808movie

On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

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dreams

Watch a Dreamy, Groovy Reverie Played Live on Desktop Synths

Jeremy Blake (aka Jeremy Leaird-Koch) is the kind of omni-dimensional talent who that seems tailored for the age of Web media. Yes, he’s an electronic musician, but … have a listen to his SoundCloud, and you’ll find the common thread is craft more than genre. And yes, he’s also a video editor, who’s also making imaginative and dazzling visuals. Let’s instead just wander into his studio, virtually speaking, and let him play for us on a nice, assembled gathering of custom hardware. And drifting off on this chillout groove is a nice way to take a pause in your day…

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Akai artist Needlz set up this MPC+computer rig with Renaissance ... in a hotel room (to get out of the house). No, no standalone MPC hardware at the moment, but 1.8's software features might help you forget that.

MPC 1.8 Update Expands How You Play; Inside Look with the Developers

“MPC” these days is a name on a lot of Akai stuff, down to even various MIDI controllers that happen to have pads. But to die-hard MPC users, “MPC” means a way of working. So, workflow is vitally important. And MPC users who cut their teeth on Akai’s dedicated hardware have been waiting to see the software/controller combination really come into its own. Native Instruments’ rival Maschine got to the software game first, but now it’s a question of how the MPC can again set itself apart. That makes any software updates a big deal. You’d be forgiven for assuming …

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ceephax2

Live Insanity: Ceephax Acid Crew [Video]

I had the craziest dream. Super vivid, and it just kept going. Seriously, like it seemed to last a decade. Instead of playing electronic music live on gear that made sounds, so you could keep track of what you were doing with physical buttons and switches and things, all the boys and girls were using laptops. But that wasn’t the weird part: what was strange was, people were just putting whole tracks on those computers. I know what you’re thinking – so they were DJing, right? But no! They were just playing tracks one after another all the same tempo. …

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Seze Devres Photography NYC www.sdphotography.net

In An Avalanche of Modular, Here’s the New Gear You Need to Know

You know you’re at peak modular when Moog is reissuing 1970s synths for US$30,000. It wasn’t long ago that people were relegating modular synths to closets, selling them off, and even – really – throwing them in dumpsters. Now, the once-archaic racks of synthesizers connected with patch cords are suddenly cool. Moog rockstar chic aside, the trend is mainly driven by Eurorack, a format introduced years ago by Doepfer that has made it easier to manufacture and buy interchangeable rigs. Moog is making only a handful of those System 55 rigs, so even they acknowledge you probably can’t afford them. …

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With MIDI, A Simple iOS Piano Roll App Gets More Useful: Auxy Update

From a design standpoint, it was beautiful. Auxy already demonstrated that a stripped-down app could provide an elegant way to simply produce musical patterns. Using a clean, piano roll-style graphical interface, it was finally a demonstration that you could make a music app for editing notes that felt native to a touch environment. There was just one problem, a big one: you were limited to the very basic built-in sounds. So, Auxy was a bit of a conundrum. It was the perfect app for making patterns for other apps and hardware, but it didn’t have the ability to connect to …

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tomcat

Akai Analog Drum Machine, Revision 2 – And a Four-Voice Wolf Synth?

It seems Akai is staying in the analog synth business. Following the Rhythm Wolf – introduced quietly at Messe (literally, it couldn’t make sound), and then getting a mixed review here on CDM – they have both a second drum machine and a four-voice synth. Availability has leaked as July – which means again, we may not know how these actually sound until they ship. Let’s look at what we know. (Bookmark this page, as I will simply update information here as it comes in.) First up, the Tom Cat. It’s definitely a second take on the Rhythm Wolf – …

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logicremote_eq

What’s New in Logic Pro X 10.1: Editing Power, Electronic Drums [In Detail]

With version number 10.1, the Logic Pro release out right now sounds like a “yawn, move along” bump. But there’s actually a big story here. Half that story is about making electronic beats. The other half, and maybe the more important half, is about editing. But let me explain. Even with a steady stream of updates, I’m not convinced Logic Pro X has entirely shaken concerns from some hard-core producers about serious editing – whether they’re being fair or not. Something about all the cute graphics and loop browsing and GarageBand and iPad and iPhone seems to make them, well, …

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pocketoperator

How TE’s $59 Drum Machine Sounds – And How The Pocket Operators Work

Teenage Engineering have also shared with us their video tutorials on the PO (Pocket Operator) line. The basic stuff to know (having been playing around with today rather than doing NAMM work): This being Nintendo-inspired, yes, there’s a metronome and alarm clock function. Select one of sixteen patterns, and one of sixteen sounds, with the respective buttons. Toggle between playing notes with the buttons, or inputing them with the step sequencer, using the “write” button. Hold “write,” and you can write parameters over top of playing sequences (effects work this way, too). That means you can automate patterns, etc. “bpm” …

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Nintendo Game & Watch Inspires Tiny, $59 Synths from Teenage Engineering [CDM Hands-on]

“Pocket” is a term often used loosely to mean anything small. Not so the Teenage Engineering PO-12 series of instruments. They’re each literally small enough that you could put them in your jeans comfortably and still cram in your phone. We’ve got units from TE (and collaborator Cheap Monday) here at CDM, so let’s talk about what our wacky Stockholm friends have done this time. Remember Nintendo’s Game & Watch series? These business card-sized pocket games used crude but charming LCD animations, characters making jerky, repetitive movements for basic games. The ultra-cheap toy titles preceded the NES, the ingenious work …

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