berlin-atonal-2014-high-res-©-camille-blake-94

Returning the festival to a place for the specific and the new, at Atonal

Electronic music, even at its most adventurous, has a bit of a chicken and egg problem at the moment. Festivals feed off of other festivals. Projects are made to be as portable as possible, touring from one place to another. Venues, crowds, and even the festival programs themselves are made to be as interchangeable as possible. None of these things on its own is a bad thing; music touring as an institution has likely been around as long as musicians have owned shoes. But at some point, you need something new to happen. You need someone to do something specific …

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redpigflower

female pressure’s techno compilation is heavy, required listening

This is a compilation of female artists, but that’s not – at first – why it’s worth mentioning. I would write about this particular compilation anyway. It’s dark; it’s heavy. It’s full of names you probably don’t know but should. The compilation is out now on Bandcamp from Barcelona’s inventive and adventurous label Different is Different Records. If techno isn’t your thing, skip straight to Electric Indigo’s crackling granular universe, “109.47 b.” Susanne Kirchmyer is a master of turning granular instruments into rich ambient landscapes of sonic color and shape, and this is eight and a half minutes of that. …

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thisismyjam

The music Web is now so closed, you can’t share your favorite song

Jam Supercut from Matthew Ogle on Vimeo. Call it a jam session that has completely fallen apart. Having Web services go dark is certainly not news in this day and age. We’ve come to expect that Internet services won’t be there forever. (Google Reader, anyone?) But if you pull apart some of the backstory behind the end of a service called “This Is My Jam,” you’ll come across an unnerving reality of the way music on the Web is evolving (or devolving). This Is My Jam began life as a kind of hack – pick your one and only favorite …

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ebony

Pop, glam, death, and definitely not techno: Pop-Kultur Round-up

The problem with festivals isn’t that we’re lacking for choice. But in the fast food court of summer festivities, the offerings tend to be arrayed in hard-edged silos. Here’s the dance music one, and it’ll be a rave. Here’s the rock one, and it’s just going to be about guitars. Here’s the experimental one, and everything is likely to be a big long drone in some cavernous distorted reverb. This one is only for J.S. Bach. And so on… Pop-Kultur’s name alone implies a different frame around music. It’s experimental, but it’s also pop. It’s death metal, glam rock, pogo. …

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refaceback

Web MIDI and More Surprises You Didn’t Expect From Yamaha’s Reface

Yamaha’s Reface synth line are out now, with full details. You can dig through the site rather than have to do it here – but let’s look at what you might find surprising. It has Web MIDI, not just MIDI. Yamaha promises the line will connect to Google Chrome via Web MIDI. Now, theoretically, that’s possible in the latest Chrome builds with any MIDI keyboard, not just the Yamaha. But it suggests that Yamaha are atypically embracing bleeding edge tech (previously seen only at hackdays and such) and making it a standard feature. And there’s more: “Soundmondo is a free …

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reface_cs

Hands-on Video of the Yamaha Reface Series

Extensive videos emerge to give you a hands-on look at Yamaha’s new electric piano / synth / organ keyboard line. They put some of the company’s favorite instruments at your fingertips in an uncommonly compact package. Our take:

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iphone_happn

You Can’t Game Spotify, But You Can Up Your Dating Game

As the transformation of music heats up, the discussions are heating up, too. Case in point: yesterday’s report on Eternify certainly earned some angry responses. I was of the opinion that Eternify was a decent gimmick – a way of showing just how small fees from streamed music are. Imagine if the music you bought only got a fraction of a cent to the artist each time you played it. I don’t think there’s practically an album in my collection I’ve listened to enough times that streaming fees would add up to purchase fees. Now, does that mean that Spotify …

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Eternify is the Best Response Yet to Streaming Conundrum

What initially seemed to be a conversation about streaming revenues for artists more or less this week became a conversation … about Taylor Swift. But it’s the debate behind Apple Music that is somewhat puzzling. Taylor Swift wasn’t the only one focusing concerns on Apple Music’s quarterly free trial. Labels were fixated on the same worry. The reason this is odd is that it ignores the fact that even when users pay for a subscription, rates are woefully inadequate. Music Business Worldwide reported a study from France that confirms what many had suspected. Majors get a whole lot of the …

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horner

Watch James Horner Play Piano, Talk Overnight ‘Aliens’ Climax

On a very personal note, I’m saddened this week to learn of the news of the death of the great film composer James Horner. See him talk about his approach to scoring Field of Dreams at top for some of his approach. Best of all, you get to see him at the piano. When I was a kid, Horner was one of the people who inspired me to investigate composition. I was entranced with the sweeping romanticism of the Star Trek II score that was his big break – an aching, yearning, but dreamy vision of the future, filled with …

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itunesconnect

Here’s How To Get Yourself on Apple Music – Even Unsigned

Okay, so you’re not Trent Reznor or Drake, but you do make music. Will you be able to get your music on Apple’s streaming service? And what about these artist pages for connecting with fans? Answer: yes to both, if you like. Apple today gave a lot of lip service to independent producers and “bedroom” music makers – even going as far as showing the latter in their video. (He had a vintage M-Audio Trigger Finger Pro and a new IK Multimedia iRig Pads, no less.) It seems there are specific plans, too, posted for the moment on a page …

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