Hot dog purveyor Gray’s Papaya in New York is beloved for its “Recession Special”: two dogs and a drink. Their champagne is made from coconuts. And you don’t just scarf these down in bear markets; you enjoy them any time.

Dave Smith’s monophonic Mopho synth is perhaps the greatest recession special in the history of synthesis. It’s got the soul of a single voice from the Prophet ‘08 analog synth, but with sub-octave generators, distortion that they claim ranges to “extreme skronk,” and the ability to process audio input. Interestingly, that means its “skronkiness” and input processing address some of the complaints I’ve heard from people who didn’t immediately take to the new Prophet. The whole, 7.5×5″ package, with the 100% analog signal path mono synth, the Curtis analog low-pass filter, and a Mac/Windows editor, costs just US$400 street.

And then there’s that mysterious “Push It” button.

If you want some hands-on experience, our friend Chris Randall of Analog Industries (and Audio Damage) just got his:
Honky Mopho

I’m about the last person to mention the Mopho (I was out of town when it launched), so I went to the good peoples of Dave Smith to get a little more information. DSI’s Andrew McGowan responds.

And yes, we get to hear something about the ever-mysterious upcoming Dave Smith - Roger Linn LinnDrum II, which this is not.

The LinnDrum II (once the BoomChik) has become a somewhat mystical beast, looming over the horizon and taunting fans of synth and beat hardware. The collaboration between beat machine guru Roger Linn (of LinnDrum and MPC fame) and synth guru Dave Smith (of Dave Smith fame), the box has gone through various design revisions, each leaked and dissected by, well, people like me. Saturday brought a new set of news, as spotted by Tony Mission on Gearslutz.

Here’s what we know now:

We know that the LinnDrum will be a combination of Dave’s synthesis know-how and Roger’s approach to real-time sequencing and beatmaking. We know it’ll have digital and analog synth voices. We know it’ll do MPC-style real-time and 808-style step sequencing. It’s almost certain to retain onboard sampling, too. In fact, presumably the specs on Dave Smith’s site are still reasonably applicable.

What we don’t know is what the design will look like, or when it’ll ship. It won’t ship in 2008, so … 2009? The image above is not what the new LinnDrum II will look like. Roger released these images over the weekend, but they’ve already hit the wastebasket in favor a new design. On the design elements:

We’ve been eagerly awaiting the LinnDrum II since it was called the BoomChik. We called the non-functional prototype one of the best products of this January’s NAMM – reasoning being that, based on what we heard from showgoers, a silent LinnDrum still beat more evolutionary blandness from the rest of the industry. But I’d be lying if I didn’t say some of us were getting a wee bit impatient waiting for some kind of news. Now that news appears to be here — a rough estimate on availability and pre-order details. (Updated: Specs had been posted previously, as Cory observes in comments, but let’s savor them one more time.)

Availability: Late 2008 (“our best estimate,” so that’s not set in stone)

Cost: US$1400 for the all-digital LinnDrum II, or $1800 for the LinnDrum II Analog with the addition of four analog voices as seen in the Prophet ‘08 and Evolver, plus 32 dedicated encoders

Pre-order list: No commitment, no money down; just email support@rogerlinndesign.com and you’re in. Will there be a baby shower at some point?

Dave and Roger have also posted updated specs on the two units. Highlights include:

Tenori-on Meets Kyma from Nomad Cinema on Vimeo.

US distributor Keyfax NewMedia reports that it has Yamaha’s Tenori-On in stock and shipping out now. (Pre-orders began at the beginning of May, but this is apparently the first the US unit has made it to our shows — unless you happened to win one from createdigitalmusic.com, that is, in April, in which case you know who you are.)

Every time I mention Tenori-On, despite the awe and lust it inspires in some musicians, someone raises the point of its somewhat retro-styled, simple sound bank. Fair enough: the minimal sounds are fantastic in the hands of creator Toshio Iwai and were specifically programmed and voiced to match his aesthetic. Other people, perhaps, not so much. So it’s interesting that reader Steven aka Nomad Cinema sends along this video (seen at top) of the Tenori-On paired with the absurdly deep luxury modular synth Kyma, along with a couple of beloved new analog synths. He writes:

In order to tap the real power of Yamaha’s new Tenori-on, it helps to pair it with external equipment capable of producing more satisfying sounds than the somewhat lackluster soundset included with the Tenori-on itself. In this video, no internal Tenori-on sounds were used whatsoever. Tenori-on is functioning purely as a sequencer with external equipment, including advanced sound-shaping from Kyma and analog synthesis from Alesis Andromeda and Dave Smith’s Prophet ‘08. Sequencer data coming from Tenori-on is processed in Ableton Live (utilizing midi scale and chord filters, as well as injecting some generative randomness) before reaching Kyma, Andromeda, and Prophet ‘08.

That to me remains the Tenori-On’s unique strength: to me it’s really an alternative step sequencer, exploded into an array of flashing lights and animated with game-like motion. This is to me also another way in which it isn’t a Monome, which feels more like an intelligent, programmable set of pads an an extension of your software, in comparison to the Tenori-On which seems to be re-imagining a giant pixel as a controller. I will be getting around to showing off some hands-on applications very soon, at long last.

Amazing how time crawls when you’re eagerly awaiting something. Such is the case with the BoomChik: it seems like ages ago that drum machine legend Roger Linn and synth legend Dave Smith “pre-announced” this synth/drum machine. It was actually just this time last year. Unfortunately, you’re going to be waiting a little longer: feedback from musicians and the release of Linn’s AndrenaLinn III and Smith’s Prophet ‘08 (easily two of the biggest products of last year) has delayed the BoomChik.

Now the good news: in addition to a new name, the new design looks far more mature. And it’s going to be eminently affordable: street around US$1000 for a basic model, and $1500 for a fancier model with four analog voices as shared with the Prophet ‘08 and Evolver.

Full specs are available on the site and a bunch o’ other sites, so here’s the Cliff’s Notes version. (Kirn’s Notes?)

• Real-time, no-stop, no-drop OS for live performance
• Pressure-sensitive, backlit (with animation) pads
• Modulate, filter, and resonate everything, digital or analog voices
• Step record like an MPC and like an 808
• Compact Flash storage, USB for MIDI, audio, and sample transfer with a computer (plus real MIDI jacks, don’t worry)
• Ridiculous number of performance controls, simplified menus, plus foot/expression pedals. (Having seen how much menu jockeying the current Akai and Roland models have, this sounds great. When I want to use a computer, I’ll use a computer with a 23″ display, not a 1″ display.)
• Stereo inputs let you sample, process audio, or trigger sounds
• “Analog” version adds analog voices, 27 encoders for voicing, and four direct outputs — one for each voice.

I say, get a day job now so you can quit it when this comes out.

Now a bit more bad news: I hear a prototype may not actually make it to NAMM, which dashes my hopes of getting to show you an actual unit when we’re in Anaheim next week. But we will be talking to Dave and Roger, and hope to have more details soon. And if you focus really hard, maybe one will magically make it there. (Say it with me … ommmmmmm … booooooommmmmm … chikkkkkkk)

There are few names who have had so profound an impact on music technology as Dave Smith. Three decades after the introduction of the Prophet-5, and nearly 25 years after the first MIDI product shipped, his new creations remain some of the most sought-after musical instruments available. The new Prophet ‘08 is capable of producing just as much excitement as some of those earlier landmarks. That’s why we’re pleased to offer this entirely non-exclusive interview with –

Yes, that’s right. I said “non exclusive.” The word “exclusive” gets thrown around a lot, usually meaning something that really isn’t terribly exclusive at all. But in this case, we’re pleased to collaborate with our friends at the leading Spanish-language music technology site, Hispasonic.com. I worked with Xabi to brainstorm some ideas to talk about, and Xabi conducted the interview. For those of you for whom Spanish is your native language, definitely don’t miss the version on Hispasonic:

Dave Smith, el profeta de los sintes

Here in English, Dave talks about the genesis of the new Prophet-8, and reflects on synthesizers and musical instruments in general. I’m not sure I’m going to agree that only hardware synths are “real instruments” and software synths are best for beginners, until they get “serious.” (I would absolutely agree that’s the case with emulation, and that software synths should go their own way, both of which seem to be his main points. Hopefully we’ll get to do an in-person interview soon.) But I will agree that Dave truly creates real instruments, and his unique angle on design should be a challenge to hardware and software developers alike. And not even the most die-hard software lover could argue with the musical prowess of the Prophets — and their creator.

Who says progress is bad? Synth designer Dave Smith’s Prophet ‘08 synth is a new instrument inspired by his legendary Prophet series, but there are a number of clues that indicate it’s not 1978. First, driven by Internet buzz, word-of-mouth preorders are already taking off. (DSI hasn’t yet added the Prophet ‘08 to their price list because they’re scrambling to fill the early orders.) That means, ironically, the Web generation is better able to support “boutique” synths now than even synth customers of a few years ago. Second, I expect a lot of these Prophet ’08s will happily become outboard analog gear complimenting computers. (It’s a good thing Dave Smith was a driving force behind MIDI.) Lastly, the Prophet ‘08 has some great features we take for granted now that were harder to come by in 1978.

The Prophet ‘08 is analog to the core: it boasts a 100%-analog signal path and a “sonic character” not surprisingly modeled on the classic Prophets. What’s new:

• Velocity and aftertouch: If this spoils the “vintage” experience for you, go see a doctor.)
• Mo Modulation: “Extensive modulation routing capabilities”, making the Prophet ‘08 essentially a semi-modular synth; it’ll be interesting to see what this lets programmers cook up.
• Splits and layers:Four-on-four splits and layers with separate stereo outputs for each layer.
  
• Arpeggiator and sequencer: Arpeggiator, gated 16 x 4 step sequencer, and LFOs. Everything is syncable, as well — thank you, MIDI.

There’s onboard MIDI (even with “Poly Chain”), and CV input, as well. On the analog side, you get 2 oscillators and 1 lovely filter per voice:

• 2 digitally controlled analog oscillators (DCOs) per voice with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation), and hard sync.
• White noise generator

I have heard some complaints about the new models: some would prefer the pitch and mod wheels next to the keyboard rather than above, though the payoff is a full five-octave keyboard in a compact space.

I have to say, I’m a sucker for the Dave Smith philosophy of “un-nostalgic” analog. But, really, who would expect anything else: Dave Smith’s earlier instruments all progressed with technology, and he continues to do so. There’s a clear resonance with the modern Moog synths, like Minimoog Voyager and Little Phatty, down to special editions with colored wheels. (Dave Smith has the much cooler red glowing wheels, which is great if you’re tired of blue.) But the Dave Smith Instruments are also unique takes on how to reinterpret analog.

Detailed specs and descriptions are on the mercifully redesigned Dave Smith site:
Dave Smith Prophet ‘08 Page

And via news you’ll find more on the limited edition, videos of Dave, and other news, as well as further reassurances that the BoomChik drum machine really is progressing:
Dave Smith Instruments News

So, who’s getting one? And anyone have smart money

Dave Smith Instruments, the boutique synth shop responsible for the beloved real analog-meets-digital Evolver line, have been hard at work on new things. In February, we got to see details of their upcoming BoomChik drum machine. The BoomChik is a long way off, though. Now, they have something else that is apparently imminent, kept in absolute secrecy during development, with a moniker as legendary as “Moog Micromoog” — a new Prophet. (Hang on, I think I can write the cheeky Keyboard Magazine headlines now… “Second Coming”?)

It seems that DSI is very close to beginning production of an 8-voice Prophet, all analog. Matrixsynth absolutely gets the scoop on this one. Specs and links:

• Prophet ‘08. Eight voices, all analog. Shipping next week. Wait — next week, you say?
• Sequencer, arpeggiator, and “one or two more fun little functions”
• “It does use the same CEM chips as the Evo stuff, but they sound different because Dave tweaked them differently, and the system isn’t the same without the digital stuff in the signal path.”
  
• $2199 MSRP, $1999 MAP.
• Teaser video [AVI] by Stefan Trippler

Finally, an audio sample, with Spectrasonics Stylus for drums:
http://www.trippler.net/files/p8/p8k.mp3

And an all-Prophet sample:
http://www.trippler.net/files/p8/p8i.mp3

Tom at Music thing has some reflections on the value of Prophets, with obligatory YouTube link.

What about that drum machine?

Now is as good a time as any to check in on Dave Smith’s other current creation, the BoomChik, a collaboration between synth pioneer Dave Smith himself and Roger Linn, creator of the MPC (among various other great things). DSI let out a little update in June:

Dave and Roger are hard at work on BoomChik and it has—ahem—evolved considerably since making its limited and thoroughly virtual appearance at NAMM and online. There are still some major design decisions to be made and it won’t see the light of day until sometime next year, but we think it will be worth the wait. I’ve been privileged to see some of what they’re working on and, for whatever it’s worth, I’m excited by the possibilities.

Fair enough! 2008 … I’m sure I’ll be flush with cash by then and buying all new gear for my studio. So this works out perfectly! (Phew!)

And while we’re at it, there’s really no reason to look only at the new stuff. The best bargain buy remains Dave Smith’s US$1329, 3-octave, 1-voice Evolver keyboard, with both analog and digital oscillators, plenty of filters, four LFOs, a flexible sequencer, audio inputs, and analog delay. Its streamlined design and low price (for an analog synth, anyway) could make it an ideal companion to a computer. It’s funny, the name Moog tends to get all the attention, but I think the great thing is that there’s a whole little corner of the market for modern takes on analog synths.

Thanks to all three major synth-loving sites for this: Vintagesynth.org, Music thing, and Matrixsynth, all must-reads for synth fans.

Dave Smith Instruments originally planned only to tease their upcoming drum machine exclusively in a banner at the NAMM show: no word outside the insider trade show. Not in the Internet age: word of a new product from synth legend Dave Smith and drum machine/MPC legend quickly had blogs and forums abuzz.

Dave Smith himself has decided to post official word on the topic. The company notes the comments are “deliberately sketchy”, but that makes sense — this product is in very early development. Here’s Dave on the upcoming BoomChik:

We’re about a year away from production, so it’s currently in the vaporware, uh, I mean, computer simulation stage. Below is the current vision, though it will likely go through a number of changes over the year. We will update the website every few months with the latest status, so in the meanwhile please don’t ask about features or specifics on the design - it’s all subject to change anyway! As far as price, best guess is $1000 - $1500 range. We’re shooting for the lower, but we all know how that can go.

Basically, it is meant to be a drum machine, not an MPC. It will have both real analog percussion and normal sample playback, plus a bunch of novel processing. The idea is to produce sounds with some real, unique personality, different from everything else out there. Those of you with Evolvers can likely imagine what sounds will be possible, but it should go beyond that also.

Personally, I’m delighted this is a drum machine and a new concept, rather than an MPC. And imagining sounds that start with the rich, analog timbres of the Evolver and grow from there sounds terrific. I’m just going to clear my schedule for a year from now … it’s been too long since we saw great new drum machines.

Dave Smith Instruments News

If you had to pick a dream team to build an analog/digital hybrid drum machine, you’d have a tough time beating Linn and Smith. Roger Linn essentially invented the modern drum machine, as the creator of the first commercial programmable sampled-sound drum machine (the LM-1), the Akai MPC60 and MPC3000. (See the Roger Linn Museum.) Dave Smith founded Sequential Circuits, created the legendary Prophet line, and spearheaded the creation of MIDI. (See the Dave Smith Museum.)

Dave Smith Instruments revealed at NAMM that the two are collaborating on a new drum machine, in the form of a banner that teased the upcoming “BoomChik.” Bizarrely, the various MPC-loving online forums immediately criticized the exterior look. I wouldn’t read too much into that; these are just early mock-ups and the finished product may be substantially different. (Besides, who cares what it looks like? Paint the thing if you don’t like it.)

The mock-up revealed some of the basic features planned for the BoomChik, though these may change in development. Most exciting: it’s a hybrid digital / analog drum synth, with four analog voices and one digital voice. Half of the unit is a 4×4 set of pads, while the other half handles sounds and recording facilities. The front panel also shows effects (delay with feedback, resonance, reverb, etc.), a resonant low-pass filter, and distortion.

Pricing/Availability: A represent of Dave Smith has confirmed to CDM that the product is planned, with an expected release in about a year and a price range somewhere around US$1000-1500. The BoomChik is described as “very early in development,” though, so all features, product design, pricing, and name are subject to change.

That said, this looks well worth waiting a year. A lot of us have lost interest in MPCs, given greater production flexibility using tools like Ableton Live. But nothing differentiates hardware like boutique gear, brilliant designers, and analog sound production. So, Dave Smith / Roger Linn: we’ll be waiting patiently, and eagerly await what you cook up!

Elsewhere: Music thing got the jump on this, but for some reason most of the readers there hate it. Linn lovers in particular, shield your eyes.