Squarely in the “not seen at NAMM” category, the Bubblegum Sequencer uses differently-colored bubble gum balls, arranged in a grid of holes, to create rhythmic patterns. It’s not exactly a leap forward for music — you wind up with a pretty simple drum step sequencer — but it does look like fun. Or it would be, except I’d wind up eating the tangible sequencer. Note to self: make interfaces out of something I won’t devour.

What’s rather interesting here is that the whole system uses computer vision analysis — a camera spots the gum balls by color. One thing that means is that you could skip the grid altogether and apply this to something very different.

The hyper-rational voiceover I find really amusing. Now, just add hard-disk recording next year, and the Bumblegum 5000 could  in fact be at NAMM.

Thanks, Johan!

Updated! Holy crap! Analog Industries has started a blog war:

Peter Kirn got all up in our grill with a bubblegum sequencer over on CDM. Well, Peter. I’ll see your bubblegum sequencer, and raise you one done with Skittles.

“I Eat Beats” Skittle Sequencer

I Eat Beats from Kyle McDonald on Vimeo.

But, come on, Chris. I enjoy my Skittles now and then, but bubble gum is more delicious, and you can’t blow a bubble with a Skittle.

I have heard that Moog Music is introducing a Candy Sequencer OS (Old School), using salt water taffy. And looking at comments, the International Conference on New Interfaces for Musical Expression this year may just turn into a massive rumble / turf war of tangible interfaces. Which is why my tangible interface will be Pop Rocks.

Updated, again! Still more. This time, Evan from thisisnotalabel sees our bubblegum sequencer and raises us a ball bearing sequencer. Careful, though, kids. Those are not edible. Choking hazard!

Still more: it’s a dining table as musical interface, in a sonically-augmented culinary artwork:

Who says progress is bad? Synth designer Dave Smith’s Prophet ‘08 synth is a new instrument inspired by his legendary Prophet series, but there are a number of clues that indicate it’s not 1978. First, driven by Internet buzz, word-of-mouth preorders are already taking off. (DSI hasn’t yet added the Prophet ‘08 to their price list because they’re scrambling to fill the early orders.) That means, ironically, the Web generation is better able to support “boutique” synths now than even synth customers of a few years ago. Second, I expect a lot of these Prophet ’08s will happily become outboard analog gear complimenting computers. (It’s a good thing Dave Smith was a driving force behind MIDI.) Lastly, the Prophet ‘08 has some great features we take for granted now that were harder to come by in 1978.

The Prophet ‘08 is analog to the core: it boasts a 100%-analog signal path and a “sonic character” not surprisingly modeled on the classic Prophets. What’s new:

• Velocity and aftertouch: If this spoils the “vintage” experience for you, go see a doctor.)
• Mo Modulation: “Extensive modulation routing capabilities”, making the Prophet ‘08 essentially a semi-modular synth; it’ll be interesting to see what this lets programmers cook up.
• Splits and layers:Four-on-four splits and layers with separate stereo outputs for each layer.
  
• Arpeggiator and sequencer: Arpeggiator, gated 16 x 4 step sequencer, and LFOs. Everything is syncable, as well — thank you, MIDI.

There’s onboard MIDI (even with “Poly Chain”), and CV input, as well. On the analog side, you get 2 oscillators and 1 lovely filter per voice:

• 2 digitally controlled analog oscillators (DCOs) per voice with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation), and hard sync.
• White noise generator

I have heard some complaints about the new models: some would prefer the pitch and mod wheels next to the keyboard rather than above, though the payoff is a full five-octave keyboard in a compact space.

I have to say, I’m a sucker for the Dave Smith philosophy of “un-nostalgic” analog. But, really, who would expect anything else: Dave Smith’s earlier instruments all progressed with technology, and he continues to do so. There’s a clear resonance with the modern Moog synths, like Minimoog Voyager and Little Phatty, down to special editions with colored wheels. (Dave Smith has the much cooler red glowing wheels, which is great if you’re tired of blue.) But the Dave Smith Instruments are also unique takes on how to reinterpret analog.

Detailed specs and descriptions are on the mercifully redesigned Dave Smith site:
Dave Smith Prophet ‘08 Page

And via news you’ll find more on the limited edition, videos of Dave, and other news, as well as further reassurances that the BoomChik drum machine really is progressing:
Dave Smith Instruments News

So, who’s getting one? And anyone have smart money