Hands-on Visual Tour: What’s New in Maschine 2 Software, Maschine Studio Hardware

Native Instruments’ groove-centric production studio Maschine today gets its most significant update ever. The software has been completely rewritten from the ground up, bringing expanded editing and sound capabilities and enhanced performance. And alongside the software release, there’s also a new, “flagship” controller, called Maschine Studio (above) – a big (but lightweight) beast with bright, crisp color screens and a price to match. I took a tour of the software and hardware upgrades in NI’s offices, and so we can bring our own hands-on look at both before they ship. Please note that this is a first look at a …

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Drumactica Augments Percussion with Gestures, Ice Cube Trays; Here’s How it Was Done

Bacon and eggs on a drum snare? Hands-through-the-air gestural control with Leap Motion? Water pianos in ice trays and a hacked Makey Makey, all talking to Ableton Live? Drumactica has a little bit of everything. London-based percussionist Dr. Enrico Bertelli shares with us how he “augmented” percussion for his latest project – with all the details – for a guest post on CDM. Just make sure to give due respect to John Cage.) -Ed. Drumactica 2.0 is a solo, augmented percussion set up, created for Hack the Barbican, London. The piece is about the creative bond between the desire to …

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Melodyne Isn’t AutoTune: New Video Shows Drum Loop Dynamic Manipulation [Tutorial]

Apple, Steinberg, Cakewalk, and others have begun adding audio manipulation tools to their DAW, and some of those tools are decent enough in a pinch. But there still isn’t any one application – as a plug-in or built into a DAW – that offers the amount of audio tweaking powers as Celemony’s Melodyne products. The folks who have pushed their “Direct Note Access” really have achieved an unprecedented amount of note-by-note control over sound. These edits are commonly associated with pitch correction, and indeed, it’s clear a big part of the market for this software is being able to tune …

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Down with Sequencers: The Age of Glass Finger-Drums Through Their Beats, Live [Videos]

For years, drummers have had to look sideways at drum machines — boxes with step sequencers blinking, out to replace them. With acts like The Age of Glass, tables are turned. The sounds are electronic (Access Virus, Machinedrum), but the playing is all live. Drummer Nick Froud plays all those parts without any sequencing, fingers blazing. The band has a self-released (Bandcamp) EP out this week, as well as some videos of them working away at the studio. The results are jammy, trippy, grooving good times. Great to see the studio work and recording, but this must be a lot …

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Meganome: A Massive Super-Monome Capable of Jazzy Rhythmic and Melodic Robotic Feats

Minneapolis-based artist Patrick Flanagan is no ordinary drummer or electronic musician. His rig does everything the hard way – and the results are fantastic. With robotic drum kit mechanically playing acoustic drums, his fingers command complex feats of rhythm and melody from an oversized, custom grid controller. There are idiomatic musical possibilities unlocked by software he’s built in Max/MSP and Java. Repeat increments, of the sort found in drum machines, produce complex rhythmic figuration on multiple drums – partly because, unlike the dumber implementation on drum machines, it’s possible to play multiple repeat increments at the same time. (In other …

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Do It With Lasers: R&D Experiment Makes Drum Microphones, Triggers More Accurate

Sennheiser Element – Laser Drum Microphone System from Andy Greenwood on Vimeo. We cover a lot of experiments that make an interesting proof of concept, or that make performance, frankly, more difficult but in interesting ways. Here’s an idea that might just work. You know, like might actually make an existing technology better. The idea is this: rather than clumsily using gates to isolate individual drum mics, use lasers (“lazorrrs”) to measure vibration. And if the demo video is to be believed, it works damned well. You can use this to get better recordings, or use it to transform a …

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Stepping Through Music, Interactively: Drum Kits and Monomes Navigate Notes

Left to right, beginning to end, the same in a loop — there’s no reason music has to work this way once you’ve got a computer. But if you associate generative or algorithmic music with some sort of magical black box machine you switch on, an automaton spitting out notes while you sip tea and stroke your beard, think again. Here are two examples that use interactive structures as a way to make music more live, not less. One is the latest creation from the ingenious mind of monome creator Brian Crabtree (who, perhaps unexpectedly, seems to have redirected the …

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Bleep Drum, $60 Hackable Drum Machine Based on Arduino, On Sale

Don’t call it “lo-fi.” Call it “rad-fi.” At least, that’s what Austin, Texas-based creator Dr. Bleep says about his latest, the Bleep Drum. We saw the Stone’s Throw Records / Dam-Funk commission Dam-Drum 2.0 last month, but it sold out almost as soon as we mentioned it. The Bleep Drum is a sibling to that drum machine. There are some adjustments to the design, but most significantly, this one isn’t a limited edition – you might actually be able to get one of your own. It’s simple, hackable (with pins onboard), Arduino-based, and grungy enough to be fun. And as …

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Playing Live, Dangerously: Mouse on Mars as Augmented Band [Video]

When it comes to live performance, this might be the year of living dangerously. There’s not one answer to the question of how to play live, but as we consider the possibilities – and the risks of playing live – Mouse on Mars is one terrific case study. Jan St. Werner and Andi Toma are joined by drummer/vocalist Dodo Nkishi. Since part of their setup is playing live as in Ableton Live, Ableton shot a video mini-documentary of their performance rig earlier this year. It’s an intensive setup, but you might just glean some ideas for how you play live. …

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Apple II Gets a New Drum Machine: DMS Drummer, Now with Video Tutorial-Demo

Who says technology doesn’t last? The Apple II platform will be 35 years old in April, yet it’s still going strong. It even gets a brand-new drum machine software, launched this month, complete with eight wavetable-based drum sounds, and a clever sequencer. The surprise: the whole combination, delivered on a 5 1/4″ floppy disk, can be stunningly usable, as in something you’d actually want to make music with. Not bad for a computer you can typically pick up for a few bills at a flea market. (Emulators can also run the software, so you don’t even need hardware. Of course, …

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