvid Jense joins CDM for a series of interviews with …

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Mold Sound with Tingle, a Music Controller That Looks Like Pin Art

[vimeo width=”640″ height=”360″]109389202[/vimeo] It looks like Pin Art or Pinscreens – those moldable frames full of pins popularized in the 80s. But the result is something that lets you dig your hands into sound and musical structures in new ways. It looks expressive and, let’s be honest, really fun. (For the research minded, there’s also a NIME report below.) From the edge of the Netherlands’ slick design scene, industrial designer and music technologist Arvid Jense joins CDM for a series of interviews with Eindhoven Music Startups. Here’s his encounter with Nupky. Eindhoven Music Startups: Nupky Rhys Duindam is a graduated …

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djay Pro Now Works with CDJs, Adds 320k Spotify Streaming, VJ Tools

If you thought you could safely dismiss Algoriddim’s djay as some entry-level player, something for non-serious users, you might change your mind. And that could also cause Spotify to make a bigger splash with DJing. The company has a few surprise announcements today.

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This Free Tool Will Make Any Mobile Browser Into a Multi-Touch Music Controller

Tablet or phone or touch-enabled desktop computer – now it doesn’t matter. A free tool called (for the moment) Nexus lets you make any browser a canvas for music. iOS, Android, Windows, Mac – if the browser is there, your creations become omni-platform. Shown at the NIME (New Interfaces for Musical Expression) conference in London earlier this month, Nexus is the most complete foundation for this idea seen yet. And since it’s free, it’s open to others to build upon. Right out of the box, it includes basic interface widgets obviously inspired by Lemur (and apps like TouchOSC), so you …

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Palette Snaps Together Controls for Music, Creative Software

It seems everyone is thinking in LEGO these days. There’s littleBits, which snaps together analog components with magnetic connections. There’s Patchblocks, which connects digital modules you can then re-program onscreen. And now, there’s Palette, a set of controller blocks that snap together and connect via USB. It gives you knobs, sliders, and X/Y controls for manipulating any software – from music to apps. The crowd-funded project looks smart in both hardware and software design. And software easily extends what it can do – whether you’re playing a DJ set in Traktor or editing graphics in Photoshop. (Smart segues between those …

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QuNexus: Slim, Expressive Keyboard in Exclusive Hands-on CDM Review ($150 Street)

Computers and other electronic hardware can be anything as an instrument. But that means you may need something different when it comes time to play them. The first thing to say about QuNexus is that it isn’t a piano. But the first thing to say about pianos is that they’re not at all portable – and they are built for striking strings rather than playing synths. Think instead of QuNexus a super-portable controller for a variety of uses, with added sensors for expression. It’s a hybrid input controller that values expression and mobility above all else. Keith McMillen gave CDM …

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Ableton Push: Integrated, Touch-Sensitive Hardware Control for Live [Details]

Now, Ableton is doing its own hardware. Sure, Ableton’s logo was on the Akai APC40 and Novation Launchpad, and yes, “engineering by Akai” is stamped on the Push. But make no mistake: this is really the first Ableton hardware, and it shows. Push is a grid controller with extra keys and encoders for navigating features. It shows the influence of devices like the monome (and divides up that grid like the Pages and 7up patches from the community). But it also includes controller features that are specifically integrated with Live, recalling custom controllers used by Monolake. Ableton pitches this as …

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The Awesome New KORG Not From KORG: Raspberry-Pi Plus MS-20 Controller, Making Dreams Reality

There’s a drool-worthy new keyboard synth this week bearing the name KORG. The surprise: it comes one day after a widely-anticipated product announcement, and it comes from a single hacker, not KORG. One $25 embedded computer plus one controller equals one hackable, lovely instrument – with knobs and patch cords, no less. So, it’s hard not to compare this to the announcement yesterday. KORG makes some wonderful products, and it’s safe to say that a lot of electronic musicians view them as a company that uniquely “gets” it. From the monotron line to releasing analog filter circuit designs, the ongoing …

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Moldover vs. Traktor Kontrol F1, in Live Sampling-Mash Mayhem [Videos]

Matt Moldover takes on Native Instruments’ Traktor Kontrol F1 in a hands-on demo; NI reportedly gave him a weekend to see if the “controllerism” advocate could do something interesting with their hardware/software combo. The resulting video really gives some insight into what controllerism is all about: the fundamental notion here, whatever you wish to call it, is relying more heavily on live sampling and real-time manipulation, to make this more of an instrumental performance and not just a DJ set. That’s part of what I admired about the direction of the F1 earlier on. And here, sampling in particular comes …

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