Compact MIDI controllers for your fingers are plentiful, but tiny foot controllers are far fewer. map~map aka Marcus Fischer decided to build his own by performing a simple but clever mod of the KORG nanoKEY. Now, personally, I find the nanoKEY the one product in the nano series that’s lacking; it feels more like a QWERTY keyboard than anything resembling a MIDI keyboard. But Marcus transforms it into the world’s most compact and portable foot controller. You may have to be somewhat delicate with your toes, but he says the solution works perfectly!

i’ve been wanting a compact usb midi foot pedal for a long time. i built one out of a usb number pad last year but it was less than ideal. tonight i popped all of the keys but five off of my korg nanokey in order to see how it would work as a pedal. it turned out that it worked really well. i cut some small pieces of plywood out to raise the key height and some scrap plexiglass to cover up the missing keys. a little spray paint and double stick tape and it was all finished.
i think it turned out pretty well. not bad for a cheap keyboard and scrap materials.

279 / nanopedal

Those wooden blocks look quite lovely. KORG, you may have inadvertently created a new product.

Stompboxes are back! Yes, software is great, but the gigging musician still loves something you can plug in and step on. The Messe show saw some traditionally rack-mounted gear reborn in stomp form.

Sure to be a huge hit, Roland’s BOSS RE-20 takes the beloved RE-201 Roland Space Echo and recreates it as a stompbox. It emulates all the major features of the RE-201, down to placement presets and tape flutter and magnetic head sound saturation, and adds a longer delay time — plus the ability to tap in delays with your foot. No pricing or availability yet that I’ve seen.

BOSS RE-20 Space Echo Product Page
Music thing weighs in with some thoughts.

At the other end of the spectrum, vocal processor maker TC-Helicon is best known for making big, do-everything racks. They’ve now taken the most popular features there, and repackaged as stomp boxes called VOICE|TONE. The idea is to perform all of the sweetening you’d normally apply in the studio onstage.

Brad Sucks, the one-man band known for Internet stardom and Brad’s brilliant title “I Don’t Know What I’m Doing”, is taking on laptop performance. First job: find a way to use limbs on your body other than your arms and hands, since those need to play the guitar.

Like many Ableton Live users, Brad finds his way to the Behringer FCB1010 foot pedal. Before you scoff at the brand name, this foot pedal’s configuration is unusual (ten stomp pedals, two “scene” pedals, and two expression pedals), and the price is ridiculously cheap (often US$150 or less).

Of course, it is from Behringer, which means there are lots of things wrong with it: it doesn’t work out of the box with Ableton Live, and it’s a pain to program. Enter an aggressive community with tutorials, homebrewed Windows editor software, patches, hardware mods, and even a $10 firmware hack. Brad has rounded up all of them in a central location so you can skip Googling and get straight to modding:

AES is supposed to be about high-end gear for audio engineers, but apparently no one told the sparring rival computer guitar effects makers.

In this corner, from Modena, Italy, the reigning champion: IK Multimedia AmpliTube. And in this corner, from Berlin, Germany, the challenger: Native Instruments Guitar Rig 2.

Photos and comparison after the break.

Digital guitar software/hardware combos? It’s on.

Just days after IK Multimedia shows its new version of AmpliTube with new effects and a new hardware stompbox / audio interface / DI box, rival Native Instruments unveils its own upgraded computer guitar rack with new effects and a new hardware stompbox / audio interface / DI box. Not only that, but both IK and NI are at the AES show, which, as the “Audio Engineering Society” moniker implies, is not usually where you’d expect to find new guitar kit.

Native Instruments Guitar Rig 2

So, anything different about NI’s announcement (aside from the notable absence of Swedish models — see IK’s babefest promos)? Well, the Rig Kontrol 2 from NI is much sexier looking (silver instead of IK’s Barney-esque purple and black), and has an expression pedal, which is absent from IK’s box. And Native has the Boss LoopStation-like Loop Machine for layering loops on-the-fly. Both have gorgeous interfaces and terrific-sounding amp emulations and effects that easily rival hardware. It’s a good time for computer-based guitarists.

Now I’m off to the IK and NI booths to see if I can make these work for vocals and keyboards. (Any other non-guitarists using this stuff?)

More soon . . .