He’s one of the most prolific people in DIY synths – but now he faces crippling healthcare bills. Help Ray Wilson’s family help their Dad fight back.
Ableton’s Push 2 has a big, beautiful, color display. But what goes on that display is limited to what Ableton has built in – or, rather, it was, until now. London-based producer/hacker sigabort has already built a Max object that lets you access the display directly as a high-res, color texture. Max boffins, this means you can even use Jitter objects directly. And for those who have no idea what the previous sentence just meant, think of it this way: Max patches will now be able to create their own full-color visual outputs, for practical or entertainment purposes. (Max for …
Once, weird instruments only made the rounds at exclusive academic conferences. Now, they go viral on Facebook. Such is the case with Collidoscope, the creation of a UK-based mixing and mastering service (out of London label Sunlightsquare Records) and Queen Mary researchers – Ben Bengler and Fiore Martin. It’s a massive tangible table-top interface to a granular instrument.
We have seen the future. And it’s strange – in a good way. Bizarre Sound Creatures was an exhibition late last month held in Eindhoven in the Netherlands, accompanied by workshops and performances. The theme wasn’t just new instrument design and music making, but imagining a future world with peculiar evolutionary twists. These are musical objects with odd appendages and surprising interfaces. Let’s take a look.
It’s sweet harmony as Korg and Nintendo come together at last. A musician from lower Saxony named eVADE/duality micro has produced a cable to sync up Game Boys running popular homebrew software with Korg drum machines and synths.
Touchplates are so in this year. Yes, it’s a testament to the legacy of synthesizer pioneer Don Buchla: electronic musicians evidently long for something new. And the latest is a glimpse of something found in our news tip inbox. It’s called “HYVE” and it’s a hybrid synthesizer, combining a number of ideas about pitch arrangement into a single touch-plate layout. There’s a keyboard. There’s a hexagonal pitch array. And there’s a heck of a lot of polyphony. And… well, it’s best to just watch the video:
Are you in a warranty-voiding mood? Have you got a soldering iron? The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times. Skip ahead to the end of the video above to hear what we mean.
ENG_SIDEMAN_PREVIEW from Darsha Hewitt on Vimeo. Darsha’s sound electronics class is in session – and it’s a little different to what you’d normally expect. Rather than a bunch of animations of electrons moving about, sound artist and educator Darsha Hewitt has created a long-form video tutorial around the world’s first commercial drum machine.
Reaktor Blocks Love Eurorack from listentoaheartbeat on Vimeo. Sorry, couldn’t resist. Can you combine computer software with analog hardware? Can you route control signal from computer software to hardware? Can you combine something accessible with a grid (like a drum machine) with more advanced, open-ended machines with wires? Yes, yes, and yes. Does all modular synthesis stuff sound like indecipherable noodling? Do you have to make a religious decision between analog and digital, hardware and computer? Do all modular setups have to be sprawling rigs that eat up all your money and home? No, no, and no. Make what you …
The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …