Deliciously Dark: Free Mix from Austria’s Houztekk, Electric Indigo, and Why the Music Matters

Dense, dark, packed, young and fresh. No, not the club – this mix. We invite Electric Indigo (Vienna’s Susanne Kirchmayr) to tell us about her new, freely-downloadable podcast with Linz, Austria’s Houztekk Records. It’s a shadowy, labyrinthian journey through the newest and most adventurous sounds in techno. And by techno, she means a wide range of noisy, broken-beat, resonating — well, let’s let her explain. That is, along with listening, because Susanne has a unique talent for producing a simmering, tasty stew from all these component parts. Or, to the music, as Tim Exile says in his track title: “It’s …

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Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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How Music Label Vlek Makes Ephemeral Sound Physical, While Giving Away Their Catalog [Gallery, Interview]

When music moved from live venues to radios and recordings, artists had to find a way to respond. Now, labels struggle to be heard in the era of Spotify and streaming, always-on, always-overabundant media. We could talk grander themes, but the possibilities of this conflict are most vivid in a microcosm. Call it post-digital or what you will, but being digital now means something different. For Belgian label, Vlek, that reality takes a number of forms, suggestive of the direction for independent electronic music. And so, in Ssaliva’s release for Vlek, executed by Dimitri Runkkari (part of Brussels’ design studio …

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Bio-interfacing Meets Music: Journal, Berlin Opening, and Get Started with Open Hardware Right Now

To understand the relationship between computer and musician, you have to first understand the relationship between computer and human. For many years, that interaction has primarily involved some gesture – the click of a mouse, the swipe of a finger – and an accompanying interface abstraction. But now, from phones to desktops, computers are not only data acquisition gadgets for photos and text and various hand gestures. They’re increasingly looking inward at their human masters, connecting to the biological feedback systems our bodies themselves use. And music is a perfect window into that world. It’s a big moment for bio-interfacing …

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A Warmer Aspect: Follow Vlek From Brussels to Lithuania – And Off The Beat Grid

From Bruxelles to Vilnius. from Vlek Data on Vimeo. If you’re living in a place that makes you feel hot outside, this video – filmed in Belgium and bitter, wintry Vilnius Lithuania – will cool you down. And if you feel cold inside, this music just might warm you up. It’s the fitting companion to the release by label/collective Vlek of their app Beatsurfing. That app eschews rigid grids for sloppy, overlaid geometries, perfectly-aligned squares for rough-hewn rhythms that stutter and drag. The geometry on the screen, in other words, is connected to the music. Describing his musical imagination, his …

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Beatsurfing: At Last, a Controller for iPad That Lets You Draw Layouts Onscreen, “Surf” Controls

Beatsurfing – The Organic MIDI Controller Builder – Official Teaser from Vlek Data on Vimeo. There are already some exceptional touch controllers on iOS. But that means it’s doubly time for something new. Even among the best touch apps for iPad, there are some common themes. Layouts, if they’re editable at all, generally require a computer app for making and adjusting sets of controls. And (while Lemur is a notable exception), many restrict you to virtual simulations of conventional buttons and faders, rather than using a range of novel controls. That seems to ignore some of the potential of the …

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Get Arturia minimoog-V, Free, Today Only [CET]

If you love that original Minimoog sound, but you’ve run out of space in your flat and money for used bank accounts and don’t like the notion of maintaining pots and oscillators and lifting heavy vintage gear, the Arturia minimoog-V remains a lovely, economical, liftable alternative. It’s the one software plug-in to receive the endorsement of the Moog Music company. (Bob Moog himself got involved when the software was developed.) And for one day, it’s completely free. You’ll want to grab it right away – that day, today June 21, ends when it does as the clock strikes midnight in …

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Multiplayer Music: Max for Live Patch Perfects Sync Over Wifi with Ableton – and a Coffeemaker

You’re not, in fact, a lonely bedroom musician with no friends. You’ve got friends. You’ve got collaborators. You’ve got audio and visual artists who want to play with your laptop with sync piped between you, and yet wireless synchronization for laptop performance has often been an elusive ideal. Here, in spectacular fashion, you can see it all come together over WiFi with Ableton Live, a projection-mapped coffeemaker, and everything from percolation sounds to the keypad sound effect from The Hitchhiker’s Guide to the Galaxy. This just in from Barcelona – a new Max for Live plug-in is making laptops and …

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Syntact is a Futuristic Gesture Interface That’s Tactile – Without Touch

Here’s how interfaces normally break down. You’ve got your conventional, tactile interfaces, like a knob. You’ve got your touch interfaces, which lack tactile feedback (you touch them, but they don’t push back). You’ve got your gestural interfaces, which have you waving your hands in the air without touching anything and without any tactile feedback. (They’re generally the most challenging, because your brain has no feedback for what it’s doing.) Syntact creates an entirely new category. It’s a gestural interface, of the “waving your hands around in the air” sort. But while your hand is in mid-air and isn’t touching anything, …

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tejada

John Tejada Interview: Asking a Techno Ambassador the Big Questions

Photos courtesy John Tejada. From his home in LA to the global scene, John Tejada is a planet-navigating techno ambassador and one of our favorite electronic musicians. He’s one of a handful of artists successful today who has managed to cross eras, whose experience isn’t just of this moment but who has touched the evolution of that scene. We turn to guest writer Alex Brandmeyer, who interviews Mr. Tejada about his own work as well as where the music scene is headed. What I like about Alex’s interview is that he asks some really fundamental questions about the evolution of …

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