Moby Opens Up Project Files for Remixing in Ableton, Pro Tools [Exclusive Details, VIP Code]

What do you do when you’ve been one of the biggest impacts on electronic music, outlasting a succession of trends and fads, remaining one of the best-known names in sound? I mean, you can’t just start giving things away, right? Actually, if you’re Moby, that’s exactly what you do. He wants you to collaborate with him – and he’s made it really easy (even if you want to get something out of the result). It’s safe to say Moby is different from many of his peers. At the young age of 48, Moby has managed to be a presence in …

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Marcel Dettmann: When Sci-Fi Futurism and Continuity Meet, in Sound [Video]

Techno icon Marcel Dettmann has just released a second full-length. While associated with insistent-symmetrical dancefloor rhythms and phrases, it may be sound and timbre that are worth appreciating here. Dettmann did a wonderful interview for Electronic Beats (released in the summer, shot last winter, below). And the timing of that release makes it a perfect moment to listen to what he has to say. (You do have to get past a distracting faux film effect, an odd choice for the usually-tasteful video productions from EB.) Dettmann’s perspective: Techno “still is music for the future, it’s science fiction.” But to get …

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Playlist: 21 Hours of Music, on the Eve of a Female-Organized Fest in Berlin; Sarah Farina Mixes

There’s talking, there’s showing, and there’s doing. And there’s listening, too – but we’ll get to that in a moment. When female:pressure put some numbers behind the relative absence of women in festivals, the long-running discussion about the role of females in the scene was accelerated. Suddenly, the entire music press seemed to be talking about the issue again. There is plenty to debate in terms of female:pressure’s statement and its take on cause, significance, and remedy. Anecdotally, I’ve found that female artists and friends I’ve talked to are strongly divided around those questions and how they wish to be …

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Krake, Killekill, and the Growing Appetite for Experimental Electronic Music [Listen, Pictures]

Summertime may conjure images of Ibiza and middle-of-the-road festivals in Europe and America, “summer jams” and the musical equivalent of the beach book. And there’s nothing wrong with that; anyone who would deny people the pleasure of listening and dancing to music they love is kind of a jerk. But this stereotype can also obscure a simple fact: music at the edges, music falling under the broad umbrella of “experimental” is actually becoming remarkably popular. What’s beautiful about “big tent” experimentalism is that it can encompass a broad range of music. Musicians playing clubs no longer fear angular sounds and …

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Boiling-Hot Summer: nd_baumecker in 3 Hours of Boiler Room Music

To take us out this weekend, we turn to a wonderfully obsessive DJ and producer, Berlin’s nd_baumecker. It’s hard to introduce Andi without sounding a bit like you’re doing the lead-up to The Stig on Top Gear. “They say he owns more than 20,000 records*…” …and hones a new needle for each, using only his teeth. They say the Ostgut Ton label veteran* has a secret lair inside Panorama Bar accessible only by kayak in which he keeps an impressively-complete selection of home organs. “All we know is…” nd_baumecker puts together one hell of a three-hour mix. 200 albums along, …

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A Different Synthesis: Julianna Barwick, Colleen Fuse Folk Tradition with Electronics [Videos]

The essential quality of electronic music is, in some sense, collage: drawing from multi-track recording, it is defined by the ability to put things together in records or performances in new ways. The contents of that collage need not always be drum machine beats or synthesized alien sounds. And so, many artists draw from a different well. Mentioning Georgina Brett last week prompted more reader recommendations. Two artists – one from France, one from Louisiana – exemplify the fusion of minimalist and folk traditions with electronic practice. And these two, each with a different spin on aesthetics and composition, also …

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New Music From Sheffield’s The Black Dog: Focused, Finely-Honed Objects [Stream, Video, Mix]

Out this week is a new full-length from The Black Dog. The Sheffield, England-based trio – Ken Downie, Martin Dust, Richard Dust – have been making smart, non-boring electronic music for ages. (Let’s not utter “IDM” – but “smart” fits.) From Warp to Ostgut Ton, they’ve been an indelible and irreplaceable part of the creative landscape. What strikes me about Tranklements is its effusive economy and clarity. In a time when music is regularly dripping with reverb or smothered in gauzy effects and nostalgia, this is a record that stands apart from any particular time, dry and direct and witty. …

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A Quick Jam in Arcade Music Gaming, Making Synchronized Beats

So, electronic musicians and dance music makers just push buttons, huh? Actually… why not? There are certain parallels between the synchronized, quantized grids of computer music and video games. Rhythms, aesthetics, and even interface have evolved in tandem. Early games even hard-coded synthesizers and scores into the same circuitry that made the music, and each has made its impact on the other. Game designers keep toying with this concept in game design. I gave a talk on interactive music in gaming last week at Berlin’s A MAZE Indie Connect. But here’s one person at that same festival who did one …

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Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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Kidsuke, the joint project of Kidkanevil And Daisuke Tanabe on PROJECT: Mooncircle, was one big highlight for us. Matt Earp walks us through other discoveries of 2012 that could be worth a permanent place in your early 2013 listening.

Under-the-Radar Music From 2012 Starts Your 2013 Right [Round-up, Listen]

The beginning of 2013 is as good a landmark as any to begin a return to music making and creativity. But the top-ten lists that crowded the Web in the last couple of weeks may not be your best guide. Instead of working out what’s “best,” we invited CDM’s music contributor Matt Earp, aka artist Kid Kameleon, to let us know what music found a permanent home in his music library – not just streaming, not just a one-time listen, but repeat performances. That seems an ideal way to give yourself some listening inspiration to fight the darkness (in some …

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