You might not expect a handheld game console, the gadget kids use to play Pokemon, to prove much worth as a musical instrument. But even in the age of readily-available computer plug-ins and iPhone apps, the DS holds its own. In the hands of two sets of artists, we find music that stands alone, independent of the gimmick of the device on which it was made. For these artists, the limitations of a fold-up touchscreen – entirely independent of doubling as a phone, or a computer, or a Facebook-browsing engine, or a powerful 64-bit DAW – apparently prove enticing. Beginning with Korg’s DS-10 cartridge, they use a stylus-operated software synth with its own unique character.

On some level, I almost hesitate to wax poetic about the fact that these were made with a Nintendo DS at all, because what these are, really, is love letters to synthesis.

And as it happens, both are available as free downloads from Bandcamp.

First up: AuxPulse is the duo of Rutger Muller and Michael Vultoo, based in Amsterdam and Kockengen, Netherlands, respectively. Late last year, they debuted their first album at Amsterdam’s prestgious Stedelijk Museum of modern art, playing a big set (two and a half hours) on small devices. Primarily employing the Nintendo DS, they nonetheless produce sounds that are rich and layered, sometimes even tending to the ambient exploration, not just the rawer chip-music sounds regularly associated with Nintendo handhelds.

Their music is trippy but danceable, unapologetically electronic, fully exploiting the DS-10′s idiosyncratic sonic character, one that’s slightly lower-fidelity than many soft synths (or even iPhone apps), without being “chippy” in the sense of retro devices. Dark textures collide with precise, clockwork rhythms, in sounds that sometimes tend to acid techno and sci fi game realms. (Lo-acid-fi, anyone?)

As you watch them live, you also see the value of the interface compositionally, both in terms of its pattern banks and its more conventional synth controls, all manipulated with the added precision of a stylus.

As they put it:

We aim to bring experimentation back to the dancefloor by expressing a psychedelic atmosphere through the use of a variety of rhythms and moods. Some of our inspirations are analogue synthesizers, acid, IDM, hardcore, gabber, ambient and oldschool electro.

Right now we mainly use the KORG DS-10 synthesizer for Nintendo DS to compose and improvise our music. When playing live we fuck with the synths as much as we can, trying to surprise ourselves with new sounds.

Our first album was recently released in Stedelijk Museum Amsterdam! Now we perform regularly, trying to open up some minds and move some feet.

The album, on Bandcamp:

And on SoundCloud:
Dream Stages (FREE ALBUM!) by AuxPulse

Bonus: an interview with them (in Dutch, naturally)

In a very different direction, Princeton, New Jersey-based DJ and producer Christian Montoya (love and tonic records) produces music on the DS-10 that’s drier and more exposed, as he programs intricate bass music on the unprocessed Nintendo cart. Christian works as a game designer by day, and channels some of the DS-10′s game music and so-called “chip music” heritage. The results, though, are a perfect marriage of game chip-waveform rawness, nude bass and synth and percussion sounds, and carefully-concocted grooves. For anyone concerned that game systems could hinder moving your butt out of the seat, this album is required listening. It’s utterly stripped-bare dance goodness – and it turns out the DS bass sounds fantastic.

Grab the record for free:

DS-10 users, got any tips for us on getting the most out of a Nintendo handheld and this KORG synth? Let us know.

Also, from comments but worth pointing out, Rutger directs us to good resources for getting the most out of DS-10:

If you’re interested in making DS-10 music you can check out http://www.ds10forum.com

I (Rutger, DS-10 Dominator, 1/2 of AuxPulse) run it with Harley (http://harleylikesmusic.com, superb DS-10 composer!) and we try to help out beginner’s and advanced users as much as we can.

Having made their own DS-10 instrument, Korg and DS developer AQ Interactive yesterday presented something new for the handheld Nintendo. This time, they’re revisiting one of the all-time greatest hits of digital synthesis, the Korg M1 workstation.

Markus Schroeder tips us off that the M1 will be the next release for the DS. An iOS (iPhone/iPad) version may follow, as with Korg’s recent mobile rendition of the ElecTribe.

Markus is also kind enough to translate the Japanese contents of the presentation:

Features are (subject to change / error):

• 300 original M1 PCM Sounds
• 8x multi timbral
• 8 track 16 step sequencer 1 sequence max 64 pattern, max polyphonic sound 12
• master reverb, delay effect
• track overview, sound browser, sequence edit, mixer, keyboard. Simple and functional display
• notes/chords,/drum input mode by touch control
• data exchange by wireless transmit
• drag & drop transpose
• sustained notes

Release Date is set to 31st 12. 2010 over at amazon.co.jp.

(With past experience as a guide, delivery outside Japan may happen later – and it’s a shame this won’t happen by the holidays, huh?)

GearJunkies has a couple of screen shots.

None other than Nobuyoshi Sano does the demonstration, the veteran Namco Bandai composer who contributed to legendary scores for Ridge Racer and the Tekken series, and was the producer of the KORG DS-10 application.

And so it continues: whereas once, only analog synths could be classics or inspire nostalgia, the digital instrument has clearly arrived. The digital follow-up to KORG’s own Legacy Collection tried a similar revival of the M1, but there’s something about having it in a $150 handheld, let alone one that can also swap over to Zelda. Hey, maybe a lap of kart racing will wind up giving you a musical idea.

Check out Markus’ YouTube account for more.

Fans of the Nintendo DS may have been immune to the siren song of Nintendo’s tweaked DSi model. Unfortunately, I have a feeling a bunch of you are about to upgrade your handheld game system. Why? Because the folks at AQ Interactive are doing an upgraded version of the DS-10 software synth for the game platform, now on the DSi. Palm Sounds gets the scoop.

New in this version:

• Twice the analog synths (4 of them, instead of 2)
• Twice the drum machines (8 instead of 4)
• Twice the tracks (12 instead of 6)
• Expanded song mode: programmable track mute, realtime editing (that is, edit parameters inside the song mode

They’re also announcing distribution through retailers. The new features appear to be platform-specific — that is, all this doubling business appears to be thanks to the greater horsepower of the DSi. My guess – though this is unconfirmed – is that if you can get this for the pre-DSi DS, you won’t be able to switch to the “Dual Mode.” The other slight disappointment is that it doesn’t sound as though online features or collaborative features have been enhanced. On the other hand, AQ is promising that they’ll be in brick-and-mortar retailers, not the online-only distribution they had on the original. I’m hopeful that may also mean distribution outside the US — either for an online DSi purchase, perhaps, or for the cartridge. (The DSi still supports physical carts – hence the mention of retailers.)

The best part of all of this, though, is watching Nobuyoshi Sano – the composer/arranger behind Namco games like Ridge Racer and Tekken – do a Steve Jobs keynote impression.

Via Brandon at the best-game-blog Offworld, who notes that in US dollars this represents a $10 discount.

The Nintendo mobile is a solo instrument no more. Lovers of the Korg DS-10 cartridge for the Nintendo DS handheld are making their own ensembles. And one such trio is a selection of who’s who in Japanese game music.

The Korg DS Trio performed a celebrity concert after the Tokyo Game Show. GameSetWatch has an extensive interview with the three. Nobuyoshi Sano (composer, Ridge Racer series) and Yasunori Mitsuda (Chrono Cross and Chrono Trigger) are two familiar names, joined by Michio Okamiya of Final Fantasy hard rock cover band The Black Mages. All three had input into the creation of the DS-10; two connected over drinks. (That’s one of my favorite places to have product meetings, coincidentally.) As a trio, they have the unique opportunity to cover their own music.

It’s interesting me, this aesthetic interest in miniaturizing and making the DS into this sort of musical device. It’s an interest that has been particularly strong traditionally in Japan, it seems. They have a lot to say about DS-10 and game music:

GameSetInterview: Korg DS Trio Talk App Creation, EXTRA Concert

Of course, part of the vision of DS-10 was to create a democratic tool for music creation, not just a toy for some of Japan’s leading game composers. (Hey, they do need to unwind, too!)

ThisIsNot shares his own DS-10 jam, this one a four-way jam in Melbourne, above. (Thanks for sending us the tip! You may have seen the jam blogged elsewhere, but I think some of the sites missed the video, which gives you some idea what they were up to.) He writes:

I was invited by Jed to join a korg ds-10 jam at More Bass recently as part of 13 years of IF records
there was Jed, Enclave, one others and myself playing. We didn’t sync the DS’s over wi-fi or anything and had no pre planned approach , so this was purely improvisation and jamming along.

4 way nintendo ds jam with korg ds-10 [Acid Box Blues]

Audio:

Lastly, our friends over at Boing Boing’s Offworld gaming blog have been all about the DS-10 lately. Receptors, aka 8-bit Operators curator Jeremy Colosine, has an exclusively DS-10 album. (Okay, the novelty is wearing off a bit after the all-Tenori-On and all-Kaossilator album and whatnot, but if it’s musically satisfying for the maker and the music’s good, I’m game!) It’s free for download from last.fm, so the music-per-dollar equation is off the charts.

If you haven’t yet seen it, you should definitely check out the DS-10-as-talkbox video demo, but the man who created it – Jetdaisuke – now puts together everything mobile we’ve been talking about for the last six months and plays, all at once, Bloom (iPhone / iPod touch), Mokugyo (with Cat) (iPhone / iPod touch), ElektroPlankton (DS, by Tenori-On creator Toshio Iwai), and Korg DS-10 (DS), plus a Korg Kaossilator. Impressive, but it is missing a Game Boy running Nanoloop and LSDJ, a PSP running PSPSEQ and PSP Rhythm, a Palm, a Windows Mobile device, a Nokia, rjdj, LPDJ, a SIDstation – the battle is on.

For those of you who are sick of mobile music, watch this video and see how high your blood pressure can go!

In fact, now, with the Game Developer Conference coming up, I think we need a DS Boys’ Choir with one hundred of these things playing at once, like a swarm of so many digital bees. Anyone know a good party to crash?

Further evidence: a competition last week to make tracks with that DS-10 cartridge offered the legit cart as the grand prize.

Now, we could ignore the fact that piracy exists, but instead I bring this out in the open because so many people I talk to feel strongly about it. We want the ability to run homebrew software, and we likewise feel it’s vitally important to support developers in the traditional distribution by paying for the software they make.

So, the word has gone out from the mobile music and homebrew communities: if you appreciate the tool, pay for a legitimate copy of Korg’s DS-10. It’s really a unique moment in soft synths. It’s a real, commercial music tool for a game platform. It’s not a music game (Guitar Hero), or an oddball add-on in a game (the synth in Mario Paint), or a fascinating piece of sound art (ElectroPlankton), or homebrew software requiring hacking. As a result, it does have some constraints — you can’t export files made in the tool, you’re limited to preset spaces on the cartridge itself, and you can’t use things like wireless MIDI available in the homebrew community. For those reasons, I still heavily recommend the homebrew tools, and we’ll talk about that more.

But, having played with this for the last week on an early cart from Japan, I can say this: you’ll want it, if you own a DS, even alongside homebrew tools. Watch for the CDM video review by early next week. And apparently, the buzz is out there, because the preorder has already risen to #3 among music games on Amazon, which is pretty unbelievable. I’m tracking any affiliate revenue we make from Amazon, and will use it to specifically support DS coverage and tutorials on CDM.

Korg DS-10 @ Amazon.com

Previously: Nintendo to Block Homebrew Game Hardware; Leaked DS-10 ROM Inspires DS Music

The embarrassment of riches that is music software for the Nintendo DS continues to grow. Alongside the homebrew entries, DS developer AQ Interactive has the one officially-distributed DS soft synth, a loving emulation of vintage Korg goodness in DS form. We’ve gotten word that the DS-10 makes its public debut this Saturday in London, as part of the London International Music Show (LIMS):

"KORG DS-10 night in London"
Date: Saturday, 14th June, 2008
Time: 22:30-26:00
Location: LIFE, 2-4 Old Street London EC1V 9AA
tel: 020 7250 3737 (http://www.life-oldst.com/)
Admission is FREE!
———————————-
We will have fine entertainment at the event, featuring smooth vibes from cool DJs and a special appearance by the producer of the DS-10, sanodg.  He will not be at LIMS but will be only at our event, so do not miss this only chance to see his performance with the DS-10!
Come one, come all and shuffle on down, and please receive a free drink by letting the reception know that you’ve received this invitation at the door!

I’m supremely jealous (London gets to have all the fun these days), so if anyone would like to cover the event for CDM so the rest of the world can enjoy, please get in touch! No word yet on whether you can trade your free drink ticket for a “free DS-10 cartridge ticket.” Guessing not, unfortunately.

Still no more word on pricing/availability for the rest of us on the DS-10, but I expect this means we’ll be hearing more soon. When I hear from AQ, you’ll hear from me.