We’ve passed from Record Store Day to Earth Day – and here’s the perfect segue. Having ventured into the woods to find a music release, now we can hear trees transformed, by way of sampling, into catchy rhythms. Our friend Diego Stocco, that evergreen source of creative timbres, now makes everything from trees to beans into sounds that are subtle and complex, full of personality and uniquely tied to their origin materials. There’s no real violence done to nature, either; you can make all of these noises with little more force than a small thundershower.

Remarkably, the video – shot as a promotional for Burt’s Bees – is all real-time. After-the-fact sampling manipulation is itself a fun activity, but there’s none of that business here; this is all improvisation, not editing or effects.

And that brings us to the real message of what Diego Stocco can do. Microphones matter, yes, but the real expertise here is not mic technique; it’s listening. Diego comes up with this great material because he’s had a lot of practice listening to the world around him. As the skill of his listening improves, so do his sounds, as though the planet unfolds new possibilities. (In fact, even the question of technical experience also comes down to the same idea: you’ll get better at mic selection and placement with more experimentation and listening closely to the results.)

Other examples he’s released in the past months drive that point home. In “Improv on a Plate,” the composer and sound designer plays a plate as though it’s an instrument.

I was about to cut a chocolate cake and when I moved the plate on the countertop I noticed a very interesting sound.
One side of the plate was free to vibrate because the tiles were not perfectly even, so by applying pressure with one finger and tapping it with another I was able to create some tonal beats.
I hope you’ll enjoy it!
The recording setup was very simple, Røde NT5, Apogee ONE, Pro Tools 9.

At a recent workshop at Berklee, Diego gave this advice to students explicitly: listen. (The suggestion comes across in a way that to me resonates with the teachings of Zen Buddhism – and, indeed, the teachings of just about all teachers in all disciplines. Observation is essential.)

He illustrated that point with a case study: a taxicab with a funny trunk can be the beginnings of a piece of music.

One of the things that I talked about during my sound design lecture at Berklee http://bit.ly/y89Wtr was to listen to the world around you all the time.

There are many reasons, there could be something interesting happening from a sonic standpoint, you could enrich your sound vocabulary by building references, and most of the time you can create something useful out of that recorded material.

On my way back home, I took a cab from the airport, and I noticed that there was a strange chirping noise coming from the trunk. Of course, I recorded it right away : )
I took that sound, did some work on it and created this short sound designed piece.
You’ll hear the dry sound first, and then the sound designed version, enjoy!

I can think of no better way to celebrate Earth Day than with that reflection: listening to your environment, “organic” and man-made, and the world all around you will help you discover possibilities you’ve missed. That’s not just sound design: it’s a way of (better) life. Happy Earth Day; hope you’ve all had a good weekend.

http://diegostocco.com/

For more hot mic-on-tree action this Earth Day, here’s the 2009 video Music from a Tree:

How nerdster-chic is this: a global convergence of the exploration of space exploration, ecological savvy, technological innovation, and musical-motional performance, in honor of Russian Cosmonaut Yuri Gagarin launching the first-ever human flight into space? Described as “Cinco de Mayo” for space, Yuri’s Night is a 35-nation cosmorave. It was big last year. It’s going to be much bigger this year.

What’s all this space stuff got to do with music and motion? Everything: music and visual performance are a big part of this party, as Sun Ra-loving, space-inspired, Space Age technologist artists push creative tech. (Amon Tobin is headlining, Will Wright is keynote speaker.) Winter Music what? I want my space fiesta.

Attention, Cosmonauts

CDM is involved, and you can be, too, wherever you are in the world:

California, here we come: If you’re anywhere near greater San Francisco, you’re going to want to clear your calendar on April 12 for Yuri’s Night Bay Area at NASA Ames Research Center. It’s the main party, right in NASA’s Earth-bound back yard. There’s a massive musical lineup and various live visuals and interactive installations, plus space geekery galore, and Will Wright (he wowed NASA’s real-life space scientists with his procedural virtual cosmos in his upcoming game Spore). Buy those tickets while they’re still available.

We need help, Californians! Photographers and videographers, we can use your help covering the event. Like much of this event, it’s volunteer-only, but if you send me a link to some of your past work, I can help secure an official press pass for CDM; if you’re a pro, I’m happy to help promote your work. Drop me a line. I can’t get press passes for everybody, so definitely send some samples — and everyone else, we’ll have a group on Vimeo and Flickr.

Online coverage: Stay tuned to CDM for the latest on how visual and sonic technology and artists are connecting to outer space. We’ve got a new, dedicated site in collaboration with the folks running the flagship Yuri’s Night Bay Area — yuricdm.com — so we can talk to the artists and cover all the projects.

In your part of the world: Wherever you are, you can launch your own Yuri’s Night party. Host a party and register it with the global network (see how to party info). It’s a bit late, theoretically, but we’ve thrown together some cool CDM events in short order and we’ll help you promote your event here on CDM. Judging by Google Analytics, I know we have a lot of CDM readers in London, Sydney, Paris, Chicago, Berlin, Melbourne, and Seattle. (No, really — in that order. Go figure. Moscow’s there, too — #42, getting beat by Atlanta, Georgia, so I think we need some Cosmonauts getting involved.)

Hello, Ames Research Center!

Yuri’s Night will be happening worldwide, but the lineup for the Bay Area flagship event is looking terrific. Amon Tobin joins Tipper, John Tejada, Lusine, Scuba, Digitonal vs. Posthuman, [a]pendics.shuffle, Deru, Tycho, Mr. Projectile, Dr. Toast and our friend Ganucheau — and that’s just electronics. Live vocal/instrumental music includes Freezepop (as made infamous by various Harmonix games), avant-garde cello and guitar, and the 17-member marching Gamelan X, among others. Game maker Will Wright joins NASA astrobiologist Jonathan Green and eco-friendly scientists.

We’ll be posting updates to the lineup at yuricdm.com — you’ll hear about it there before anywhere else. Check out the lineup so far, but I know of some interesting installation and art pieces that aren’t there yet.