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A Toe-Tapping, Dancing 3D-Printed Robot Plays Music

Making Music With Poppy from Pierre Rouanet on Vimeo. It can “learn” to tap its toe and bob its head. And then it can make sounds as you move its arms. It’s a robotic interface for music – a bit like playing with a very smart toy doll. To show off its interactive/interfacing abilities, the team behind Poppy used music. Poppy is a robot that can be produced with a 3D printer. All the hardware and software are fully open source. The idea – fused with cash from the EU’s European Research Council for funding science and creativity – is …

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The Arcane Arts of Experimental Instrument Design: 3DMIN [Videos, Gallery]

From the dawn of civilization, musicians could always be counted on as the ones inventing the truly weird technologies to make noise. Here – bang on this. Blow into this. It’ll make some sound; it’ll be noisy; it’ll get everyone’s attention. And so, the art of such designs continues. New instrument design explorations have gone hand in hand with electronic music research from the moment electronics (and, eventually, digital technology) were capable of real-time performance. But if 3DMIN follows in the footsteps of those programs, it also seeks to intertwine questions about other fields and disciplines. And tonight in Berlin, …

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ROLI, Makers of Seaboard Instrument, Just Bought The Leading C++ Audio Framework

Here’s some important news that might impact you – even though you may never have heard of either the instrument maker or know anything about code libraries. Bear with us. But an experimental instrument builder and design shop just acquired the most popular framework used by audio developers, a set of free and open source gems. The film explaining the announcement: First, there’s ROLI. Now, to most of us in the music world, ROLI are the Dalston, London firm that make an alternative keyboard called the Seaboard – a sort of newer cousin to the Haken Continuum Fingerboard that uses …

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Hack Biology, Body, and Music: Open Call for MusicMakers Hacklab

For the past two winters, CDM has joined with Berlin’s CTM Festival to invite musical participants to grow beyond themselves. Working in freshly-composed collaborations, they’ve built new performances in a matter of days, then presented them to the world – as of last year, in a public, live show. This year, they will work even more deeply inside themselves, finding the interfaces between body and music, biology and sound. And that means we’re inviting everyone from choreographers to neuroscientists to apply, as much as musicians and code makers. Playing with the CTM theme of “Un Tune,” the project will this …

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Meet Those SoundCloud Premier Partners, Advertisers – And Look Back 5 Years Ago

SoundCloud’s On SoundCloud program, which includes the ability to add optional advertising to your content as a revenue source, is initially available only to Premier partners. Premier is a new, invite-only membership level that has extra features the rest of the community doesn’t get – though, as with advertising, SoundCloud says most of those features will eventually be available to all paid users. But just who are those Premier partners getting the list? SoundCloud sent over the complete launch list to CDM so we can all have a look. It includes some big names (Sony, BMG), but also artists, comedy …

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These Apps Use Quicker Interfaces To Encourage More People to Use Sound

Convincing musicians to make use of sound is easy. And electronic musicians are even content with stunningly-complex interfaces, in exchange for deep control of sound. But what about everyone else? Users on mobile are certainly uploading sounds. Part of the intense interest in SoundCloud even outside music and audio audiences is simple to explain: the site is ridiculously popular. By 2012, it had reached 10 hours of uploads per minute. And once sound is uploaded, it attracts listeners. As of last fall, users had skyrocketed from 200 to 250 million users in just a few months. That’s another reason last …

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How Gestures and Ableton Live Can Make Anyone a Conductor of Mendelssohn [Behind the Scenes]

Digital music can go way beyond just playback. But if performers and DJs can remix and remake today’s music, why should music from past centuries be static? An interactive team collaborating on the newly reopened Museum im Mendelssohn-Haus wanted to bring those same powers to average listeners. Now, of course, there’s no substitute for a real orchestra. But renting orchestral musicians and a hall is an epic expense, and the first thing most of those players will do when an average person gets in front of them and tries to conduct is, well – get angry. (They may do that …

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Will Your Next Controller Be 3D Printed? Meet Adafruit’s Open Source Grid

The original monome project did more than just create a novel piece of hardware for music. It established a design language for what essential digital interfaces might be, in the deceptively simple form of its light up grid of buttons. It’s not so interesting to just copy that hardware, then. More compelling are efforts to extract the elements of the design in ways that can be turned into new things. Adafruit has been slowly building up a nice set of building blocks clearly inspired by monome. Trellis is a system for making the grids component work – lighting the buttons …

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A Solar-Powered, Outdoor DJ Booth and Interactive Dance Floor for Public Playgrounds

Swingsets? Basketball courts? Dutch interactive design firm Yalp imagines populating futuristic public playgrounds with DJ decks and dance floors, for today’s teens. First, there’s the Fono DJ booth. It’s an outdoor public DJ booth, steel-cased with 14 light-up touch panels. Add a couple of phones, and kids can stream their own music, using the touch panels to control the settings. (In case you’re afraid your neighborhood is about to turn into a teen Ibiza, the makers emphasize that they let the installer choose maximum volume levels and times when the system shuts down.) Then, in case you want to dance …

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Watch the Wonders of Grids, as monome Makers Defend Minimal Design

As electronic musical instruments have evolved, it’s been surprisingly easy to point to specific designs that lead others. Creators do often reach the same cluster of ideas at about the same time. But the specifics of how those ideas catch on have very often coalesced around one iconic instrument. Bill Hemsath’s layout, with Bob Moog, for the Minimoog became the standard for monosynth keyboards with knobs. Roger Linn’s design for velocity-sensitive pads, and eventually the MPC 4×4 grid, became the standard for drum machines. And Brian Crabtree and Kelli Cain I think deserve credit for making the 8×8 grid the …

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