Deckadance 2 Hits Beta; FL’s DJ Cousin is Packed With FX and Envelopes, VST Support

What would happen if Traktor DJ and a KAOSS Pad had a love child, who went to school at Ableton and came home full of automation envelopes and triggers? Well, maybe something like this. Certainly, the results would be a DJ tool the likes of which only FL “Fruity Loops” Studio maker Image Line would dream up, in a demo video only they would make. It’s beta 2 of Deckadance, the underdog Mac/Windows DJ app that’s surprisingly full of functionality. And while this isn’t the first DJ software to do sampling and effects, those features are now tied to some …

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Crisp Beats from Iceland’s Magnoose, Free to Download, with Videos

Is anyone in Iceland not a musician/producer? Given the island nation has an absurdly-tiny population, there must be some explanation that so much music pours out. Well, we’re going back there again. This weekend’s selection is the lovely music of Magnoose, aka Magnus Skarp of Reykjavik. This little-known producer is putting out some really fine-quality music, in the form of clean, chilly-cool grooves. He labels these “dubstep,” and the tilt is there. But while there are some broken beat influences, the overwhelming impression is of pristine, perfectly-designed percussion, crystal-clear in the uncluttered foreground. Given the tendency of many emerging producers …

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Modulation-o-rama: Rack Extension Tutorial with FXpansion Etch Might Make Knees Wobbly

Over the summer, a slew of new Rack Extensions has opened Reason’s modular, patchable rack to a variety of developers. I have to admit, I’ve been astounded by the quantity and variety, given this is just one host – it seems there was pent-up demand for Reason modules, and that Propellerhead made things developer-friendly. FXpansion do wonderful work, have some of the best synth modeling tools on the market, and I say really entirely too little about them. Now, the guts from their DCAM suite are available in a Rack Extension called Etch, a modeled filter with loads of modulation. …

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Interface an Arduino with Ableton: Light-Controlled Dubstep Wobble Bass

Over the years, we’ve seen all kinds of far-out interfaces for music. But where do you begin if you want to just get started? Interfacing a simple sensor with your music software is a decent place to begin. Nick Latocha, aka myredhotcar, uses Max/MSP to connect Ableton to the output of a photodetector (a resistive sensor that is sensitive to changes in light). Yes, in this example, the result isn’t so different from turning a knob, but that’s the point: starting with something basic like this is the best way to learn. The result: move your hand around, and change …

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Music Performance as Real-Time Special Effect: Kinect Jamming Gets More Futuristic

The V Motion Project from Assembly on Vimeo. It’s all real – in a manner of speaking. And it’s all real-time. But just what is a live performance made with cameras, gestures, and projection? It’s worth watching The V Motion Project and pondering those possibilities, amidst the flashy visual eye candy. It’s certainly optically impressive. It’s music made to be watched (and, in the video, filmed with iPhones and whatnot). Watch a second time, and you wonder: as we reach a new peak of maturity, decades into alternative interface design, what will come next? To say that this is a …

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Cartoon: Children, Exposed to Dubstep Class

Too much comment here will spoil the fun, so enjoy – particularly with Dubstep how-to videos becoming, bizarrely, some of the most viral things online. (Hmmm… it’s almost like kids are interested in producing a wildly-popular music genre. Strange. But I hope you’ll stick around for CDM’s new Csound Drones That Hurt Your Ears series, comi– hey, where did everyone go?) I at least can see lovers and haters of the genre now known as “dubstep” (not to be confused with the previous genre known as dubstep) finding this amusing. But should I turn off comments, just in case? Thanks …

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kinectarui

From Beautiful Ambient Modern Dance to Dubstep, Gestures to Music in Kinect (Download the Tool)

It started as some compelling demos or proof of concept, but it’s plenty real now: the tools for translating movement, gesture, and dance from the body to interactive music march forward. Empowered by Microsoft’s Kinect and an artist-friendly toolchain, even a single, clever developer can do a lot. Sound designer, music producer, and Max/MSP developer Chris Vik of Melbourne has been one of those busy early pioneers, with an incredible tool called Kinectar. So, the tech is cool and shiny and impressive: what about the actual music? And, even more importantly, what if all the hand waving and moving about …

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Accepting Grammy Awards, Skrillex Acknowledges Dance Roots, EDM Community

The Grammy Awards faced controversy long before this year’s ceremony; more than 30 categories faced the axe. With music outside Billboard lists already facing marginalization, the changes angered many artists by combining genders and averaging together genres. More fundamentally, artists can easily argue that the awards lack direct relevance to music they value, and look instead to validation from other sources. But watching the acceptance speeches by Skrillex, you see an impression not so much of how the Grammy Awards view Electronic Dance Music as how Skrillex views the EDM community. Winning three awards – Best Dance Recording, Best Electronic/Dance …

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3D Modular Sound Gets Real: Stunning AudioGL Demos, Crowd Funding, Beta Coming to You Soon

Electronic music making has had several major epochs. There was the rise of the hardware synth, first with modular patch cords and later streamlined into encapsulated controls, in the form of knobs and switches. There was the digital synth, in code and graphical patches. And there was the two-dimensional user interface. We may be on the cusp of a new age: the three-dimensional paradigm for music making. AudioGL, a spectacularly-ambitious project by Toronto-based engineer and musician Jonathan Heppner, is one step closer to reality. Three years in the making, the tool is already surprisingly mature. And a crowd-sourced funding campaign …

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Bassnectar on Beat Structure, EDM, and Dubstep, Illustrated: Hearing Rhythm

How do you hear? What do you hear? Coming to agreement about something rooted in perception is by definition a doomed exercise. But that means the best thing to do is not so much to agree as to talk about the music – about what you hear – and not just the labels. Amidst glib online comments and the micro-fragmentation of genre, it’s hard to get anyone to give you a straight answer about just what’s going on in electronic dance music. That’s ironic – because, at its essence, it’s pretty straightforward. The situation has gotten worse: as “dubstep,” the …

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