rhythmiconcrop

Music and math unite, from Chowning to Rhythmicon

You have to love German. In English, I can string together whole paragraphs that try and fail to capture the potential of electronic sound. In German, we get to call an event Technosphärenklänge – a word whose utterance is a timbral adventure in itself. And in an event with that name promising to be a landmark for the electronic music sphere, CTM Festival is bringing together pioneering machines and pioneering humans. It’s a convergence of the worlds of mathematics and music that has never happened in this combination on one stage before – and we’ll take you there.

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gamut

Discover peculiar retro futuristic machines from gamut inc

The path from past to future has become delightfully twisted in our modern age. Some of the best new technologies mix old techniques with new. They treat the computer and electronics not as a separate entity, but for its potential hybridization. And one great example of that is gamut inc, a project that explores instrumental-electronic interactions. Founders Marion Wörle and Maciej Sledziecki came to visit us at the MusicMakers Hacklab we’re hosting at CTM Festival in Berlin. And they brought the most extraordinary inventions along.

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lichenfeatured

The human voice and trance, as Lichens challenges how we listen

Much can be said and felt with the human voice without words – and that’s where Robert AA Lowe comes in. With his solo drone/improvisational project Lichens, or lending his talents as a singer, synthesist, and instrumentalist to the likes of OM, Lowe has carved out a unique and powerful space as an artist with a deep focus on vocal exploration.

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hacklab2015_2

Building instruments, making future rituals in Berlin (open call)

Culture can be a different construction in our inter-connected age. We can draw on traditions from a distant past – or imagine a distant future. We can more easily connect with the people around us, or the people on the other corner of the world. So, as I host CDM’s fourth Hacklab with CTM Festival in Berlin, we’re pairing our participants with radical instrument builders to invent new musical rituals. Ewa Justka (born Poland, based in London) co-hosts and guest artists like Indonesian avant-garde Wukir Suryadi are along for another installment of this open, collaborative lab – and there’s still …

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An ‘Interspecies’ Music Interface Combines a Mask, Bacteria

Organum Vivum – a interspecies interface from Paul Seidler on Vimeo. Your next digital interface might be grown, not made. Organam Vivum drops the usual combinations of knobs and hard surfaces and wires for something organic – an “interspecies” interface. The sensors are grown from bacteria, formed into alien-looking, futuristic materials and a mask. The bio-interfacing project began as a collaboration between Aliisa Talja (who has a background in industrial design) with Paul Seidler at the CDM-hosted MusicMakers Hacklab at CTM Festival earlier this year. Not only are the materials literally organic, but in touching and breathing into these delicate …

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loopsite

Ableton Does an Event: Loop to be “Summit for Music Makers”

They moved from one flagship software product to adding one piece of flagship hardware. Now there’s a flagship event, too. It’s called “Loop,” and it will be held 30 October – 1 November in Ableton’s headquarter city of Berlin. It’s clearly in part a summit for the Ableton Live community. But just as their recent book covered the creative process rather than Live per se, the event is pitched a convergence of creativity and technology generally. It’s not just talks or demos, either. The event organizers are combining hands-on workshops and invites educators. There’s also a collaboration with CTM Festival …

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Watch a Hacklab Merge Science and Live Music Technology: MusicMakers

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo. With computers and electricity or without it, musical performance has the potential to be expressive, powerful, immediate. Making music live in front of an audience demands spontaneous commitment. What technology can allow us to is to wire up that potential to other fields in new ways. And that was the feeling that began 2015 for us, working in the collaborative MusicMakers Hacklab at CTM Festival in Berlin. Neuroscientists met specialists in breathing met instrumentalists. Think the lightning bolt in the laboratory: it’s alive.

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rachelarmstrong

The Future of Music in Skin and Molecules, Now in Berlin

The music technology industry continues to pump out things with knobs, and things that sound like the 1970s – sometimes, literally so. And we love them for it. But if you feel dizzy after all this tumbling backwards in time, let us take you on a ride back into the future. It’s the reason we’re in Berlin and not Anaheim this week, and I think you’ll enjoy it. A lot. CDM joins again with CTM Festival to explore the possibilities for music’s future in an intensive laboratory of creation, featuring speakers, on-the-spot hacking and experimentation, and finally a live performance …

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Hack Biology, Body, and Music: Open Call for MusicMakers Hacklab

For the past two winters, CDM has joined with Berlin’s CTM Festival to invite musical participants to grow beyond themselves. Working in freshly-composed collaborations, they’ve built new performances in a matter of days, then presented them to the world – as of last year, in a public, live show. This year, they will work even more deeply inside themselves, finding the interfaces between body and music, biology and sound. And that means we’re inviting everyone from choreographers to neuroscientists to apply, as much as musicians and code makers. Playing with the CTM theme of “Un Tune,” the project will this …

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MOMMusikFabrik010

Explore a Hyperactive Explosion of Sound, As Mouse on Mars Turns 21

Musically speaking, Mouse on Mars are like that kid who can’t keep still. In a good way. But perhaps now is a perfect moment for that nervous energy, that quirky, disruptive approach to sounds. It can be refreshing colliding with the duo’s endless, too-much-coffee-when-saying-yes-to-projects collaborations, and anarchic playful love of noise. Because the anxieties of music can leave people creatively constipated. It can drive people to either a chin-stroking disdain for audiences at one extreme, a sort of retreat into abstract sounds with fear that anyone might feel a physical urge when listening, or buttoned-up commercial conformity at another. This …

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