It’s an edge-of-your-seat race against the 555. Our friend Darsha Hewitt went up in front of one of the world’s nerdiest crowds: the Chaos Computer Club’s Chaos Communication Congress gathering in Germany. Whereas some people guzzle bubbly and lean in for kisses and watch balls drop at the turn of a new year, the legendary geekfest involves a marathon of hard-core hacking and discussion, political and provocative. And Darsha didn’t make it easy for herself. She set out to build twenty analog oscillator circuits in just twenty minutes. Maybe that’s not so hard if no one’s watching, but try doing it under watchful eyes, …
The Technics SL-1200 turntable that defined DJing with record players has been awaiting a successor for some time now. Pioneer’s PLX-1000 is already earning some acclaim among DJs; it looks and feels like an SL-1200, but has great control and stability. Well, now it’s Panasonic’s turn. Having revived the Technics moniker for the hi-fi market, they had already teased the return of the SL-1200. Today via social media, that became official.
He’s one of the most prolific people in DIY synths – but now he faces crippling healthcare bills. Help Ray Wilson’s family help their Dad fight back.
Five years ago this month, CDM unveiled the MeeBlip project. It was a chance to put our love of synthesizers into a physical form we could share. And we had no idea where it would take us. Five years later, we’ve sold thousands of the musical instruments, all engineered by their creator James Grahame in Calgary, and all fully open source. In that time, we’ve also worked hard to make the MeeBlip constantly better, and easier for more people to get their hands on and use. Today, we celebrate five years, and what we think is our best MeeBlip yet. …
Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …
We covered Andy Grobengieser’s lovely Minimoog LEGO kit proposal. But perhaps the iconic synth keyboard just isn’t open-ended enough in terms of sound design. You want kids to play with the wide sonic palette of the legendary Moog Model 55. Now, they can.
For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.
Touchplates are so in this year. Yes, it’s a testament to the legacy of synthesizer pioneer Don Buchla: electronic musicians evidently long for something new. And the latest is a glimpse of something found in our news tip inbox. It’s called “HYVE” and it’s a hybrid synthesizer, combining a number of ideas about pitch arrangement into a single touch-plate layout. There’s a keyboard. There’s a hexagonal pitch array. And there’s a heck of a lot of polyphony. And… well, it’s best to just watch the video:
Reaktor 6 is a powerful blank canvas that can turn into almost any music tool imaginable. But that much power can be, well, overwhelming. So today, we’re fortunate to have some guides into what that means. Today in Berlin, I’m fortunate to emcee an evening in Berlin featuring both the people who built Reaktor and some top artists finding ways to make music with it. Updated: this event is over but an edited video is coming soon – plus more content/tutorials around Reaktor.
You’re under stress. Trapped in a fluorescent-lit prison of your own making, chained to your desk behind the cold glow of your computer. You dream of being a futuristic cosmonaut-tourist, truly getting away from it all. French-born photographer/filmmaker Diane Drubay has what you need. Her hyperreal, dreamy videos use real seaside footage, warped into acidic colors. To gaze into her sunsets and rippling surfaces is to give yourself the holiday in the Alpha Centuari system you’ll never have. (Okay, it really is all Earth – maybe Earth is space-ier than you thought.)