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Spatial Audio, Explained: How the 4DSOUND System Could Change How You Hear [Videos]

It was inspired by Nikolas Tesla’s radical ideas about energy in air – and site-specific opera. It breaks every notion you have of how to mix, how to set volume, and what “panning” or “stereo” means. It’s, specifically, the forest of metal columns filled with omni-directional speakers we’ve come to know as 4DSOUND. And it’s all coming to Amsterdam Dance Event in October in a big way. But what’s most important about 4DSOUND isn’t just this particular, not-inexpensive and specific installation. It’s the fact that once you start imagining sound as virtually projected into three-dimensional space, you probably won’t really …

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This is What High-End Audio Can Do Now: New Trio of Thunderbolt Boxes from MOTU

You’d be forgiven for missing it in the blur of press releases and trade show hand-outs – and, let’s face it, most musicians are too focused on music to pay much mind. But slowly, steadily, audio interfaces have been getting a lot better. Talk to the people who make them, and they can tell you what’s happened even in terms of individual components. Next, they’re about to get smarter and more networked. And so that means it is worth paying attention today as industry heavyweight MOTU unveils a trio of new audio interfaces, compatible with Thunderbolt 1 and 2 and …

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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Get a $250 Eventide Channel Strip, Free, for Any Platform

You know those infomercials that tell you to call now – though it makes absolutely no difference when you call? This is the opposite of that. Basically, you can buy a new 64-bit channel strip plug-in from Eventide for US$249. Or, act now, and it will cost … nothing. It’s free, through the 8th of July. I had to read this twice; I thought maybe it was an older version or an existing plug-in. It’s not. Their intro price is zero, and then it goes up to two hundred fifty bucks. And coming from Eventide, this is especially big news, …

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Watch BT Reveal Sound Design Tricks with Free, Geeky CDP – Then Learn it Yourself

From the mysterious underworld of 80s sound software, it’s a library of free sound transformation tools so cool you’ll happily head to the command line to run them – no real-time preview to be found. No, seriously. Even if the fanciest you get is changing a preset in Logic, you want to hear about this. Self-professed addict of sound geekery BT took to a packed room at New York’s Cielo to tell an assembled group of aspiring producers why they should embrace the Terminal. His video is a fantastic introduction to the tool. Dubbed Composers Desktop Project – after the …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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The Curious Digital Modular: Watch aleph bees in Action

aleph bees introduction from tehn on Vimeo. It’s like having a roomful of modulars inside a mysterious magic box. It’s like using Max/MSP with the control interface of an Etch-a-Sketch. It’s … okay, really hard to describe. But aleph bees is certainly unlike digital hardware we’ve seen before. Using just knobs and text, and silky-smooth sound features – everything runs fast and glitch-free, even hot-swapping hardware – aleph bees is a kind of experiment in computer minimalism. It’s as open-ended as a computer, but in ruggedly-simple hardware. It lets you program custom software with a few twists of your wrist …

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A Guitar Amp That Doubles as Home Speaker System: AMPLIFi, with Bluetooth and iOS Integration

Line 6 made a name for themselves by making amps that used digital models to change their sound. AMPLIFi is their latest notion in amps. Instead of just being something guitarists would use in the studio and stage, for the first time it’s an amp system you might want to bring into the home. AMPLIFi is an amp, first and foremost. And like other Line 6 products, it uses digital models to change tones and effects. But while it can be loud like a traditional guitar amp (in 75- or 150-Watt versions), inside is a full-spectrum, five-speaker system. That means …

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Record a Mic, Guitar with UA’s Apollo Twin, and Model Analog Like Never Before [Thunderbolt, $699]

Universal Audio’s new Apollo Twin (in SOLO and DUO variants, starting at US$699) gives you quite a lot of value on a single Thunderbolt connection to your Mac. It’s shipping now. It’s an audio interface, with connections for line, mic, or instruments. It’s a real-time DSP processor, adding the ability to run UA’s suite of (mostly analog-modeling) sound processing goodies. (SOLO/DUO refers to how much DSP muscle you get.) And it’s a bundle of UA models of analog hardware, including a rather nice pair of limiters, an EQ, amp models, and tube preamps. If you think they’re hoping guitarists and …

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Multitude is an Insanely-Controllable Quad Delay for Rhythmic Excellence [Mac]

The problem with most delays is that they’re a bit like dumping water on your whole project, rather than a precise shade of watercolor. They delay everything at once. So, then there are multi-tap delays, and more precise delays. And then there’s Multitude, a kind of delay studio that allows you to produce rhythmic delay effects with pinpoint accuracy, producing elaborate patterns via a gorgeous, clear interface. You can delay as little as a single note, routing through shifters and filters and LFOs. It’s the sort of plug-in you could use to build entire songs. You may not know Sinevibes, …

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