A year ago, Mac music and audio producers were abuzz about a preview of what was then called Soundabout. The idea was to have a powerful audio tool that was always within easy reach in the Mac Finder, for not only previewing audio files, but converting and even editing. Developer AudioEase has finished that tool. It’s now called Snapper instead of Soundabout, but all the features are there:

• Preview with space bar, just like Apple’s QuickLook, but with more control
• Immediately see a Snapper interface with waveform preview when you click a file in Finder
• Drag-and-drop conversions to other file formats or your Pro Tools session (50 file formats, including surround and album covers)
• Integrated with Finder, iTunes, and Pro Tools
• Requires 10.4 Tiger or later (no need for Leopard); Pro Tools 6 for PT integration

Sounds great to me, but if you’re not convinced, there’s a massive 100-day demo.

Snapper by AudioEase

Windows users, I have to say, not sure the PC has anything to match this, though feel free to let me know if you’ve got a favorite. In fact, the Mac has not only this app, but AudioFinder, too, which has been maturing since the original Snapper/Soundabout release. AudioFinder also has an integrated waveform editor and a few additional sample editing and management features Snapper lacks. With those two choices, you should find something for juggling samples and audio assets — could be huge for remixers, sample lovers, and game developers, I imagine.

Let us know how you’re using these — or other — tools.

Thanks to TheLoneRoger for the tip!

XO Wave is a basic multi-track audio tool with multi-channel recording and mixing, video support, plug-in support (in the Pro version) and built in DSP, double-precision math, and non-destructive editing. It looks like it could be a strong choice for basic multichannel tasks. And it has some less-common features, like automatic softening to remove clicks/pops at edit points, and versioning so you can go back to earlier versions of files. A very capable version is available free, and a “Pro” version is just US$95 (though that admittedly puts it in slightly more competitive waters).

Interestingly, this is also one of the rare cases of a Java-based audio app. (The app is Java-based, at least; the developer notes that audio processing is not done in Java.) The 1.0 final release is compatible with Mac OS X Leopard, with two caveats: one, 10.5’s new security privileges cause it to gripe the first time you run it about security (as it would with any app), and two, dock/switcher icons appear twice. (Java support on 10.5 has a couple of hiccups; at least they’re non-critical annoyances; the icon issue is apparently a Leopard problem, not Java per se.)

1.0 has also arrived on Linux; in that version the software is free (though closed-source, despite the name, with full JACK support). (Hey, how about a JACK-aware Mac version, too?)

XO Wave downloads; comparison of Linux, free, and Pro versions

If you’ve been on the search for a simple, straightforward audio editor for Mac and Windows, Adobe has officially thrown its hat into the ring with Soundbooth CS3.

Soundbooth Now Shipping [Hart's Audition, from the Adobe audio product chief]
New Soundbooth User-to-User Forum

Of course, to the rest of the world, the big news is that Adobe’s full Production Premium and Master Collection suites are shipping. But Soundbooth is one program that could make sense to buy alone, as a basic audio editor. It sets itself apart both by being cross-platform and by being geared for beginners and people wanting a simple, streamlined tool. And the killer feature: there’s a lasso tool you can use directly on the audio spectrum. I’ve been using that to isolate sounds in field recordings that would otherwise be impossible to grab.

I hope to have an in-depth look at the finished tool soon, so no conclusions about the shipping software yet, but in the meantime, see our preview from the beta.

The $75 app energyXT2 starts out sounding similar to other music apps — but after a long list of twists, seems anything but. It’s a DAW. It’s a sequencer. It’s an audio multitracker. (Okay, not so interesting so far …) It’s a synth. It’s a sampler. It’s a drum machine. It’s a looper. It runs as a host. It runs in a plug-in. Now it runs on Linux — making it perhaps the first significant music creation app to do a commercial, out-of-box release for the penguin. It’s got a modular engine underneath.

And now there’s a big release coming soon. Before we get a chance to spend some time on it, here’s a preview of why it’s on the radar screen.

Release date: June 15. (See the discussion thread on KVR.)

energyXT2 is in beta now, the first big release in three years. In features and interface design, it appears to borrow more than a little from Ableton Live — but, then again, since energyXT2 runs as a plug-in, I’m sure someone is working out some wild performance setup where they use both simultaneously. It also takes some design cues, as near as I can tell, from Cakewalk. But the combination of features here in unique, it’s affordable enough to be an impulse buy, and we’ve heard from several users that you’re very excited about it.

Is there room for yet another music production tool? EnergyXT already has a loyal following, and with music creation as personal and dynamic a process as it is, I think the answer can always be yes.

New in energyXT2:

• Completely re-worked interface and structure
• Higher-quality time- and pitch-shifting algorithms
• Support for MIDI, audio, and dedicated “drum” loops, including a specialized “drum-machine track”
• Clip-based automation
• New mixer, phase modulation synthesizer, and multi-FX processor built in
• Controller maps
• Out-of-box Linux support — yep, that’s right, from a commercial application.

Contained in the Apple Final Cut Studio 2 announcement is a new version of Apple’s video-savvy sound editor, Soundtrack Pro. Unfortunately, Apple still hasn’t restored the a la carte, Soundtrack-only purchase option — you have to get Final Cut Studio to get Soundtrack Pro 2. But the new release does build on some of the unique interface ideas of the first version, while adding the key capabilities the first version lacked — namely, usefulness for actually creating soundtracks. And look closely at these screen shots, and you just might see something of the next Logic. (Yeah, I know, you wanted solid information, but it wouldn’t have made sense to talk about a music product like Logic at a broadcast production show like NAB, where Final Cut Studio 2 was launched. When Apple’s ready, I’m sure we’ll hear from them.)

The big news here: Apple is certainly making an effort to push how we edit, in terms of spotting for video and interfaces for surround and effects. We’ll have to see if they pulled it off, and if these paradigms can effectively “trickle up” to their flagship DAW — and whether other developers can push even further in the same direction.

New in 2:

Two long-time favorite audio editors have gotten big updates recently. BIAS updated the Mac-only Peak Pro at the Messe show with an upgraded UI, ducking, mastering and playlist tools. And yesterday, Sony announced Sound Forge 9, with multichannel features, new mastering effects, and other features. That was quick: Sound Forge 8 and Peak Pro 5 only recently came out. Here are the quick highlights:

Adobe’s new audio application, compatible with Intel Macs and Windows PCs, has been formally announced today. CDM was one of the first sites to look in-depth at Soundbooth CS3 back in the fall, and we broke the story that the software would be available as a standalone. Now we have a little bit more in the way of details: Soundbooth will ship in “third quarter” or “summer” (depending on which language you read), and it’ll ship with the CS3 Production Suite. I’m a little disappointed that Adobe chose not to ship it as part of the Design suite, since part of the product’s vision was to help people using tools like Flash get into audio, but then again, I think Adobe retained something to “upsell” to.

The good news is, you’ll be able to buy Soundbooth standalone for US$199. And that sets Adobe apart from Apple’s Soundtrack Pro, which requires you buy Final Cut Studio.

Interestingly, this leaves Audition Pro as exclusively a standalone app. Adobe has promised it isn’t abandoning Audition, though. I think this makes some sense: Audition is really geared at the audio production market. The people who are experts in Photoshop, Flash, After Effects, and so on are more likely to want a streamlined tool like Soundbooth, and hire someone else to do audio production. Well, unless they’re one of the multi-disciplinary creatives who read this site, of course, in which case they may go all-out.

Adobe has put together a product comparison with Audition. It basically breaks down to this:

For those with hard drives stuffed full with samples, soundware, audio clips, field recordings, and whatnot, the Mac-only AudioFinder has long been a gem. But Mac users are likely all addicted to the preview pane in Finder. What if an application could fully integrate audio extras with the file system?

Audio Ease showed off just such a solution at NAMM in the form of something called Soundabout. That was just a basic demo, though: no one but the developers got their hands on the builds. Now the reigning champion AudioFinder has added Finder integration into a new beta:

Beta 2 is here! [Iced Audio AudioFinder Forums]

I’m not sure how these two apps hit with essentially the same feature at once; I’ll leave that for the developers to say. But AudioFinder’s massive feature list could mean it’s the app to beat. AudioFinder’s various tricks are too numerous to list, but some quick items include:

Adobe product manager Hart Shafer confirms on his blog that Soundbooth, Adobe’s new audio editor, will ship both as part of Creative Suite 3 and as a standalone product. Apparently I’m not the only one who wanted to see a standalone version:

Soundbooth Beta 2 Article

Given that Audition is already bundled in the Windows video production suites, maybe this means Mac bundle customers and lower-end customers will also see the app as an included product, which would be nice. We’ll know soon enough.

Equally interesting is the reaction Soundbooth is already generating. Apparently me comparing an audio editor to Photoshop pricked up some ears:

Adobe Soundbooth Beta 2: Now Easier, More Photoshop-y [digg]

And, of course, digg’s trolls immediately took to the comments. One good idea out of the discussion: OGG export, which has a lot of appeal to me and wouldn’t even require a license fee for Adobe. Mac users are still understandably upset that there’s no PowerPC version, but given the availability of Sound Studio and Peak LE, and the Intel-specific optimizations in the Intel-native Soundbooth, this argument seems like a waste of time.

Are Graphics Tools Intuitive?

More interesting, though, a lot of readers were upset that I called Photoshop intuitive. Personally, I think the basic lasso editing tool and graphical painting metaphors are quite intuitive, and I think a spectral view is one of the best ways to visualize sound. These metaphors have become so familiar to computer users, in fact, that we forget they weren’t the creation of Adobe Photoshop at all. The lasso tool, and most other paint tools that are now as second-nature to us as windowed interfaces, are the invention of Bill Atkinson, while developing MacPaint for the original Mac (pictured at right, courtesy folklore.org):

Can sound editing be as intuitive as graphics editing in Photoshop? That’s the question Soundbooth, the new Adobe sound app, poses.

I’ll give Adobe this: they know their audience. First, they woo audio fans with this sweet-sounding phrase: “A brand new audio application in the spirit of Sound Edit 16 and Cool Edit 2000.” Then, they throw in some tools from Photoshop, just to make sure everyone feels at home.

The good news is, Soundbooth betas show a lot of promise: it could well become the simple audio editor “for the rest of us”. Not everyone needs the full feature set of tools like Audition on Windows or Peak Pro on the Mac (and Soundtrack Pro, before Apple annoyingly decided to give it only to Final Cut buyers). As we saw in my preview of the first beta, Audition offers a really elegant way to edit, taking some of the best of all these programs and packaging them in a single, streamlined tool. This is still a beta, so it’s too soon to say for sure how well the finished product will work — and readers immediately pointed to some missing functionality they wanted to see. But it’s already great fun to play with, and getting more so fast.

Today, Adobe launched beta 2, with some nice new extras. Hart’s Audition, the blog of Adobe audio product manager Hart Shafer, has the full list of additions: