apollostudio

Universal Audio’s Latest Audio Hardware, Software Comes of Age Nicely

For me, Apollo is what changed the value equation and appeal of Universal Audio. Suddenly, we weren’t talking about buying hardware just to run some nice effects – which, good as those effects were, limited the audience for the UAD. With Apollo, the hardware splurge made sense. It was simply one of the better audio interfaces you could buy for production work, even before instantiating a single plug-in. And then you could add the UAD plug-ins. For anyone who said that they weren’t interested in running effects on dedicated DSP hardware, the Apollo is an answer. Fine. Here’s a reason …

READ MORE →
Photo (CC-BY) Gastón Gaiduk.

Behringer Just Bought TC, TC Helicon, Tannoy

The music and sound industry is increasingly about big-league consolidation. InMusic – the company behind Akai and M-Audio – is growing. Long-standing Japanese titan Yamaha has snapped up Line6. Gibson now includes everything from Tascam to the website Harmony Central to consumer gear branded Philips. (And yes, throw out whatever you think you know about Gibson from the 90s – this has nothing to do with that.) Now, count the giant MUSIC Group – the parent of Behringer, with Uli Behringer as its chief – among the big sharks on the acquisition market. MUSIC Group announced today it has acquired …

READ MORE →
marshall

Marshall Amp Finally Gets Its Official Plug-in – And a Virtual Recording Studio, Too

The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. This is a reference 1959 Super Lead borrowed from Marshall themselves. The model number is 1959, built in the year 1967. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. It’s also nice to see Softube doing the development; to my …

READ MORE →
bx_limiter_hires_02

Tell Us About Yourself For a Chance at $2500 in Free Brainworx Plug-ins

CDM quietly turned ten years old last year. And that means it’s time to get a fresh picture of who you are. We need to know who’s reading, what you do, what you want to see on the site, and what devices we need to target. So, we’ll ask a couple of short questions – it’ll just take you about two minutes to fill out. And you can sign up for something new called CDM List, to stay informed via email and get free stuff and deals: We also want to give you a chance to get a big reward …

READ MORE →
xone43

Allen & Heath’s New Analog Mixer Could be One to Beat: Xone:43 4+1

Allen & Heath aren’t bombarding the market with products. They’re not hopping on lots of new gimmicks. What they are doing is quietly releasing well-designed mixers that dominate the DJ scene. And the Xone:43 looks nothing if not eminently sensible – enough so that I suspect some might eye it as a mixer for live sessions, as well as the obvious club installs and DJ rigs. A&H are serious enough about this tool that they’re releasing a new flagship — on the first of April. (No fooling.) But they can do that: because there’s absolutely nothing silly or far-fetched about …

READ MORE →
5_borderlands_resizing_a_sound

The Best App for Exploring Sound Just Got Better: Borderlands 2.0

It looks like a spaceship control panel, and has the futuristic sound to match. Borderlands Granular already set a high water mark for how touch could open up new possibilities in sound creation. With a new version adding live input and more control, though, its latest release may be even more significant than its first. Granular synthesis, which treats recorded sound as a fluid construction of tiny grains, needs an interface to realize its power. It’s not something that can be understood by turning a single knob. It’s defined by the sounds you put into it, by the way you …

READ MORE →
apolloconsole2

Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

READ MORE →
alchemyipad

Camel Audio Almost Certainly Acquired by Apple

When audio software maker Camel Audio announced they were ceasing operations and making their product line unavailable, we considered two possibilities: either they had simply closed shop, or they were bought. Well, they were bought. That is, we can’t confirm the plug-in vendor has been purchased by Apple. Here, let’s line up two scenarios again. Either: 1. Camel Audio spontaneously moved their UK business registration to Apple’s London address and named Apple lawyer Heather Joy Morrison as their sole Director. (Upside: awesome prank. Downside: um, maybe you get thrown in the Tower of London, or whatever England does these days.) …

READ MORE →

Bleep’s Rad-Fi: Hackable, Bendable Synth and Effect on a Breadboard

How much freedom do you want when building things? You want the ability to experiment and make choices, but you also want the process of making to be easy enough that you can play. Bleep Labs last week introduced the first two kits in a series they’re calling Rad-Fi. The idea is, follow the instructions, and you can build a synth and an effect quickly by connecting parts on a breadboard. That makes kit assembly stunningly easy, because there’s no soldering involved. It also means it’s very possible to make modifications by snapping in additional parts, or, if you want …

READ MORE →
pocketjam

A Cheesy Pocket Techno Jam with Tiny Cheap Gear

Not just a little small and a little inexpensive. A lot little. Malaventura, aka Fernando Garcia Tamajon, sends this wonderful “cheesy pocket techno jam” (spotted via Instagram). The ingredients: a PO-14 from teenage engineering, a monotron Delay from Korg and a talking translator by an unknown brand bought in a fleamarketn Works for me. There’s something about things being small, self-contained, simple … that can be inspiring. For all those years of people derisively calling things “toys,” sometimes toys are exactly what we need. I love that mystery gear, too.

READ MORE →