cubebatteries

This Could be the Perfect Busking, Mobile Amp and PA: Roland’s CUBE Street EX

Ever wished for something, but figured it was more or less impossible? At the end of a Roland briefing yesterday, a rep pulled out the CUBE Street EX amp almost unceremoniously. And then he showed me what it could do: It produces “50 watts” of power.* It runs on eight AA NiMH batteries – for five hours. It weighs just 7.4 kg (that’s just over 16 pounds). It connects whatever you want – two XLRs, four independent channels, for any combination of instrument, vocal, laptop. It’s angled, so you can use it as a stage monitor. It has a mounting …

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GR55FX

Roland’s GR-55 Guitar Synth Powers Unlocked with TouchOSC and iPad, and on Mac-Windows-Linux

Roland’s GR-55 guitar synth is one powerful accessory for guitarists – maybe a little too powerful. With its various modeling, effects, and synthesis powers hidden in layers of menus, navigating all those sonic capabilities can be a chore. Enter one user from the GR-55’s dedicated community of guitar synthesists. Marc Benigni used TouchOSC control software for the iPad and set up a template that makes all of that functionality touchable, direct, and accessible. But wait — there’s more! There’s also a dedicated, free and open source editor for Mac, Windows, and Linux. (There’s even a fresh Lion build for Mac …

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gr55

For the Digital Guitarist, a Roland Synth, Processor, and MIDI in One Box

I remember seeing Roland’s guitar-to-computer connectivity for the first time. It seemed almost magical. Guitarists could pick up their main instrument and enter lines into notation software, or replace the sound of an instrument with a synthesized one, or track into a sequencer. It didn’t distract from their musicianship, because it showcased that skill. It was remarkable partly because it was so intuitive: why shouldn’t a guitarist benefit from the same flexibility I’d enjoyed as a keyboardist? The GR-55 is now Roland’s tenth-generation guitar synth. There’s a particular reason to pay attention to this iteration: it’s both a synth and …

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