Tristram Cary, Tape Music Pioneer, VCS3 Designer, Composer, Dies

image It’s been a rough week for electronic music — having lost Bebe Barron, we’ve now lost one of the other great early pioneers of electronic music, South Australian Tristram Cary.

Tristram is credited by some as the father of tape music, originating tape music techniques in World War II. He’s notorious to the general public and sci fi fans as the composer of the music for the Daleks in Doctor Who (along with other music) — like an evil counterpart to Delia Derbyshire, who built the studio Cary would later use. But he was also a pivotal composer of music for film, electronics, voice, and instrument alike, a well-known Australian music critic, a leading figure in studios and academies, and, oh, yeah, he did the visual design (product design, really) for the legendary portable VCS3 "Putney" synth from EMS, the synth maker of which he was a founding Director.

It’s safe to say that, out of this web of contributions to electronic sound, Tristram Cary is another of those people who charted the course for what music technology is today. From the technology to his extensive music to his work in popularizing musique concrete in England, his impact is felt even by those who don’t know his name.

Christian Haines writes to let us know of Tristram passing, evidently following a long illness.

If you don’t know his work, there’s no time like the present to discover what he’s given us.

image Official Tristram Cary Site

Wikipedia article, with lots of references and an extensive composition list

Resources at the Australian Music Centre

EMS, the "Moog Music of England", lives on (apologies to our UK readers, but Americans are just discovering EMS); see also the Synthi blog

And for a little Tristram Cary listening:

Trios LP by Tristram Cary (EMS) is a trio of EMS synth plus turntables; full tracks on the Synthi blog courtesy the composer. Really brilliant sounds:


And, you know, looking at all of this I’m reminded of why things like the Dalek connection are important. For whatever reason, mysterious science fiction worlds have been the entry point for listeners around the world into the sometimes alien and frightening new timbres of electronic music. We’re all lucky enough to have grown up in a time in which we’re challenged to create music that evokes other parts of the universe, real and imaginary.

How do you make a robotic pepper pot threatening? Hire a great composer, and watch children dive behind the couch. Photo: zoomar.

Christian sends along a complete obituary provided by the Director of the Elder Conservatorium, David Lockett:

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This Week In Synths: ARP 2500, Wiard 300 Series, SCI’s “The Patch”, EMS VCS1, and Roxy Music

By Matrix

The ARP 2500

ARP 2500This one actually just popped up for auction with a buy it now of $13,800. The 2500 was ARP’s first modular flagship and consisted of the 2003 synthesizer and 3003 keyboard controller. As mentioned in last week’s post, the ARP 2500 was also the synth played by ARP engineer Philip Dodds in Close Encounters of the Third Kind. You can actually see him play it in the film. You can find a demo of the 2500 in last week’s post as well. Some details from the auction:
“This is a very rare and early version of the ARP 2500 Modular Synthesizer. It has a larger cabinet with 3 x 5 Modules (instead of 2 x 6 Modules on standard ARP 2500s) and the switch matrix in the top section has 10 positions (instead of the 20 positions on later ARP 2500s).

The ARP 2500 for sale here has the serial number 014 (model 2003, serial 70 - 014).

I have been told that these very early 2500s were hand-built by the ARP/Tonus crew to the most exacting standards, they are probably better than later models (which of course are excellent as well).

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EMS Synthi Blog: Every Nun Needs One

Want signs the music tech blogosphere is happening? How about a blog devoted to nothing other than the EMS Synthi, the classic, portable analog modular synth from the 70s used by the likes of Eno and Fripp? Pin writes to tell us of his new creation, which already has patches, specs, and sounds for the current or would-be EMS user.

By the way, let’s just reflect on that for a moment: portable. Modular. Analog. I’m still waiting for a new modular electronic tool — that is, other than a laptop running Max or Reaktor. For those of you running the software, this could help inspire an integrated design.

Good luck with the new blog, Pin, and keep us posted!

For more Synthi adverts, see Every Advert Needs a Synthi. I’d like to picnic with synths. Maybe this summer out on Jones Beach?

EMS SYNTHI: The Blog