Free SoundCloud Sampling with Creative Commons Search, Player; Q+A

Creative Commons button. Photo (CC-BY-SA) Andy Melton. Finding samples and remix-able music — or advertising the availability of tracks you want to release for that purpose — has just gotten a lot easier. As part of a raft of improvements to the SoundCloud service – including some nice non-CC enhancements to search and tag browsing – the service has boosted integration with free licenses. You can now search for CC content, and the license is visible directly in the player, going beyond what even services like Flickr and Vimeo have done. You can add SoundCloud to CC-focused sites like ccMixter …

READ MORE →

Squeaky Shoe Core: Feel Good, Generative Acid Music, Free Patches

Sneaks are a good thing. Photo (CC-BY) Pink Sherbet Photography / D. Sharon Pruitt. Let’s start with what’s really important: Chris McCormick’s squeakyshoecore tunes may well make you tap your All Stars and smile. The words “algorithmically-generated acid” and mention of the multimedia patching environment Pd might not suggest feel-goody, cheery, geeky-sounding electronic grooves, but that’s exactly what’s come out. These robots know what they’re doing. And yes, even a tune named after Chris’ favorite fractal can be good summer fun. Behind the scenes, Chris’ music is produced generatively using algorithms created in the free and open source visual patching …

READ MORE →

Music Hack Day London Registration This Week; Your Music Wanted

Music Hack Day from Your Neighbours on Vimeo. Music Hack Day rolls into London September 4-5 with a huge lineup, ranging from Domino Records to Queen Mary, University of London, and I expect some real work on music creation hacking, not just the Web. If you want to register, time is short – registration closes this coming Friday August 6 (or, erm, 6 August). Dave Haynes also reminds us that the Music Hack Day is looking for musical contributions to give the above promo video a soundtrack. If you’re looking for a chance to promote your sound skills, upload a …

READ MORE →

Listen: Personal Sounds of Circuits, from Micronaut, Phil Archer, Caribou

Summertime is bringing a host of great new music to my inbox and mailbox. Here are just a few selections for this Tuesday morning. What binds them all together is a desire for truly personal expression and satisfaction, which often manifests itself as an individualized sound. Chris Randall is best known as the voice behind cult favorite plug-in developer Audio Damage, and the opinionated, sometimes loud-mouthed pundit of his blog Analog Industries. But he’s a musician first. As better-known figures debate the merits of copyright and Creative Commons without ever having recorded a note, Chris has quietly released a lot …

READ MORE →

Free Weekend: Creative Commons Workout, Moby, Samples, Inspiration, More

Yeah, for a lot of the northern hemisphere, one of these kinds of weekends. Photo (CC-BY) Frenchman Julien Haler. (Oh yeah, we really don’t say it enough – thanks, France! In fact, jeez, double thanks!) Summer days and evenings for a lot of us are a perfect time for buying new records, listening to new mixes, exploring new sounds and samples and production techniques. And yes, while pundits worry about the failing value of music, I personally manage to stock up on free downloads and wind up overspending my budget on records, too. It’s good to be an enthusiast. Here’s …

READ MORE →

ASCAP Attacks Creative Commons, Advocacy Groups as Anti-Copyright, Anti-Artist

Vintage image (CC-BY-SA) Ioan Sameli, as licensed by us pinko commies at CDM. An ASCAP legislative fundraising letter revealed last week that the American performing rights organization is invoking fears of the Electronic Frontier Foundation, Public Knowledge, and Creative Commons in order to raise money. ASCAP appears to be repeating, now in the more heated language of fundraising, arguments it has had with the Creative Commons license in the past. For its part, Creative Commons insists most of its licenses don’t preclude performing rights bodies like ASCAP from collecting funds. In the letter, sent on behalf of ASCAP’s Political Action …

READ MORE →

Velosynth: Bicycle-Mounted Synth is Open Source, Hackable, Potentially Useful

velosynth release#001 from velosynth on Vimeo. Bicycle transport is cheap, environmentally sound, and quiet – a little too quiet. Since bikes don’t make noise, it can be difficult to hear them coming. And since a bicyclist should be focused on the road, any visual feedback to the bicyclist is potentially distracting. What’s the solution? How about a box that easily straps to a bike and makes sounds? Sounds can provide feedback to pedestrians, fellow cyclists, and other people sharing the road. They can also make distraction-free sonification of data the cyclist might want, as opposed to requiring that a rider …

READ MORE →

Listening: Paul Croker’s Sampled Vinyl MPC Collage, PublicSpacesLab

Photo (CC-BY) Hryck. / Todd. Barcelona-based, Los Angeles-edited PublicSpacesLab is an example of what a netlabel can be. Instead of just another dumping ground for sounds, it feels like a well-curated cafe, pairing regular but thoughtful releases with reflections on music making. Everything is Creative Commons-licensed, free music, from a variety of artists spanning geographies and genres. If you’re in the mood for reading, recent thought pieces from the editor cover a range of topics: Expansion, the lesser known dynamics tool (Amen, brother) The demise of an indie radio station in LA (with some harsh words for the town – …

READ MORE →

Tell Us Your Musical Technological Dreams, Get A Chance to See Them Realized

Ready for some blue-sky, 35,000-foot-altitude thinking? Photo (CC-BY-ND Andres Rueda. Want a flying car? Dream of the flying car. Build the flying car. A competition I’m hosting with Digitópia, the musical-technological community of Porto, Portugal, extends to readers worldwide a challenge to dream up the digital musical instrument/interface/creation you want. Got something practical you wish could be built? Got something impractical and bizarre? Either way, articulate it in the best way you can — images, words, videos, mock-ups, stop motion animation, beat poetry, whatever you think is best — and send it in. We’ll share the most interesting entries, and …

READ MORE →