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DP9: Looks Great, Does More, Does Scores

This is the way DP – Digital Performer – looks in version 9. The tried-and-true Mac DAW now has Retina Display support on that platform, and looks like a viable option on Windows, too. DP9 may not get the amount of attention on the forums and such as some rival DAWs (Logic, Cubase, Ableton), but it has a hugely loyal user base and dominates in film and TV production. The DP9 release seems mainly about giving that loyal user base the stuff they want. The big features: Retina UI on the Mac, lots of workflow improvements (including score export), and …

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Digital Performer Runs on Windows; Hell Freezes Over; SONAR Left in the (Windows-Only) Cold

Digital Performer, and Performer before it, has been a Mac-only program for almost as long as you’ve been able to buy a computer called “Macintosh.” The first Performer release was available in 1985. (Professional Composer, before that, was out in ’84.) Performer, accordingly, has had a big impact on the history of the sequencer, and later the audio and MIDI arrangement hybrid that came to be known as Digital Audio Workstation, throughout the history of the genre. But it’s never run on any Microsoft platform – until now. In an announcement I doubt anyone saw coming, MOTU has announced they’re …

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MOTU Digital Performer Adds Native OpenSoundControl

And there were three – three major production apps now have OSC control. Once considered the domain of “DIY” apps or developers, OpenSoundControl is beginning to look like a viable option for open, standardized controls of music apps. Open-source Mac/Linux DAW Ardour has fully-documented OSC support as we saw in the spring, and this week tracker Renoise added OSC in a public beta. They join environments like Max and Pd, and a wide range of live visual software. Add to that list DP. MOTU’s Digital Performer is the first mainstream, commercial DAW heavy-hitter to get OSC support, in its 7.2 …

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64-bit Mac Audio Tools Coming; Logic Pro and Mainstage Add Support

Mac OS X Snow Leopard (10.6) represents the end of a long-running transition of the Mac operating system from 32-bit to 64-bit support. 64-bit computing offers marginal (but measurable) performance improvements, and more importantly the ability to address more RAM — a lot more RAM, currently more than is even physically available in any shipping consumer computer. By contrast, under the current Mac OS, each 32-bit application can access up to 4GB of RAM. A few tools, like Apple’s EXS24 and Native Instruments’ Kontakt samplers, can address greater memory through the use of virtual memory and memory server schemes. But …

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DAW Day: Digital Performer 7 Adds Effects, Easier Access, PT8 Support

DP’s clever channel strip integrates quite a lot of functionality in every view. I’d be remiss if I didn’t note another significant DAW release: DP7 is shipping this week. The Mac-only Digital Performer still has a loyal following, especially among the scoring crowd, some of whom have stuck with DP since the Performer days – one of the Mac’s first sequencers. I have to say, this particular update seems to focus more on bundled effects than core functionality – and, in fairness, because it’s tough to change core features without upsetting the stuff that keeps your users loyal, this isn’t …

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