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Traktor Kontrol D2 with Color Display is Official, Costs US$499

Native Instruments’ Traktor Kontrol D2 deck was all but revealed at WMC, but now we’re finding out more clearly how everything comes together. And we know the price: the unit is US$499 (499€ / £429), even with that nice color display. (If NI is getting their part cost down, I wonder if we might soon see a display like this on a Maschine other than the Studio – which is great, since the Studio is kinda huge.) That price is doubly impressive now that it includes TRAKTOR PRO 2. That’s an impressive deal for new users. (If you already own …

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(CC-BY) Flavio Ensiki.

Stems for DJs and More: Here’s How A New Format Will Work

The most important thing to know about Stems, a new multitrack specification for audio, is that it’s simple by design. That simplicity means that it could really take off as a way of sharing music with multiple tracks, for DJing or live-remix applications. Stems won’t solve every problem of file exchange and sharing. It’s not a multichannel spatialization format. It’s not a sophisticated project format for storing metadata. I say that, because after we covered Stems at the beginning of this week, I found my inbox flooded with every use case for every file format imaginable, and complaints that Stems …

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Can Stems Finally Make Multi-channel DJ Audio a Standard?

The path forward is clear: there’s no reason in this age of digital producing and DJing that music needs to be stereo. The need is there, but so far, not the solution. A file format announced in a press briefing at Miami’s Winter Music Conference and made public today wants to succeed where others failed. It’s called Stems, and there are a few details that make it different. It’s simple. “Stems” – the format – include four tracks. So that could be bass, drums, melody, vocal, for instance. (Or bagpipe, castrati chorus, tambourines, and banjo. But the point is, dividing …

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No Longer Invisible: Images of Women Working with Music Technology

Coinciding with International Womens’ Day, advocacy group and networking platform Female Pressure yesterday launched themselves on Tumblr. In a stream of photos, they’ve been sharing images of female-identified artists engaged in process with music creation technology. (Some randomly-selected images are here; see the rest via the link below.) The images alone are a humbling and inspiring for me, just because I see so many familiar faces – friends and artists that have been personal role models for my work, including in moments of personal struggle as an artist and writer. The idea, say Female Pressure, was partly a response to …

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Go Record Digging with Nina Kraviz, Finding Emotion in DJing and Production

Nina Kraviz appears in a film from vinyl store The Record Loft. It’s short, but she’s strikingly economical and insightful in talking about what it means to mix records, find records, and make records. The Siberian-born PhD dental doctor-turned-DJ/producer is especially noteworthy at the beginning of 2015. Last month, she helmed edition number 50 of the legendary DJ-Kicks series – the gold standard of what a mix should be. What’s nice about the interview is how quickly Kraviz gets to the emotional essence of all the dimensions of her work. Feeling, and capturing a moment, is at the heart of …

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skrillex

Whiplash Trailer Parody Mocks EDM Press-Play DJs

And, let’s take a moment to have a laugh at the expense of EDM DJs – and, around that moment where you get some bloodied laptop fingers, ourselves. YouTube Comedy purveyors Nacho Punch take on Oscar-winning Whiplash – a film about a jazz drummer – with a DJ rendition set in a made-up “Skrillex Academy.” You’ll want to have the original fresh in mind first, so see the original above, then the parody below. And then… well, here I was going to make some snarky comment or some sort of clever insight, or perhaps broaden the comedy to some deeper …

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Casio Crosses a Groove Box, DJ Controller With Millennium Falcon

It’s not quite clear what just happened at Casio’s Music Gear division. Last year, their XW DJ line included a pedestrian but perfectly innocuous-looking DJ/VJ controller in partnership with Vestax. Now, in an apparent attempt to corner the market of 12-year-old producers, they’ve made two crazy-looking things shaped like the Millennium Falcon. Not a little like the Millennium Falcon – nearly exactly like it, just short of turning its reflector dish into a knob. (Okay, it looks a little bit like a Roland Handsonic HPD-10, but the Casio has a narrower nose – which in turn squeezes the space for …

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This Record Sleeve Turns Into a Wireless Touch DJ Controller: DJ Qbert and Novalia

As the CD jewel box and compact cassette case and digital download have failed to inspire, the record sleeve has endured. Now, the LP album jacket isn’t just besting those formats in the physical realm. It’s proving it can outdo them in the age of digital and mobile, too. Digital controls can be printed directly onto the surface of the packaging, via simple conductive technology, then interface with machines over wireless connections. DJ Qbert went to fans early last year to crowd-fund the release of EXTRATERRESTRIA – to the tune of six-figures. The project was all-ecompassing: “preorder” funders would put …

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djay Pro for Mac: A Serious DJ App with Spotify Integration, US$49

A full-featured DJ app can be yours for fifty bucks, and it can stream the songs you don’t have right off Spotify. djay Pro is here, and with it and a new generation of contenders come some serious shifts in digital DJing. Algoriddim have been making user-friendly DJ apps for a while. That started with a beginner-friendly Mac app, but extended to iOS and the until-recently-neglected Android platform (which is now at last fairly viable for mobile DJing). djay’s ease of use was already enough to make it appeal to casual DJs. Then, in May, Algoriddim pulled an ace out …

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This Movie Clip Sums Up the SFX-Beatport Vision of the Future of Dance Music

Synergy. That’s the direction you can expect from Beatport and SFX Entertainment. And the speech above from the film In Good Company more or less fits. (The plot of that 2004 movie even includes an acquisition by a conglomerate.) Basically, SFX may have solved the problem of how to make money in the streaming business – by making its money elsewhere. Or, it seems that’s the plan. Here’s the problem: music streaming has razor-thin margins versus sales. The artists and labels eek out fairly small bits of change, generally. They can blame the streaming services, but with those services having …

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