Beautiful 1974 circuitry makes eerie sounds that inspire today.

Pea Soup to Go Puts Decades of Experimental Sounds into Your Browser

Oh, sure, the future of the music industry might be U2 showing up in your iTunes or streams of chart-topping hits. Or, just maybe, the future just for now will be instead weird, humming soundscapes that drone on in a browser tab, generatively faded from decades of performances of a legendary experimental piece. Option number two may be wildly unrealistic and wholly unviable commercially but – hey, it’s your browser, and you can make that choice happen right now, for free. Sonic legend Nicolas Collins, sound professor, editor of Leonardo Music Journal, and electronic music inventor, has unveiled his latest …

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The tidy toolbar at the bottom shows Audiobus connectivity.

Traktor DJ for iOS Adds Audiobus to Connect to Other Apps – And It’s Not Alone

Here’s a case where the iPad version of a DJ app has surpassed what even the desktop version does. On Windows and Mac, Traktor is a powerful app for DJs, to be sure. But there isn’t an obvious way of routing DJ mixes through external effects or connecting it to other production tools. On iOS, now there is. Native Instruments quietly added Audiobus support to its popular iOS DJ app, which opens up the ability to route sound from the DJ tool to other apps. Why would you want such a feature? Recording mixes probably isn’t strictly necessary, because Traktor …

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morpheme

Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo

Morpheme excerpt [Electric Indigo & Thomas Wagensommerer] from Electric Indigo on Vimeo. Journey into “Morpheme,” a half-hour audiovisual odyssey by Electric Indigo (aka Susanne Kirchmayr) and visualist Thomas Wagensommerer. An exercise in granular extremism, it begins as a delicately crackling mist of noise, as if atoms were dancing. Just about five and a half minutes into this excerpt, someone switches on a light, and it buzzes with pounding, angrily-vibrating rhythms. Electric Indigo’s music is a regular feature here because I never cease to be amazed at the breadth of her musical output, ranging from darkly-grooving club-ready material to more idiosyncratic …

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TKFX Gives You Crazy-Easy iPad, Android Control of Traktor Effects, KAOSS-Style

For digital DJs, the computer often still trumps the iPad. You get (much) more storage, more flexible use of hardware, more features. But wouldn’t it be nice to use a tablet for X/Y control of effects? TKFX does that, and nothing else – but it does it damned well. It works on Android and iOS alike, and it’s dead-simple – and powerful. Traktor’s effects are one of the best features of the platform; this finally gives you intuitive control over them. Features: Hold function BPM sync Up to four effect units Four memory banks Use in single or group mode …

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Reason 8 Overhauls UI, Adds New Softube Amp Models [Video, Gallery]

Let’s face it: Reason has started to look a little bit crowded lately. What began as a small rack of virtual effects and instruments has grown to add an enormous mixing console. Sequencing features have, since the beginning, been squeezed to tiny lanes at the bottom of the UI. And a browser floated around in a window. Reason 8’s individual parts aren’t so different from Reason versions you’ve seen before. But it’s the way they fit together that has changed – rather radically.

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Transform Sounds for Free, with Tools Made with MeeBlip anode by Diego Stocco

The technique is called convolution, and it uses the power of digital audio theory to combine sounds, as if one is heard “inside” another. And if you’ve heard of it before, you probably associate it with reverb – rightfully so, as you can produce highly detailed, realistic reverberation with the technique. But as celebrated film and TV composer Diego Stocco has shown us previously, you can use that same potential to create sounds that would be otherwise impossible. And it means you can fuse the sounds of a synthesizer with totally unrelated sounds to create something unlike you’ve ever heard …

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guitarrigplayer

How to Add a Tuner and Other Guitar Essentials, Free, for Ableton Live and More

Computers – a category now very likely including the phone in your pocket – open up worlds of utility that previously required dedicated devices. Audio recorder? Metronome? Tuner? There’s really no reason that shouldn’t be right in the box. That said, our friend Marco Raaphorst was musing on the absence of a guitar tuner in Ableton Live – and in the process, reminds us that that other Berlin developer has quite the freebie for anyone who needs a tuner in Live, or simply wants a whole load of cool effects whether they play a guitar or not. Guitar Rig Player …

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reaktoruserlibrary

Make Anything: Reaktor User Library Updated; This Week Get Reaktor for $99

It’s time for some Reaktor love. Native Instruments’ Reaktor may not get the attention of tools like Traktor or Maschine. But the software is part of the company’s DNA, still used to prototype devices (like the new drum synths for Maschine), and able to create a vast array of instruments and effects for those willing to plumb its depths. And even if you aren’t ready to tackle Maschine patching yourself, the User Library for Reaktor is one of creative sound’s greatest gems. That Web resource was, unfortunately, looking more than a little long in the tooth, though, for all the …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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One Day, One Track, 3 Roland AIRAs: How They Sound, Would We Buy Them?

It’s probably the greeting I’ve heard most in the past couple of months, apart from “Hello.” Sometimes even before “Hello.” Everywhere I go, people are asking me what I think of the Roland AIRAs – particularly the TR-8 drum machine. There are now reviews everywhere of the AIRA TB-3 and TR-8 (and some of the VT-3, as well). For CDM, we’re planning some additional detail, but we’re still awaiting our review hardware. Fortunately, I got to spend an action-packed day with the trio of AIRAs with Benjamin Weiss. So, I can do what I’d do in a bar: I can …

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