MOMMusikFabrik010

Explore a Hyperactive Explosion of Sound, As Mouse on Mars Turns 21

Musically speaking, Mouse on Mars are like that kid who can’t keep still. In a good way. But perhaps now is a perfect moment for that nervous energy, that quirky, disruptive approach to sounds. It can be refreshing colliding with the duo’s endless, too-much-coffee-when-saying-yes-to-projects collaborations, and anarchic playful love of noise. Because the anxieties of music can leave people creatively constipated. It can drive people to either a chin-stroking disdain for audiences at one extreme, a sort of retreat into abstract sounds with fear that anyone might feel a physical urge when listening, or buttoned-up commercial conformity at another. This …

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charles-cohen

The Bob Ross of the Music Easel: Watch Charles Cohen at the Buchla

Ctm Workshop: Charles Cohen @ Schneidersladen from Andreas Schneider on Vimeo. There’s an easel of sound, and American composer Charles Cohen is its gentle-voiced practitioner. What starts as primitive basic sounds magically becomes sophisticated, expressive, emotionally-charged musical painting. And Charles can show you how. He did just that earlier this year at CTM Festival, at a workshop hosted by Schneidersladen, the storied Berlin synth shop whose fearless captain, Andreas Schneider, was one of the early champions of today’s modular, analog, and boutique maker revivals. He walks through the process, with all the cool methodical pedagogy of Bob Ross himself. “You …

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Robert Henke Hacklab + RA Exchange: Hard Work, Solving Creative Crises, and Lasers

We get to continue the conversation around Robert Henke’s process and his magnum opus laser-show that closed CTM Festival on Sunday. Will Lynch from Resident Advisor joined us in the MusicMakers Hacklab to sit down with Robert. Here, Will talks to Robert about his music, his approach, and how he tackled the challenge of making laser shows more than just a gimmick. Robert is an incredibly-disciplined person – he basically took just this time off from the studio to come talk to us. And that showed in the extraordinarily prolific, detailed work in Lumière. Punctuated by visual rhythms, each split-second …

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mM5

A Naked Man Plays Robots and Finds Love; A Quadriplegic Finds a Voice in Music

Man & Machine: A Naked Robotic Love Story from Jesse Roesler on Vimeo. Making music with machines, we all become somehow more than human. We are people, augmented by technology. Those technologies strip us bare, expose us as naked emotionally … sometimes, literally. Through the eyes of one filmmaker, here are two parallel images that drive that point home. Last week at Berlin’s CTM Festival, we began a week-long hacklab by touring the Generation Z exhibition with curator Andrey Smirnov. One thing Andrey repeatedly emphasizes about the revolutionary Russian artists who came together in the 1920s is their belief in …

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Robert Henke on Lasers, Structure, and Musical Choices; Intuition and Limitations

Give Robert Henke a computer, some lasers, and some time to make his own tools as well as his own music, and wonderful things result. In a new video (German, with English subtitles), he gives a master class not so much in technology as the philosophy of using that technology. Robert Henke – now increasingly in the public eye under his full name and not “co-founder, Monolake” or “co-founder, Ableton” attached with it – has for years gone way beyond the club floor. Even apart from experimental club music or elaborate multichannel audio experiments, you see his work accompanied by …

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Reconnect with Electronic Music’s Revolutionary Roots, in Stunning Images [Gallery, Videos]

“On a western device, you push a button and get a result. On a Soviet instrument, you push a button and get something.” -Benzo When music was first electrified, it was nothing short of a revolution – literally. And as today’s technologies again attempt to fuse human and machine, there’s no better time to connect with past visions again. “Discontinuity” is the theme of the this year’s CTM Festival in Berlin. But it sets the stage for an unprecedented movement to put today’s machines back in context, across the barriers of time, and – increasingly, in a closer European/west Asian …

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Music and Performance, Made On The Spot: Hacklab, Open Call in Berlin

Inventing technological hacks in short time is one thing. At CTM Festival in Berlin, we want to push collaborative participants to go further. First, invent the technology for performance. Then, invent the performance – and be ready to perform publicly – and it do it all in just one week. It’s time again to join a MusicMakers Hacklab. Last year was the first week-long event hosted with CDM, and the first at CTM Festival. CTM makes a perfect venue, a brilliant and packed showcase for adventurous sound (and in parallel with another digital media fest, Transmediale, in the same city …

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New Elektron Coming Nov 23 to a Berlin Party; Listen to TM404 Live, Machinedrum Jams Now

Enough of the Web teaser campaigns, the press conferences with bottles of beer at exhibition centers, the trade show booths … let’s party instead. That’s how Elektron, the makers of Machinedrum, will celebrate their next launch. November the 23rd is the date, and, naturally, CDM will be there. Elektron are even coming down from Sweden to Berlin, where they’ll no doubt enjoy our extra couple of hours of … um … daylight. Whatever the new box may be, it’s nice to see some lovely artists in the lineup. A “Very Special Guest” from Köln, Germany’s famed Kompakt label is headlining, …

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From Wires: Keith Fullerton Whitman’s Modular Music, Conversation with CDM, 12 Hours of Music

We make music through objects, whether instruments or machines. And so we have this relationship between our ideas and those objects, between our imagination and the imagination of the people who built them. Talking to Keith Fullerton Whitman about his suitcase of modular gear, then, wasn’t just geeking out. It was a chance to understand how he relates his music to those bits of gear, and the community of people who make them. (For another glimpse of that community, see our tour of a booth of a passionate distributor at Musikmesse.) Keith joined us at CTM Festival, Berlin, over the …

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Stepping Through Music, Interactively: Drum Kits and Monomes Navigate Notes

Left to right, beginning to end, the same in a loop — there’s no reason music has to work this way once you’ve got a computer. But if you associate generative or algorithmic music with some sort of magical black box machine you switch on, an automaton spitting out notes while you sip tea and stroke your beard, think again. Here are two examples that use interactive structures as a way to make music more live, not less. One is the latest creation from the ingenious mind of monome creator Brian Crabtree (who, perhaps unexpectedly, seems to have redirected the …

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