joey

Here are 3 epic performances on modular that aren’t noodling

We revere the modular synthesizers of the past, but that ignores important innovations both in how modules are designed and how people play. Apart from the fact that Eurorack is quite a lot slimmer, lighter, and cheaper than its predecessors, we have vastly expanded the range of what modules do in ways that lend themselves to live performances. That’s not to say it’s for everyone – a modular performance still involves a lot of pre-patching for people, and there’s clearly something to be said for computers and standalone gear. But that’s perhaps partly the point: the modular solution can stand …

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sxsilver

SX on how they make electronic gospel so good it “Hurts”

SX are the embodiment of just how dynamic DIY music can be. The Belgian duo, now in their second outing, make music that’s unmistakably pop, but with plenty of raw power humming under the hood. And Benjamin and Stefanie are fully invested in their collaboration in every last detail of production, from studio to music video to live. I wanted to talk to them primarily about how that creative process came together.

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revenant-gallery-13-gallery-image

Sakamoto and Alva Noto again create electronics, scoring masterpiece

I suspect many electronic music aficianados have the soundtrack for the film The Revenant on repeat who haven’t even seen the film. Any new Alva Noto/Ryuichi Sakamoto collaboration will get the attention of lovers of minimal electronic achievement, with good reason. And The Revenant might just be the perfect landscape for that collaboration. Its marathon portrait of bleakness and intense, lonely revenge make the film a platform for a perfect Alva Noto/Sakamoto score.

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holotone

Meet Holotone, the out-there new label from Daniele Antezza

With galaxies of new sounds out there, we return to certain hubs to point us in stimulating new directions. And Daniele has done it again. We’ve heard some of the upcoming noises from Holotone, a label whose name (no kidding) draws from particle physics, and we have reason to be excited. CDM’s Zuzana Friday goes all in for an in-depth interview with plenty of music to go with the words. Apart from his work as a half of Dadub and his mastering output with Artefacts Mastering studio, Daniele Antezza produces personal and spiritual musical experiments under his Inner8 moniker. Recently, …

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Horty Shooter

Idyllic nature meets heavy beats on an emerging Paris label

We talk about the idea that online democratization should be unearthing new musical gems – but you have to find them first. CDM contributor Zuzana Friday is scouring the Web, looking for the collectives and labels and artists who stand out of that virtual noise. First up: Paris’ Lpc. With the growing popularity of contemporary (post)techno, there have been many collectives, platforms and labels forming around the globe who want to promote and share their own angle on this music, its aesthetics and its attitude. Amidst that overwhelming superabundance, one of the collectives that genuinely deserves your attention is a …

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femalepressure

female:pressure seeks crowds to change the place of women in electronic music

Ed.: We’ve seen plenty of headlines about the role of gender equality in arts and technology. But what makes female:pressure unique, as their name implies, is that the organization is working to use the power of crowds to effect real change. CDM looks to its assistant editor and editorial intern Zuzana Friday to tell us more. -PK Founded in 1998 by Electric Indigo, female:pressure is a network of artists, DJs, musicians, journalists, booking agents, and other professionals in electronic music and digital arts. In those years, the organization has served some important roles: Highlighting the inequalities that dominates the electronic …

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eyewitnessnews

Watch a 1986 TV story on house music, plus too many documentaries

In our last episode of “watching things on the Internet instead of doing real work,” we were enjoying a full-length 90s electronic music documentary and a bunch of music videos. Well, here we are at yet another weekend. And hopefully we can give you some video watching pleasure yet again, in those moments when you aren’t, well, hopefully, making music. Leading the pack is a 1986 story from Chicago TV news back when house music was in its early days, as spotted by Dancing Astronauts. And it’s an astounding document, featuring Danny “Sweet-D” Wilson, Farley “Jackmaster” Funk, Steve “Silk” Hurley, …

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berlin-atonal-2014-high-res-©-camille-blake-94

Returning the festival to a place for the specific and the new, at Atonal

Electronic music, even at its most adventurous, has a bit of a chicken and egg problem at the moment. Festivals feed off of other festivals. Projects are made to be as portable as possible, touring from one place to another. Venues, crowds, and even the festival programs themselves are made to be as interchangeable as possible. None of these things on its own is a bad thing; music touring as an institution has likely been around as long as musicians have owned shoes. But at some point, you need something new to happen. You need someone to do something specific …

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pierreschaeffer_grm

If you use samples, then wish Pierre Schaeffer a happy birthday

It’s French composer Pierre Schaeffer’s birthday, and if you’re using any form of sampling, it’s worth pausing to remember him. At 105 years of age, he’s more relevant than ever. Listen, to his Cinq études de bruits : Étude aux chemins de fer. Amazingly, this 1948 piece (made when my Mom was born) sounds like it’d still be a good listen on SoundCloud today (thanks, Yuri Spitsyn):

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