kiran1

Confidence, humanity, and drumming: Kiran Gandhi interview

It’s clear right away that Kiran Gandhi is an “always-on artist.” We’re sitting down with the drummer/singer/electronic musician/businesswoman at Ableton’s Loop conference, and as she reflects on the acoustics of the outdoor tent where we’re recording, she sings an impromptu recording into her phone. There’s even a lyric reminding her to write about tents. The tone is set for our whole conversation: as Kiran longs for a higher-fidelity phone microphone, technology alone can’t keep pace with her spontaneity.

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augmenteddrumming

Watch Agumenta Transform Drumming As You Play

Call it augmented drumming: algorithmic software listens to you play and creates wild IDM-style percussion around you.

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jojo

The Human Drummer Battles Drum Machine, in Poetic Film with Jojo Mayer

Between Zero & One from ApK on Vimeo. What does it mean to be human in a world of drum machines? Not just whether drum machines have soul – how do you define your soul? Drummer Jojo Mayer doesn’t shy away from the deep issues around digitality in the brief film meditation that is Between Zero & One. He reflects on the states of being that the computer and machine represent, and then he does what any great drummer would do. He doesn’t get mad. He gets even. He refines drum technique to play what a drum machine can’t, framed …

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Drumactica Augments Percussion with Gestures, Ice Cube Trays; Here’s How it Was Done

Bacon and eggs on a drum snare? Hands-through-the-air gestural control with Leap Motion? Water pianos in ice trays and a hacked Makey Makey, all talking to Ableton Live? Drumactica has a little bit of everything. London-based percussionist Dr. Enrico Bertelli shares with us how he “augmented” percussion for his latest project – with all the details – for a guest post on CDM. Just make sure to give due respect to John Cage.) -Ed. Drumactica 2.0 is a solo, augmented percussion set up, created for Hack the Barbican, London. The piece is about the creative bond between the desire to …

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Nord Drum 2, Playable Drum Synth, Gets More Sound Options, Nord Pad Companion [Photos]

Swedish maker Nord may be known for keyboards, and justly so, but their drum products are perhaps even more distinctive. If it seems like Nord only just released something called “Nord Drum,” it’s true. But they’re already back with a sequel, and Nord Pad as an accessory. The latter’s compact trigger design could appeal to producers and musicians who don’t have room for a whole kit. The original Nord Drum was a four-channel “modeling” virtual analog synth. The new model is six channels, and has more sound options. As before, you can trigger synthesized drum sounds from conventional electronic pads …

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Playing Live, Dangerously: Mouse on Mars as Augmented Band [Video]

When it comes to live performance, this might be the year of living dangerously. There’s not one answer to the question of how to play live, but as we consider the possibilities – and the risks of playing live – Mouse on Mars is one terrific case study. Jan St. Werner and Andi Toma are joined by drummer/vocalist Dodo Nkishi. Since part of their setup is playing live as in Ableton Live, Ableton shot a video mini-documentary of their performance rig earlier this year. It’s an intensive setup, but you might just glean some ideas for how you play live. …

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Multi-Player Drumming: Handheld Open-Source Music for Nintendo DS

It’s drumming, the multi-player game. The Drummer is an open-source application for the Nintendo DS handheld, developed by Andrea Bianchi and Woon Seung Yeo and presented alongside a paper earlier this year at the NIME Conference (The International Conference on New Interfaces for Musical Expression). As with any Nintendo homebrew software, you’ll need a special DS cartridge capable of loading software from flash memory – though if this app were developed more, it could make a terrific DSi app. The idea is this: while making a handheld game system into an instrument, why not take advantage of its networking features? …

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Loops for Real Drummers: Musicianship, Technology Don’t Have to Compete

Loops have gotten an unfortunate reputation as being a stand-in for real musicians or real musicianship – perhaps because, too often, they are. That’s why it’s always refreshing to see a discussion of how looping can incorporate musical technique. Like many electronic musicians, I have zero background in drumming; I’m a keyboardist and was trained in Classical Piano. But then, part of the gift of being a composer is getting inside the heads of musicians who play instruments you can’t. And when it comes to understanding rhythm, there’s a limitless supply of work to explore from around the world. Ryan …

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