acidpro7screenshot

Sony have sold ACID, Sound Forge, more to MAGIX

It’s the end of an era – but maybe not such a golden era. Once upon a time, ACID and Sound Forge were each industry-leading software tools, originally developed by Sonic Foundry. Now, languishing alongside their stablemate, video editor Vegas, they’re seeing ownership pass from Sony (via its creative software division) to German software house and holding company MAGIX.

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Novation’s LaunchControl XL Has the Faders and Knobs You Need for Ableton, MIDI [Obsessive Review]

Sometimes, you just want to grab a fader. Maybe it’s not about elaborate custom parameter assignment, or clip launching, or playing an in-tune Phrygian scale on a colored, light-up grid as you solo on a bowed marimba sample. You know, you just want to fade a track. There are surprisingly few controllers out there tailored to this application. So, that makes the new LaunchControl XL from Novation a potential stand-out. It’s just faders and pots: 8 faders, with three knobs each. Each column also gets two triggers; these are switchable when used with Ableton Live to control mute, solo, and …

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auxy3

Auxy Is The Best Piano Roll Editor for iPad Yet – And Not Much Else – By Design [Free]

It’s been asked over and over again: can a simpler software tool attract more people to music making? But the next question is, invariably – what’s the right stuff to leave out? Auxy, released today, is an extreme exercise in app minimalism. It radically reduces what’s in the UI by focusing on making and cueing patterns — and leaving out the rest. It’s also free. Built exclusively for iPad, Auxy centers on a grid as its main screen. You’ve got four tracks in which you can create, edit, then trigger different patterns. Tap on one rectangle, and you draw in …

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modemachinessid

Chip Grooves: SID 8-bit Hardware Groovebox Preview, Works with iPad Editor [Videos]

German maker Mode Machines has been busy in the cloning laboratory. The latest hardware melds the classic chip sounds of the SID chip with an x0x sequencer a la the Roland TB-303. That surely qualifies as the synth nerd equivalent of combining chocolate and peanut butter.

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amadeus_editor

BIAS, Makers of Peak, Cease Operations; Mac Audio Editor Alternatives

Remember me? Peak in its last release had a cleaner look, but I imagine something like this is what popped to mind when you heard Peak. Photo (CC-BY) Chas Redmond. Peak is dead; long live Peak. Small music tool makers don’t always last forever, the victim of any number of circumstances that can cause them to fold. There do seem to be a lot of casualties of favorite Mac waveform editors over the years, however. To that group, you can add perhaps the most famous and long-lasting Mac audio editor of them all: BIAS’ Peak. BIAS’ site now redirects to …

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Spectral Layers Audio Editor Focuses on Editing Sound Visually, a la Photoshop

Can editing sounds be as easy as editing pixels in a tool like Photoshop? That’s the question asked yet again by an audio editor, in the announcement of a new tool called Spectral Layers, seen in a new teaser. Visualizing sound is not a simple problem, but you can do worse than the spectral view. Mapping frequency over time rather than just amplitude, the graphic spectrum illuminates components of a sound as we hear it, showing sonic energy of different frequencies in brightness and color. And audio editors have routinely made use of these views, whether as displays in various …

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directemx

Computer, Meet Groovebox: A VST Editor for Korg Electribe

Hardware workflows can be musically productive and rock-solid reliable. But why choose between hardware and software? Combine them. DirectEMX is a VST Editor for a Korg Electribe MX. Now, why would you want to drag a mouse around when you have physical knobs? DirectEMX has a number of answers to that. You can copy and paste patterns and parts. You can dump content from the groovebox for backup or fine-tuning. You can record and automate every parameter from inside your VST host of choice, for tightly-controlled sequences. And you do all of this without lots of mucking about with MIDI …

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Adobe’s Soundbooth CS4, the Audio Editor Giveaway in Creative Suite

Speaking of audio editors for the Mac, Adobe has its own wave-editing tool for Mac and Windows. Soundbooth is different from other entries in the field, in that its aim is really to woo a wide audience and not just those of us who work with sound regularly. Got a Flash project and need to make some quick sound effect adjustments? Making a swooshing noise for After Effects? Transcribing notes from a workshop session? Soundbooth CS4 is aimed at you. Now, you can buy Soundbooth on its own for US$199 list, though I expect almost no one would. (For one …

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Reviewed: Peak Pro, Audio Editor and Sound Bundle for the Mac

All you really need to know, sound design lovers: cross-synthesis. “Peak” is a long-standing name in audio editing on the Mac. I recently got to review its latest iteration, Peak Pro 6, for Macworld and Macworld.com. Macworld Review: Peak Pro 6 Sample editor and audio suite tweaked for pros, sound designers, and podcasters I still believe audio editors are valuable tools, especially for anyone who spends a significant amount of their time on sound design – whether that’s sound effects or building the perfect drum kit. Peak is an unusual tool, in a way, in that it remains a stereo …

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Snapper, Time-Saving Audio Tool for Mac Finder, Now Shipping

A year ago, Mac music and audio producers were abuzz about a preview of what was then called Soundabout. The idea was to have a powerful audio tool that was always within easy reach in the Mac Finder, for not only previewing audio files, but converting and even editing. Developer AudioEase has finished that tool. It’s now called Snapper instead of Soundabout, but all the features are there: Preview with space bar, just like Apple’s QuickLook, but with more control Immediately see a Snapper interface with waveform preview when you click a file in Finder Drag-and-drop conversions to other file …

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