(CC-BY) OddWeird.

This is the next-gen notation tool from original Sibelius team

It’s been a few years since the original development and management team behind Sibelius found themselves unemployed at the company they started, following a restructuring by owner Avid. Since then, Sibelius has continued to progress, but in a way that’s best described as incremental. It’s now a subscription product with an emphasis on the cloud, like other Avid tools, and updates have focused on features like pen support and small notation details. If you’re happy with Sibelius, that’s not a bad thing: it’s the recipient of a steady stream of updates. But what if there were to be something new …

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link

Link could change how you play music, even without Ableton

You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.

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auextensions

Plug-ins On Your iPad, iPhone – And on Mac App Store, Too?

While some Apple watchers fear the transformation of OS X into iOS, it would be more accurate to say that Apple has gradually been bringing its next-generation architectures to both platforms. And in the process, iOS is able to perform feats formerly only possible on the Mac. What’s next: Audio Unit “extensions points.” And the upshot of this will be plug-ins on your iPad and iPhone (and perhaps someday Apple Watch), all using a new framework that will work on both OS X and iOS. The feature was buried in a slide deck in the WWDC keynote and appeared shortly …

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wwdc

5 Tidbits of Good News from WWDC for Musicians and Visualists

Apple’s WWDC keynote this year is an mix of mostly consumer-focused, end-user features and the occasional nerdier developer-centric discussion, plus a healthy heaping of hyperbolae. (The App Store, compared to the invention of the telescope and the discovery of electricity – did I hear that right?) But, if you’re paying close attention, there are some tidbits of good news for people using Apple’s platforms for creative work – or making the tools those people use. Before we talk about Apple Music, let’s look at the OS news. 1. Metal in OS X will open up new visual possibilities. Metal is …

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libpdtutorial

Watch These Videos and Make Musical iOS Apps with Pd, Free

The challenge in making tools, as in making anything else, is really the making. It’s one thing for an idea to exist in your head, another to really get down to construction. And very often great engineering means testing, means building the idea and then refining it. So prototyping is everything. That could explain the increased passion for hacking. Whereas big development efforts are a morass of meetings, or traditional prototyping could mean elaborate distractions from testing what we really works, “hacks” work to get something usable more quickly. And that means testing the usability of an idea happens faster. …

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webaudio

Now Google Chrome Browser Does MIDI

It’s 32 years old. It’s supported by keyboards and electronic wind instruments and lederhosen. And now you can add your browser to the list. MIDI will never die. Yes, as of more recent beta and stable builds, Google’s Chrome browser has built-in support for hardware MIDI. Plug in a MIDI controller, and you can play – well, this Web Audio MIDI Synthesizer, anyway: https://webaudiodemos.appspot.com/midi-synth/index.html Chris Wilso is the author, and describes it thusly:

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NI_Musikmesse_2015_05

Komplete Kontrol Now Plays Nice with Plug-ins, Hosts, And More is Coming

I’ll be honest: my Komplete Kontrol keyboard has been sitting on a shelf. But I believe that’s about to change in a big way. So how did it wind up on the shelf in the first place? Yes, this is one of the nicest-looking, nicest-feeling keyboards around. And yes, it works seamlessly with Native Instruments’ own instruments and effects – particularly in that it makes it easy to dial up presets and to map parameters to the encoders and display their values. The problem is, most of us don’t live in a world where we only use Komplete. Because Komplete …

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envelopimage

Envelop Wants to Make an Ambisonic 3D Venue and Tools

3D, spatialized sound is some part of the future of listening – both privately and in public performances. But the question is, how? Right now, there are various competing formats, most of them proprietary in some way. There are cinema formats (hello, Dolby), meant mainly for theaters. There are research installations, such as those in Germany (TU Berlin, Frauenhofer) and Switzerland (ZHDK), to name a few. And then there are specific environments like the 4DSOUND installation I performed on and on which CDM hosted an intensive weekend hacklab – beautiful, but only in one place in the world, and served …

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(CC-BY) Flavio Ensiki.

Stems for DJs and More: Here’s How A New Format Will Work

The most important thing to know about Stems, a new multitrack specification for audio, is that it’s simple by design. That simplicity means that it could really take off as a way of sharing music with multiple tracks, for DJing or live-remix applications. Stems won’t solve every problem of file exchange and sharing. It’s not a multichannel spatialization format. It’s not a sophisticated project format for storing metadata. I say that, because after we covered Stems at the beginning of this week, I found my inbox flooded with every use case for every file format imaginable, and complaints that Stems …

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AudioKit

Free AudioKit Lets iOS, Mac Developers Code Synths and Sound

AudioKit is a promising-looking new open source tool set for coding synthesizers, music, and sound on Apple platforms (though it could certainly be ported to other places if you have the time). The draw: you get not only a robust library but loads of examples and tests, too, for a variety of applications, in both Objective-C and Apple’s new Swift language. And it’s free. The contributors will look familiar – and the core engine comes from community contributions around that most enduring of synthesis tools, Csound. (For those worried about obsolescence and the pace of technology, Csound has its roots …

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