pushvspush

Push 2 hardware now works in Bitwig – including on Linux

There may be an Ableton logo splashed on it and integration designed specifically for Live. But one of the nice things about Ableton’s Push and Push 2 hardware are that, at their core, they’re open. Everything sends and receives standard MIDI messages. As we’ve seen, even the display is hackable. And that is admirable not only from an engineering standpoint, but because it means the hardware you invest in has a life beyond just specific drivers and software updates. Now, that extends even to rival software Bitwig Studio – which means you can even use a Push 2 on Linux.

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The Best Little MIDI Fader and Knob Box Just Got Better

I just can’t hide my affection for the Faderfox line, and one unit in particular: the UC3 was pretty close to perfect. While there are other MIDI controllers with faders, the UC3 stands out by combining a healthy assortment of encoders and faders (plus one crossfader) in an ultra-compact, lightweight package. Nothing comes close to saving space either in your bag or in cramped performance setup situations. Every component feels smooth, solid, and premium, in contrast to rivals that have generally favored low price over quality. And it’s USB class compliant, so drivers aren’t issue. Well, the UC3 was nearly …

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Novation’s LaunchControl XL Has the Faders and Knobs You Need for Ableton, MIDI [Obsessive Review]

Sometimes, you just want to grab a fader. Maybe it’s not about elaborate custom parameter assignment, or clip launching, or playing an in-tune Phrygian scale on a colored, light-up grid as you solo on a bowed marimba sample. You know, you just want to fade a track. There are surprisingly few controllers out there tailored to this application. So, that makes the new LaunchControl XL from Novation a potential stand-out. It’s just faders and pots: 8 faders, with three knobs each. Each column also gets two triggers; these are switchable when used with Ableton Live to control mute, solo, and …

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Knobs, Encoders, and a Crazy-Powerful Step Sequencer: Latest Faderfox Hardware

If you want a tiny, well-built box with loads of encoders or knobs, Faderfox has you covered with its latest round of hardware. (Previously, too: faders!) But with the SC4, the Hamburg, Germany-based builder adds something else: a brilliant step sequencer you can use with software or standalone hardware. Faderfox has two new controllers this month – the knob-laden PC4, which is basically a bunch of pots, and the encoders-with-display SC4. Both work as general-purpose controllers. But the SC4 adds a step-sequencing firmware. The SC4 then becomes more than just a flexible, do-anything controller. It’s about the most step sequencing …

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Finally, Connect a USB Hub and Audio in One Gadget, on Laptop or iPad

File this directly under “why has no one done this properly before?” One of the few remaining annoyances in computer music making is just getting connected. First, you need an audio interface to get proper sound and headphone cueing. Then, you’ve got all this great gear for control – but where to put it? Macs and even many new PCs have few USB ports (especially ultrathin notebooks like the MacBook Air). Yes, it’s about time someone combined a practical audio interface with a USB hub. Focusrite/Novation seem to be the right folks for the job. Focusrite’s audio interfaces are some …

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This Could Be Your Next DJ or Visual Controller: Allen & Heath Xone:K1

UK DJ builder Allen & Heath may be best known as a mixer company, not so much a controller maker. But that’s a pity, because they make one of the most compelling controller units on the market. Spoiler alert – the K1, like the K2 before it, feels great, has a terrific layout, works with anything you like, and more or less beats every other slim-line controller for DJing or VJing. Whatever you own now, you may find yourself wanting one of these to go along with it.

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This is What High-End Audio Can Do Now: New Trio of Thunderbolt Boxes from MOTU

You’d be forgiven for missing it in the blur of press releases and trade show hand-outs – and, let’s face it, most musicians are too focused on music to pay much mind. But slowly, steadily, audio interfaces have been getting a lot better. Talk to the people who make them, and they can tell you what’s happened even in terms of individual components. Next, they’re about to get smarter and more networked. And so that means it is worth paying attention today as industry heavyweight MOTU unveils a trio of new audio interfaces, compatible with Thunderbolt 1 and 2 and …

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24 Knobs, 8 Faders, 16 Buttons, in a Launchpad Form: Launch Control XL

If you’re reading this, and if you care about controllers at all, you’ve probably got one. Now the question is, what are you missing? LaunchControl XL is coming with a whole mess of handy faders and knobs if you’ve got more controls than you can map. In fact, while it would make an utterly horrid marketing statement, I would dub the slogan of this hardware like this: Twist knobs without having to constantly press shift and select keys or give up having some faders. There’s Push, of course, the Ableton-controlling flagship, complete with pressure- and velocity-sensitive grid. There’s AKAI’s former …

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The $100 BeatStep Sequencer and Controller: Everything You Want to Know [Review, Resources]

Even if Arturia’s BeatStep did nothing other than act as a dumb controller, it might get your attention. The compact control surface / sequencer hardware runs about $100 street. As a controller, it has both 16 pads and 16 endless encoders (with notches, so you can feel where you are), plus transport triggers and a larger encoder. With driverless USB operation, some of you will already be happy and can proceed. But the BeatStep is more ambitious than that. It has sophisticated software customization via a companion program, and a built-in step sequencer. It operates standalone, with MIDI gadgets or …

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Control, Shortcuts for Ableton Starting at $99: A Look at the New AKAI APC Line

For any tool that has “live” in the name, physical control will always be important. And so even with a broad market for controllers targeting Ableton’s flagship software, now including the slick Push hardware from Ableton themselves, AKAI’s re-vamped APC line earned intense interest when it debuted at Musikmesse this month. Let’s make sense of what the new APCs can do and how you might choose between models. I got some hands-on time at Messe, and now even in advance of a review of finished, shipping hardware, it’s worth teasing out the breakdown of the 2014 APC line. The original …

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