elektronRIP

Elektron sell off the final Machinedrum, Monomachine

It’s the end of an era. The Elektron Machinedrum (2001) and Monomachine (2003) will see this month their last batch from manufacturing. It’s pretty remarkable how far these machines have come – spurred on by passionate users and a string of software updates that kept them fresh. Our Swedish friends at Elektron aren’t being terribly subtle with their marketing announcing the event, either, going for a funeral motif. Wait. Let’s back up. These are new units arriving, and unless a software update is going all Blade Runner on these things, not sure “funeral” was what they were looking for. But …

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elektronupdate

Elektron just added 12 new machines to the Analog Rytm

Hey, software drum machines aren’t the only ones who get new synthesized drums – now hardware owners can, too. If you had to explain the Elektron Analog Rytm drum machine to someone quickly, the answer was already pretty easy – it’s about the sound. Well, in an OS update quietly dubbed “1.30,” Elektron just added a whole lot of new sonic possibilities, in the form of twelve new machines and synthesis models. Want bass drums? There are three of them. Snare? Check. New metallic and ride and hat sounds? Sure. Impulse. Noise. Not only are there new models, but loads …

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gustavopatch

Watch this free monster patch for Elektron machines, in action

This one’s too good to wait. Gustavo Bravetti, the Uruguay-born producer and DJ, is already something of a maximalist. He’s the sort of person who can rock alternative controllers live on a mainstage in front of massive festival crowds – the powerful counter-example to the notion that such high-pressure gigs have to be press-play. And now, he’s been hard at work on a powerful tool for expanding the possibilities of performance on Elektron’s hardware, all using Push for control. I could ramble on, but the best way to follow this is to watch the extensive tutorial video he’s just posted:

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joey

Here are 3 epic performances on modular that aren’t noodling

We revere the modular synthesizers of the past, but that ignores important innovations both in how modules are designed and how people play. Apart from the fact that Eurorack is quite a lot slimmer, lighter, and cheaper than its predecessors, we have vastly expanded the range of what modules do in ways that lend themselves to live performances. That’s not to say it’s for everyone – a modular performance still involves a lot of pre-patching for people, and there’s clearly something to be said for computers and standalone gear. But that’s perhaps partly the point: the modular solution can stand …

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sdsscreen

This app gives Elektron Analog Rytm drag-and-drop sample loading

Elektron’s machines are so beloved, they’re almost an electronic instrumental category all their own. But much of that love is focused on the hardware workflow. The challenge lately has been how to make the latest generation of Elektron hardware fit better with other gear – and specifically, the computer. Some of those improvements are coming from Elektron. But some, too, come from third-party developers. And that’s the case with a useful Mac app.

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liverig

14 videos to remind you why it’s fun to play techno live

For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.

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Inside hands-on live technique with Blush Response, KOMA, Elektron

The sound world of Joey Blush (aka Blush Response) is far reaching, entering dark clouds of murky industrial, EBM, and techno, all with relentless forward-pushing grooves. But as we talk to him about how he connects his gear, we’re really looking at how he connects his thoughts. At its best, whatever we’re doing with gear ought to be about our minds. It’s not just connecting a patch cord. It’s connecting an idea from one place to another – re-wiring neurons. Synth legend Morton Subotnick spoke this week about that process, as he recalled first creating complex metric structures simply by …

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gustavomystery

Watch Ableton Push Tame Elektrons Live, Hear Music from Uruguay

Gustavo Bravetti is indeed a man of mystery. The Uruguay-born artist is a live virtuoso of dance music, pulling out all the stops. And in his latest feat, he tackles a trio of Elektron black boxes. Fortunately, it’s not all mysterious. The Ableton Push-controlled, Max for Live-based tool that gives him these octopus-like powers over the gear will soon be coming to you. First, let’s watch. Even if this isn’t your own musical idiom, you have to concede it’s a nice rig, nicely played. And it’s a pleasure to premiere here on CDM: The secret sauce is something called Performer. …

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wrkshp

The Soul of Czech DIY, at Noise Kitchen Nerdfest and Party

From gear to music, welcome to the capital of DIY. Music technology makers and musicians from the experimental to the party end of the spectrum are gathering soon in central Europe, and they’re worth a listen and look wherever you may be. Brno, the second largest city in the Czech Republic, was already home to some terrific musical experimentation and the mind-tickling inventions of Bastl Instruments. Now, it’s getting its own shop – NOISE.KITCHEN – and a festival to celebrate, called Synth Fest. This is about as unlikely a place as you’d expect to find such things, but the whole …

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IMG_3288

These are the Best Things at Musikmesse: CDM Best of Show Awards

What a week it’s been. Musikmesse in Frankfurt, one of the world’s largest gatherings of the music instruments industry, was host to a range of new gear, new technologies, and new revelations. I decided it’s finally time to crown my own picks as the most significant appearances at the show. Not because I have any particular right to do so, but I felt strongly enough about who was deserving. First, some honorable mentions:

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